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Social network e protezione dei dati del lavoratore
No full textSocial networks give people the perception of being able to live in two
parallel worlds, one real and one virtual. The coexistence of these two realities
generates the fallacious belief in users that the two worlds are separate one from
each other. The Author dispels this myth and underlines that on the contrary
the connections are multiple. In particular, the analysis focuses on the
interactions between the employment relationship and social networks when
they are used by the worker as personal tools. In this regard, the Author wonders
whether the provisions established by the privacy legislation and art. 8 of the
Workers' Statute provide effective protection to the data that the worker shares
on social network
Corsi e ricorsi dell’eterodirezione
No full textThe Author retraces the recurring crises of heterodirection in order to
verify whether this latter element can still be considered the heart of
subordination. In particular, the recent legislative changes regarding smart
working and “employer-organized work” confirm the continuing centrality of
heterodirection in the process of qualifying an employment relationship
Il diritto di critica alla prova dei social network
No full textThe author emphasises the negative effects that the use of social
networks can have on the employment relationship. In particular, the analysis
focuses on the interactions between the use of social networks and the right to
criticism. More broadly, the essay develops by reconstructing the limits to the
right to criticism in relation to the obligation of loyalty. In carrying out this
research, the fact emerges that the boundaries of legitimacy of the exercise of
the right of criticism cannot be identified theoretically, but must take into
account a number of specific situations in which the same right is exercised.
Therefore, it was appropriate to introduce distinctions, through a critical
analysis of those that have emerged in case la
Courses and recourses of heterodirection
No full textThe Author retraces the recurring crises of heterodirection in order to verify whether this latter element can still be considered the heart of subordination. In particular, the recent legislative changes regarding smart working and “employer-organized work” confirm the continuing centrality of heterodirection in the process of qualifying an employment relationshi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Unilaterale disapplicazione del contratto collettivo da parte del datore di lavoro e condotta antisindacale. (Nota a sentenza Tribunale civile Asti 4 giugno 2021)
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Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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