1,721,118 research outputs found
L'opera critica di Giulia Veronesi nella sua dimensione europea
No full textLa figura di Giulia Veronesi (1906-1970), sorella del pittore astrattista Luigi ma soprattutto storica e critica dell’arte, sembra essere stata obliterata dalla storia della critica artistica. Tale mancanza è, forse, attribuibile anche all'eliminazione - avvenuta secondo le sue ultime volontà - dei documenti conservati nel suo archivio personale i quali avrebbero potuto costituire un'importante testimonianza per la ricostruzione del suo percorso formativo.
Formatasi a Milano negli anni Venti, operò durante l'acceso dibattito sul ritorno all'ordine, nel pieno della difesa della rivoluzione espressionista europea, dei primi confronti con le istanze astrattiste e della viva contrapposizione tra architettura razionalista e monumentalismo.
Proprio in questo clima, caratterizzato dal confronto (e dallo scontro) dell'arte contemporanea con la propaganda del regime e con i primi fermenti politici e sociologici avversi a tale manipolazione, avvenne la formazione di Giulia Veronesi. A oggi non è stato pubblicato alcuno studio esaustivo sulla sua formazione culturale e sul suo lavoro, i cui contributi critici si rivolgevano tanto alla pittura astratta quanto ai più svariati ambiti artistici, quali l’architettura contemporanea, il cinema, la fotografia e le arti applicate.
Al suo impegno si deve l’allestimento di mostre milanesi dedicate a nomi importanti per il panorama artistico italiano, e internazionale, quali Tony Garnier, Frantisek Kupka e Antonio Calderara. Non devono essere dimenticati, inoltre, i contatti stretti con importanti storici dell'arte e architetti milanesi, come Giuseppe Pagano, Raffaello Giolli e Edoardo Persico.
Parallelamente a tali esperienze, Giulia Veronesi ebbe un ruolo non trascurabile anche nel campo cinematografico, partecipando alla fondazione della Cineteca Italiana al fianco di Luigi Comencini e Antonio Lattuada. Allo steso tempo coltivò rapporti professionali e amichevoli con il direttore della Cinematheque Francaise, Henri Langlois, presso il quale iniziò a lavorare dal 1939
Giulia Veronesi, pubblicista di “Emporium” (1945-1964). Un archivio ideale della storia dell’arte italiana contemporanea
No full textGiulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution to the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate a comprehensive exploration of Veronesi’s references
Author Correction: Non-small-cell lung cancer
No full textCorrection to: Nature Reviews Disease Primershttps://doi.org/10.1038/s41572-024-00551-9, published online 26 September 2024. In the version of this article initially published, the affiliation for Giulia Veronesi, Department of Thoracic Surgery, IRCCS San Raffaele Scientific Institute, Milan, Italy, was incomplete and has now been corrected in the HTML and PDF versions of the article.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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