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    Matthew Gerber Interview

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    Scott Galloway interviews Matthew Gerber, a professor within the Computer Science Department, via Zoom about the impact of COVID-19 on his life. Gerber discusses his experience as a professor handling the transition to the online modality and the aspects of teaching online including the lack of interaction with students, who choose whether to be seen on camera and or participate in class. Visual cues and other subtle details lessened the learning experience. Gerber discusses some aspects of cheating and the online testing format, which he comments that it is possible yet he remains optimistic of students. Additionally, he dealt with his own personal experience with COVID-19 with an at-risk parent. Gerber concludes that kindness is the only way to get through a pandemic both morally and spiritually with others

    Selection of work by Anna Gerber

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    Various journals and magazines Anna Gerber has contributed to. Anna Gerber is a graphic designer and writer based in London. She is the author and designer of All Messed Up: Unpredictable Graphics (Laurence King, 2004) and co-editor and co-designer of Influences: A Lexicon of Contemporary Graphic Design (Die Gestalten Verlag, 2006) with Anja Lutz. She writes regularily for magazines such as Print, Eye, Creative Review, Varoom and Idea Magazine and her work has also been published in shift!, dot dot dot and +rosebud. She teaches at the London College of Communication on the BA Graphic Design and MA Design Writing Criticism programmes. She has also held workshops and lectures across the U.K. (including Tate Modern and the V&A Museum), as well as in India, the U.S., Australia and Malaysia. Anna Gerber is currently engaged in research and developing projects relating to sustainability and how it applies to graphic design as well as exploring contemporary graphic design in India

    Mabel Gerber Interview, 1990

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    In this interview, Mabel Gerber reminisces about the golden era of radio. Mrs. Gerber was born in Stevens County in 1897. . She remembers her brother-in-law made them their first radio in 1926.https://digitalcommons.morris.umn.edu/goldenageradio/1032/thumbnail.jp

    Fred Gerber Interview, 1990

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    In this interview, Fred Gerber reminisces about the golden era of radio. Mr. Gerber was born in 1895. Fred and his wife received their first radio in 1926.https://digitalcommons.morris.umn.edu/goldenageradio/1030/thumbnail.jp

    Testimony of William Gerber

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    Gerber was a witness for the defense, senior vice-president at Cetus, and General Manager of the PCR division at Cetus

    The CTD is not essential for the post-initiation control of Pol II activity

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    Unprocessed microscopy images, original blot scans of Gerber A and Roeder RG (manuscript JMB-D-20-00542)

    Gerber and Franse reply

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    A reply to the comments on Original: A. Gerber and J. J. Franse, Self-heating versus quantum creep in bulk superconductors, Phys. Rev. Lett. 71, 1895 (1993

    Ellen Gerber Interview, 27 September 2013

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    Ellen Gerber, a judson resident, discusses her life. She recalls how she went from a shy reserved child to a boisterous socialite at the hands of Uncle Walter. She also relates her travels as a single woman from Cleveland to Washington, D.C. to San Francisco and back. She spends a great deal of time talking about the love of her life, her husband, Jack Gerber. She mentions being a member of the Skating Club and having friends that were members of other prominent, private clubs in Cleveland. She remembers where she was during several significant events in American History, like the attack on Pearl Harbor and the assassination of John F. Kennedy

    Letter to Courtney and Jason Gerber

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    Letter to Courtney and Jason Gerber from the parents and grandparents; includes information on the centennial platehttps://openspaces.unk.edu/kc-letters/1008/thumbnail.jp

    Gerber (Anne) interview

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    Seattle, Washington, United StatesAnne Gerber and her husband, Sidney, were prominent Seattle art collectors and benefactors. Anne speaks about the development of her collection, her membership on the Seattle Arts Commission, and the challenges in bringing art to the public. Transcript is not verbatim. Subject timestamps: (0:49) Living in New York, activity on Tenth Avenue, (2:42) Beginnings of the collection, buying smaller paintings, (4:50) Concern over safety of paintings, donating paintings to Dr. Fuller, (8:49) Sailing into Kwakiutl Indian village, (13:12) Purchasing a carved totem pole, beginning of artifacts collection, (16:00) Quality and variety of collection, current availability of artifacts, (17:26) Purchase of Carl Andre work, (19:37) Obtaining Andre for Seattle Art Museum, (21:50) Works by Elizabeth Sandvig and Barbara Sussman, (23:48) Losing interest in painting, (24:45) Moving work in her home- “The Pig”, (26:17) Minimalist pieces at Pullman, (27:23) Development of women artists, (28:14) Importance of And/Or Gallery, (29:49) Work on the Seattle Art Commission, 1% for Art program (31:08) Budget struggles, (32:43) Mayor Uhlman’s support, (35:43) City Light’s response to 1% for Art program, (37:39) Challenges with public art projects, attempt at installing Flavin work at City Light building This accession is part of the Archives of Northwest Art.To request a high resolution or uncompressed reproduction, or to obtain permission to use any portion of this item, contact the University of Washington Libraries, Special Collections. Email: [email protected]. Please reference the Digital ID Number
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