161,316 research outputs found
BREVE COMENTÁRIOS SOBRE O PENSAMENTO DE JEAN-GODEFROY BIDIMA
No full textO artigo tem como objetivo apresentar um breve comentário sobre o pensamento de Jean-Godefroy Bidima à luz dos conceitos de “travessia” e por fim de “palabre”. O pensamento de Bidima mobiliza uma epistemologia, uma estética e uma política. Para dialogarmos com seu pensamento debateremos com os seguintes livros: La philosophie Négro-Africaine (1995); L’art Négro-africaine (1997); Law and the public sphere in Africa. La palabre and other writings (2014)
Operum D. Basilii Magni ... prior [-secundus] tomus : cuius pars ... ad finem graecorum aliquot Archetyp[o]n partim restituta est ... partim versa per Godefridum Tilmannum Carturiae ... : prioris huius tomi catalogum habes statim post indices.
No full textColofónMarca tip. en ambas portsSign.: [cruz latina]\p7\s, ¯a\p8\s, ¯e\p8\s, ¯o\p10\s, a-z\p8\s, A-C\p8\s, D\p4\s; a-z\p8\s, A-D\p8\s, E\p5\sSegundo tomo con port. y pag. propias y pie de imp.: Parisiis: ex officina Carolae GuillardGrab. xil. en v. de por
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Título: And. Schottus De Claris
No full textFecha detallada tomada de colofónSign. : ¯a-¯o\p6\s, A-Z\p6\s, Aa-Zz\p6\s, Aaa-Zzz\p6\s, AAaa-QQqq\p6\s, a-i\p6\s, k\p4\s ; [cruz latina]\p6\s, A-Z\p6\s, Aa\p4\s ; *-11*\p6\sPort. a dos tintas con grab. calc.: "L. Gaultier, sculpsit 1606", retrato del autorM. Annaei Senecae rethoris Suasorioe, Controuersiae, Declamationumque Excerpta ... cum vberioribus notis & coniecturis Nic. Fabri, Andr. Schotii, I. Gruteri, Fr. Iureti, I. Lipsii, Io. Petreii, Fer. Pinciani, I. Opsopoei ; adiectus Libellus Andreae Schotti De claris apud Senecam Rhetoribus, quem ipse recognouit, Notasque suas prius editas auxit ..., [12], 284 p., con port., pag. y sign. propias ; And. Schottus De Claris apud Senecam rhetoribus ..., 98, [34] p., con port., pag. y sign. propia
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Um olhar crítico sobre a filosofia africana à luz do pensamento de Jean-Godefroy BIDIMA
No full textDissertação de Mestrado Erasmus Mundus Filosofias Francesa e Alemã: Desafios Contemporâneos apresentada à Faculdade de LetrasFilósofo da contestação e do questionamento, Jean-Godefroy Bidima insere-se tão profundamente na crítica da filosofia africana que se encontra através de um jogo de reação incluído nos debates desta filosofia. Pronunciando sobre o próprio estatuto da filosofia africana, redefiniu o seu conteúdo e deu o palco ao seu discurso filosófico. Para a afirmação de um africano colonizado, Bidima substitui um africano que se assume. Um ser que, através da Travessia, consegue descobrir um mundo que se revela à experiência e que deve ser capaz de ser interpretado. Jean-Godefroy Bidima não pode ser unânime sobre as suas posições. Críticas que lhe têm sido dirigidas, por vezes sobre a relevância das suas análises num contexto fora do continente africano, e sobre o estudo aprofundado da história da filosofia africana,por vezes, na facilidade com que parece apresentar a necessidade de aceitar o seu passado, um passado de escravatura, colonial, dolorosa e sobre a contestação da originalidade da ideia de travessia; Jean-Godefroy Bidima não desmere, no entanto, o interesse filosófico das teses que defende.A possibilidade que ele oferece através da sua filosofia e da sua conceção da história, mostra-nos suficientemente o impacto deste último e os seus escritos no homem de hoje e de amanhã. Além disso, provocando reações através dos seus escritos, ajudou a construir a filosofia africana.Filósofo da contestação e do questionamento, Jean-Godefroy Bidima insere-se tão profundamente na crítica da filosofia africana que se encontra através de um jogo de reação incluído nos debates desta filosofia. Pronunciando sobre o próprio estatuto da filosofia africana, redefiniu o seu conteúdo e deu o palco ao seu discurso filosófico. Para a afirmação de um africano colonizado, Bidima substitui um africano que se assume. Um ser que, através da Travessia, consegue descobrir um mundo que se revela à experiência e que deve ser capaz de ser interpretado. Jean-Godefroy Bidima não pode ser unânime sobre as suas posições. Críticas que lhe têm sido dirigidas, por vezes sobre a relevância das suas análises num contexto fora do continente africano, e sobre o estudo aprofundado da