145,467 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
(Bishop) Cardinal Gong Pinmei
No full textGroup photo with (Bishop) Cardinal Gong Pinmei, seated front center. Fr. Charles McCarthy, SJ, sits to Gong\u27s left. Shanghai. B/W Photo.https://digitalcommons.whitworth.edu/cmh_gong_pinmei/1008/thumbnail.jp
Pertunjukan drama gong dari Bali
No full textBuku ini membahas tentang pertunjukan drama gong dari Bali. Sebagai kesenian tradisionil, teater memegang peranan penting dalam kehidupan masyarakat. Karena teater merupakan bagiail tak terpisahkan dari adat dan agama yang menjadi akar kehidupan spirituil. Upacara-upacara (ritus~ritus) adat, Upacara upacara kepercayaan lama serta agama hampir seluruhnya selalu diiringi musik, tari dan drama. Hingga teater sudah sedemikian menyatukan (interwoven) dalam lembaga kehidupan orang Bali. Sampai pada lembaga sosial yang paling kecil yaitu keluarga, teater merupakan suatu pengetahuan yang wajib dimiliki oleh setiap anggauta keluarga. Karena kehidupan setiap keluarga Bali · amat erat kaitannya dengan upacara-upacara tradisionil, agama yang hampir selalu diiringi pergelaran teater sebagai kelengkapan upacara. Dan pergelaran teater itu wajib diisi oleh para anggauta keluarga disamping anggauta banjar maupun sekha. Itulah sebabnya, setiap putra-putri Bali sejak masih kanak-kanak hingga usia remaja secara tradisionil memperoleh pendidikan teater secara intensip dan teratur di pura-pura kota ataupun di balai-balai banjar. Dengan bimbingan klian (sesepuh) yang mahir, mereka sejak masa kanak-kanak sudah belajar menghayati segi-segi teater. Pendidikan non formil selama bertahun-tahun yang teratur
dan intensip di seluruh kota dan penjuru desa itu menjadikan putra putri Bali amat akrab dengan teater. Mereka merasa memiliki dan menghargai (apresiasi) teater sebagai halnya mereka merasa memiliki dan ·menghargai kehidupannya sendiri
Pelodiscus huangshanensis Gong, Peng, Huang, & Nie
No full textPelodiscus huangshanensis Gong, Peng, Huang, & Nie, in Gong, Peng, Huang, Lin, Huang, Xu, Yang, & Nie 2021:140 Holotype: ANU 20210001 (photographed in the original description, p. 141, Fig. 2 and p. 142, Fig. 4); paratypes (6), ANU 20210002 (photographed in the original description, p. 142, Fig. 3), ANU 20210003, ANU 20210004 (photographed in the original description, p. 142, Fig. 4), ANU 20210005, CIB 116368, and SNHM 5414.Published as part of Iverson, John B., 2022, A review of Chelonian type specimens (order Testudines), pp. 1-85 in Megataxa 7 (1) on page 65, DOI: 10.11646/megataxa.7.1.1, http://zenodo.org/record/596444
Fr. Gong Pinmei with his Family
No full textFr. Gong Pinmei with his family. Gong in back row, center. Probably Shanghai. B/W Photo.https://digitalcommons.whitworth.edu/cmh_gong_pinmei/1016/thumbnail.jp
Gong Agong
No full textThe associations and rich sounds of a Malay gong, Korean gong, small Japanese gong, Japanese bells (like large sleigh bells), small Chinese gong, a necklace of very small bells worn in the Chinese dragon dance, tubular bells, tamtam and piano (inside and out), form the basis for Gong Agong. Many of the instruments were collected in Hong Kong and Malaysia.
The Gong Agong is the large gong in the Malaysian Terengganu Joget Gamelan. It literally means ‘king gong’ and the instrument plays an important structural role in gamelan music, marking off the largest sections. This role is retained in Gong Agong. Rhythmically and texturally, the piano reflects and imitates some of the CD sounds before embarking on an interlocking section which draws on fragments of a Malay Terengganu gamelan piece ‘lagu’ Perang.
The percussive and digitised sounds were created from recordings of improvised performances by the composers which were then edited in Protools, convolved and mutated with piano impulses in SoundHack then imported back into Protools for compositing. This process was repeated until a structure was created which was then used as impetus for the piano composition. From then on in, the process became very collaborative with the two composers editing their components as required. Gong Agong was one of three finalists in the Musica Nova International Electroacoustic Music Competition 2006 (Category B: Compositions for acoustic instrument/voice/ ensemble and electroacoustic media).
Sounds for the soundbed (CD) were originally recorded in the Main Studio, Music Area University of Western Sydney, Australia. Track on CD Unfenced, released 2008.
The acoustic piano score is written by Diana Blom and the CD soundbed designed by Emma Stacker
(Bishop) Cardinal Gong Pinmei
No full text(Bishop) Cardinal Gong Pinmei. Shanghai. B/W Photo.https://digitalcommons.whitworth.edu/cmh_gong_pinmei/1017/thumbnail.jp
(Bishop) Cardinal Gong Pinmei
No full text(Bishop) Cardinal Gong Pinmei, taken on the day of his Episcopal Consecration. Shanghai. B/W Photo.https://digitalcommons.whitworth.edu/cmh_gong_pinmei/1003/thumbnail.jp
(Bishop) Cardinal Gong Pinmei - Portrait
No full textPortrait of (Bishop) Cardinal Gong Pinmei. Shanghai. B/W Photo.https://digitalcommons.whitworth.edu/cmh_gong_pinmei/1021/thumbnail.jp
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