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    Rhythmic parsing

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    Poetics of Reduplicative Word Formation

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    Supplemental material for the manuscript with the above title (submitted to Language and Cognition

    Poetics of Reduplicative Word Formation

    No full text
    Supplemental material for the manuscript with the above title (submitted to Language and Cognition

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    On the emergence of reduplication in German morphophonology

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    Abstract This paper discusses reduplication as a technique of word formation in German. In contrast to previous approaches, which consider reduplication as extra-grammatical and unproductive, this study identifies rhyme and ablaut reduplication as truly reduplicative processes in the morphology of German. A sizeable corpus of these reduplications and an acceptability rating study attest the productivity of this phenomenon. Other contemplable cases of reduplicative structures are properly treated as either phonological doubling, lexical sequencing, or (special cases of) compounding. An analysis in terms of Optimality Theory (OT) is offered which suggests that both rhyme and ablaut reduplication emerge when a segmentally and prosodically underspecified expressive morpheme is attached to a base – given that the base strictly obeys certain word prosodic requirements. The present approach considers the morphophonology to be blind to morphosyntactic structure and consequently eschews constraints that make explicit reference to base-reduplicant correspondence. The OT grammar successfully models the emergence of the fixed bipedal structure, the obligatory segmental deviance of the reduplicant, non-exponence of the expressive morpheme in the case of non-trochaic bases, the variable linearization of base and reduplicant in ablaut reduplication, and the interaction of reduplication with segmental alternations. Certain (crosslinguistic) correlations regarding constraints on reduplicative word formation and poetic devices, such as rhyme and meter, are discussed.</jats:p

    AMLaP2020_Poster

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    Poetics of Reduplicative Word Formation

    No full text
    Supplemental material for the manuscript with the above title (submitted to Language and Cognition
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