história da filosofia africana,por vezes, na facilidade com que parece apresentar a necessidade de aceitar o seu passado, um passado de escravatura, colonial, dolorosa e sobre a contestação da originalidade da ideia de travessia; Jean-Godefroy Bidima não desmere, no entanto, o interesse filosófico das teses que defende.A possibilidade que ele oferece através da sua filosofia e da sua conceção da história, mostra-nos suficientemente o impacto deste último e os seus escritos no homem de hoje e de amanhã. Além disso, provocando reações através dos seus escritos, ajudou a construir a filosofia africana.Philosopher of contestation and questioning, Jean-Godefroy Bidima inserts himself so deeply into the critique of African philosophy that he finds himself through a game of reaction included himself in the debates of this philosophy. Pronouncing on the very status of African philosophy, he redefined its contents and laid the stage for his philosophical discourse. To the affirmation of a colonized African, Bidima replaces an African who assumes himself. A bieng who, through the Traversée, manages to discover a world that reveals itself to experience and that must be able to be interpreted. Jean-Godefroy Bidima cannot be unanimous about his positions. Criticisms that have been addressed to him, sometimes on the relevance of his analyses in a context outside the African continent, and on the in-depth study of the history of African philosophy, sometimes on the ease with which he seems to present the need to accept his past, a past of slavery, colonial, painful and on the contestation of the originality of the idea of Traversée ; Jean-Godefroy Bidima does not, however, demerit the philosophical interest of the theses he defends. The possibility that he offers through his philosophy and his conception of history, shows us sufficiently the impact of the latter and his writings on the man of today and tomorrow. In addition, provoking reactions through his writings, he helped to build African philosophy.Philosopher of contestation and questioning, Jean-Godefroy Bidima inserts himself so deeply into the critique of African philosophy that he finds himself through a game of reaction included himself in the debates of this philosophy. Pronouncing on the very status of African philosophy, he redefined its contents and laid the stage for his philosophical discourse. To the affirmation of a colonized African, Bidima replaces an African who assumes himself. A bieng who, through the Traversée, manages to discover a world that reveals itself to experience and that must be able to be interpreted. Jean-Godefroy Bidima cannot be unanimous about his positions. Criticisms that have been addressed to him, sometimes on the relevance of his analyses in a context outside the African continent, and on the in-depth study of the history of African philosophy, sometimes on the ease with which he seems to present the need to accept his past, a past of slavery, colonial, painful and on the contestation of the originality of the idea of Traversée ; Jean-Godefroy Bidima does not, however, demerit the philosophical interest of the theses he defends. The possibility that he offers through his philosophy and his conception of history, shows us sufficiently the impact of the latter and his writings on the man of today and tomorrow. In addition, provoking reactions through his writings, he helped to build African philosophy
Larry O. Spencer, Conference Author Presentation
No full textGen. Larry O. Spencer, USAF (Ret.), author of Dark Horse: A Journey from the Horseshoe to the Pentago
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author Under Sail The Imagination of Jack London, 1902-1907
No full textIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1. Howl, O Heav'nly Muse! -- 2. Jesus in the Theater of Socialism -- 3. Jack London's Place in American Literature -- 4. Theater of War, Theater at Home -- 5. Revolution, Evolution, and the Scene of Writing -- 6. The Jack London Show Goes on the Road -- 7. Red Atavisms and Revolution -- 8. Earthquake Apocalypse and Building the City, Boat, and House Beautiful -- 9. The Future of Socialism and the Death of the Individual -- 10. The Road Never Ends -- Notes -- Bibliography -- IndexIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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