1,721,421 research outputs found

    Gerhard Wagner. Die Wissenschaft der Soziologie

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    Schützeichel R. Gerhard Wagner. Die Wissenschaft der Soziologie. Journal for general Philosophy of Science. 2014;45(1):217-220

    Dr. Gerhard Wagner.

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    Negative of an art work depicting a portrait of Dr. Gerhard Wagner. Source: HDK. Govt. Collection # G.O.1.5264.47. Oil on board, 54 x 35. By W. O. Pitthan, 1942.The dimensions according to the list by the Army Art Collection of the U.S. Army Center of Military History is 54 x 35.25

    Reichsarztefuhrer Dr. Gerhard Wagner.

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    Negative of an art work depicting a portrait of Reichsarztefuhrer Dr. Gerhard Wagner (lettering on top left of painting). Source: HDK. Govt. Collection # G.O.1.5263.47. Oil on board, 49 x 36. By W. O. Pitthan, 1942.The dimensions according to the list by the Army Art Collection of the U.S. Army Center of Military History are 49 x 37

    Review of 'Communicating in the Third Space' edited by Karin Ikas and Gerhard Wagner.

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    Review of 'Communicating in the Third Space' edited by Karin Ikas and Gerhard Wagner

    Heraus aus dem "Kielwasser der Aufklärung" : Gerhard Wagner zeigt, wie viel Vergangenheit die Soziologie hat

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    Rezension zu: Gerhard Wagner : Eine Geschichte der Soziologie, Verlag UVK (UTB), Konstanz 2007, ISBN 978-3-8252-2961-0, 237 Seiten, 14,90 Euro

    The interaction of Employers’ Liability and Workers’ Compensation: Italy

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    Il contributo esamina l'interazione tra responsabilità del datore di lavoro e enti preposti al risarcimento del danno (in primis sul piano delle lesioni personali) subito dal lavoratore. Nella prospettiva delineata, si esaminano criticamente - inter alia - i vari profili di sovrapposizione tra enti di assistenza e previdenza, assicurazioni sociali e assicurazioni private. Il contributo esamina profili attinenti alla responsabilità civile, al diritto delle assicurazioni e al diritto previdenziale

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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