3,368 research outputs found
The elegies of Ted Hughes
No full textThe purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but also acts of resistance within the broader scope of elegy. Drawing on both established and contemporary critical debates surrounding Hughes and elegy, this study undertakes a comprehensive reading of the poet's major works from The Hawk in the Rain to Birthday Letters, whilst also paying attention to limited editions of his verse, including Recklings, Capriccio and Howls & Whispers. Posthumous publications, including the Collected Poems. Selected Translations and Letters of Ted Hughes, are accounted for. so that (alongside the chronological reading of the poems) Hughes's development as an elegist is fully realised. One of the aims of the thesis is to demonstrate that the poet's elegies are unified in presenting what I term the ‘actual'; that is to say, that Hughes does not fabricate sensations or forge experiences that purport to be beyond the realm of recognisable human endeavour. This I term his 'unfalsifying dream’. This is striking because quite often traditional elegies appear to present the opposite: a language which is ๐mate and images which are close to beatifying the deceased, putting them at a remove from human experience and existence. 'The Hawk in the Rain' is used to illustrate Hughes's theoretical position, especially in the case of his earlier war elegies and the circumstances of Remains of Elmet and Moortown Diary. He is both the observational, seemingly dispassionate poet (the hawk), capable of a detaching himself from the experience he wishes to relay in his verse, and yet, he is also the wanderer 'in the rain, one who is immersed in the momentous instant of his own language and experience. Like his personas, Hughes is divided. He is complicit with many of elegy's practices and traditions, but he is also a reformer and renovator of elegy, writing invigorating verse which brings the realities of mortality closer to the reader. In doing so, he reaffirms the significance of life and how this life might be better lived in closer harmony to poetry and contemporary ecological urgencies. 'The Elegies of Ted Hughes' aims to prove that far from being just a 'poet of nature', Hughes has been an exemplary elegist in our own time
Barraclough's blacksmith's shop wreckage, Clermont, Queensland, 1917 [picture] /
No full textCondition: Scratched, dirty.; Accompanied by photographic print.; Glass negative no. 87.; Left to Right, unidentified boy, Ted Barraclough junior, Duck Cooper, Ted Barraclough Senior. .; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 277 in the book A shifting town : glass-plate images of Clermont and its people.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4191824; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Book review: Ted Grant: the permanent revolutionary
No full text"Ted Grant: The Permanent Revolutionary." Alan Woods. Wellred Publishing. April 2013. --- This work aims to cover the life and ideas of Ted Grant, one of the most well known figures in the international Marxist movement. Author Alan Woods aims to outlines Grant’s important theoretical contribution to Marxism and provide insights into a subject that remains a closed book to most political analysts even now. Gordon Bannerman feels that the book fails to fully engage with its subject, but Woods’ account does have some value in its often gritty portrayal of extra-parliamentary political movements
Sulky built by Ted Barraclough, Clermont, Queensland, ca. 1915 [picture] /
No full textBarraclough was a coachbuilder and blacksmith.; Condition: Dirty, scratched, emulsion lift.; Glass negative no. 140.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 278 in the book A shifting town : glass-plate images of Clermont and its people.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4191877; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Andrew Searle in goat cart beside Wilhemina Bonzi, Clermont, Queensland, ca. 1915 [picture] /
No full textAccompanied by photographic print.; Glass negative no. 1.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 135 in the book A shifting town : glass-plate images of Clermont and its people.; Sulky made by Ted Barraclough; harness by Ted Raper; Wilhemina was nanny to the Searle children and she married Paddy Huston.; Condition: Emulsion life around edges, marks and scratches.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4191742; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Andrew Searle in goat cart beside Wilhemina Bonzi, house behind fence, Clermont, Queensland, ca. 1910 [picture] /
No full textAccompanied by photographic print.; Condition: Dirty, scratched, emulsion lift.; Glass negative no. 183.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 136 in the book A shifting town : glass-plate images of Clermont and its people.; Sulky made by Ted Barraclough; harness by Ted Raper; Wilhemina was nanny to the Searle children, whose father manager the Bank of NSW 1905-1917; she married Paddy Huston.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4191920; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Pullar Shop with truck, Capella Street, Clermont, Queensland, ca. 1920 [picture] /
No full textAccompanied by photographic print.; Condition: Emulsion lift, dirty and scratched.; Glass negative no. 55.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 2 in the book A shifting town : glass-plate images of Clermont and its people.; Shop of the photographer in new, post 1916 flood commercial centre on Corner of Douglas Street; l to r: Jack Barron, Keith Kingsbury (driving), John (Jack) Kingsbury, Phyllis Benny, Ted Raper, Gordon Pullar Junior, Ruth Bolton, Lilla Lamont, shop burnt down in 1933; inscribed Copperfield Clermont. .; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4191796; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
Andrew Searle in goat cart beside Wilhemina Bonzi, unidentified woman on right, Clermont, Queensland, ca. 1915 [picture] /
No full textAccompanied by photographic print.; Glass negative no. 312.; Part of the Gordon Cumming Pullar collection of glass negatives of Clermont, Yeppoon and nearby locations, Queensland, ca. 1905-1932.; Photograph no. 134 in the book A shifting town : glass-plate images of Clermont and its people.; Sulky made by Ted Barraclough; harness by Ted Raper; Wilhemina was nanny to the Searle children and she married Paddy Huston.; Condition: Emulsion lift, Scratched, Dirty.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4192042; Published in: A shifting town : glass-plate images of Clermont and its people / by G.C. Pullar ; compiled by Richard and Marguerite Stringer ; text by Marguerite Stringer. St. Lucia, Qld. : University of Queensland Press, 1986
My Maine piece by author Ted Gup who describes with tenderness and humor his m
No full textMy Maine piece by author Ted Gup who describes with tenderness and humor his morning ritual of removing mice from the live traps in his cabin and walking them to a clearing for release back into nature
Ted Pelton Reading and Workshop
No full textAuthor Ted Pelton recites the mythology of the trickster Woodchuck, which includes tales of Woodchuck\u27s creation by God, his assassination of President John F. Kennedy, and his inexplicable habit of carrying a very personal possession in a box, in this February 20th, 2008 edition of the Rooftop Poetry Club podcast
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