912 research outputs found
Dæmonologia Northmannica: spettri, coboldi e non-morti nella letteratura anglo-normanna del XII secolo, tra influssi norreni e insulari
No full textThe essay analyzes two passages of Robert Wace's Roman de Rou in which episodes of revenantism and relationships with invisible creatures are described. Following a philological-comparative approach, I tried to identify the cultural and literary models (Norse, insular, continental, pagan and Christian) that could have contributed to defining the demonic imagery expressed by Wace in his work
The symbols in the poetry of ruben dario
No full text碩士本論文主要分為三個章節，第一章，何為象徵符號？本章節主要藉由象徵理論學家，威爾伯 (Wilbur Marshall Urban)、弗萊(Northrop Frye)、托多羅夫(Tzvetan Todorov)、賽洛特(Juan-Eduardo Cirlot)以及其他學者的相關文獻解釋象徵符號的定義以及象徵符號在文學作品中的定義。
第二章針對達里歐的生平、作品以及達里歐在現實主義時期的重要性為論述重點。筆者根據達里歐的生平以及生長年代來了解他的作品特色，達里歐一生多采多姿，尤其感情方面更為豐富，這些人生際遇皆影響達里歐的寫作風格。達里歐不只是詩人，也是歷史的見證者，從他的作品中可以看到政治歷史的變化趨勢。達里歐著作極為豐富，筆者在本章節挑選三本可以代表達里歐的作品：《藍》(Azul)、《每日詩》(Prosas profanes)以及《生命與希望之歌》(Cantos de vida y esperanza)。達里歐與現實主義有著密不可分的關係，他的寫作風格不僅受到現實主義作家的影響，同時也是影響現實主義作家的重要人士之一。
第三章筆者不僅針對達里歐的詩集作品分析，同時也分析其散文作品，如《稀奇》(Los raros)。筆者將經常出現於達里歐作品中的象徵符號分為三個部分：顏色符號、禽鳥符號和寶石符號。顏色符號部分主要分析的顏色為藍色、綠色、白色以及黑色。禽鳥符號則針對天鵝、鴿子、孔雀和老鷹。而最後的寶石符號則以珠寶、寶石、鑽石、琥珀、黃金和水晶為主要分析內容。
最後筆者希望藉由這篇論文的研究，能讓大家了解象徵符號經由作家的詮釋，即使相同的符號，也擁有不同的意義。此外也希望大家能透過此篇論文認識文學史上重要的拉丁美洲作家盧本達里歐先生。In this thesis we explore definitions of symbols and the life of the author in the book of Ruben Dario. Dario is an author who emphasized the importance of the use of symbols though out his books. Therefore we might consider him as a master specialized in writing with symbols.
We divide the thesis into three chapters. In the first chapter, we give details to the definition of the symbols. According to scholars like Urban, Frye, Todorov and Cirlot, we are able to understand symbols in forms of signs, images and words. The concept of the symbols is relatively comprehensive, taking into consideration that a symbol is not always a sign; in fact, it is much more than a sign.
In the second chapter, we describe Ruben Dario about his life, literary works and the times when he lived. His life was interesting, colorful and varied. He was not only a poet but a public figure, having been an ambassador of Nicaragua in Spain. Dario wrote many pieces and each was important to him. Based on his narration, there are three books that can represent Ruben Dario, Azul, Prosas profanas and Cantos de vida y esperanza.
Dario was the master of Modernism, mainly because of the great influence of Latin America. Not only did Ruben Dario influence the poets of Modernism but was influenced by other poets in the same period.
In the last chapter we examine the symbols in the poetry of Dario and we divided the symbols into three parts: the colors, birds and precious stones. The first part, we examine the colors. There are blue, green, and black. In the second part, we deal with the symbols of birds, including swans, pigeons, peacocks and eagles. And in the last part, we talk about precious stones. We analyze the symbols of agate, ruby, diamond, crystal and gold. Finally, we end up with the conclusions and bibliography.INTRODUCCION 1
Motivo y objetivo 1
Metodologia de trabajo 3
CAPITULO I: ¿QUE SON LOS SIMBOLOS? 5
1.1 Teorias del simbolo 6
1.2 Los simbolos en la literatura 15
CAPITULO II: RUBEN DARIO Y SU OBRA POETICA 22
2.1 Vida 22
2.2 Obra literaria 28
2.3 Ruben Dario y el Modernismo 35
CAPITULO III: LOS SIMBOLOS EN LA POESIA DE RUBEN DARIO 40
3.1 Colores 40
3.2 Aves 45
3.3 Piedras preciosas 59
CONCLUSION 72
BIBLIOGRAFIA 77
ANEXOS 83學號: 698120028, 學年度: 10
Ljósvetninga saga / Saga degli abitanti di Ljósavatn
No full textThis volume offers the first Italian translation of Ljósvetninga saga, composed in the thirteenth century, belonging to the genre of íslendigasögur, the “sagas of the Icelanders”. The volume contextualizes the work in the Medieval Icelandic literature’s framework and offers an overlook at philological issues, such as, for example, the relationship between the existing manuscripts and the genesis of the saga. In addition, the volume also provides a literary analysis of the style, characters and text, based on some of the recent academic studies. The Ljósvetninga saga tells the story of the continuous struggles between two families in Northern Iceland for supremacy over the territory: through the extensive references to legal practices, it remains a precious example of medieval Icelandic culture
Lj\uf3svetninga saga / Saga degli abitanti di Lj\uf3savatn
No full textIl presente volume offre la prima traduzione italiana della Lj\uf3svetninga saga, composta nel tredicesimo secolo e appartenente al genere delle \uedslendigas\uf6gur, le \uabsaghe degli islandesi\ubb. Il volume inquadra l’opera nel contesto della letteratura islandese medievale e offre uno sguardo sulle questioni filologiche, come, per esempio, il rapporto tra i manoscritti esistenti e la genesi della saga. Inoltre, il volume propone anche un’analisi letteraria dello stile, dei personaggi e del testo, basandosi su alcuni studi accademici recenti. La Lj\uf3svetninga saga racconta la storia delle continue lotte tra due famiglie nell’Islanda settentrionale per la supremazia sul territorio: attraverso gli ampi riferimenti alle pratiche giuridiche, essa rimane un prezioso esemplare della cultura islandese medievale
Erratum: Author Correction: A Lab-in-a-Fiber optofluidic device using droplet microfluidics and laser-induced fluorescence for virus detection (Scientific reports (2022) 12 1 (3539))
No full textCorrection to: Scientific Reports https://doi.org/10.1038/s41598-022-07306-0, published online 03 March 2022
The original version of this Article contained an error in the spelling of the author Ruben R. G. Soares, which was incorrectly given as Ruben G. Soares
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
Replication data for: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples
No full textThis dataset contains the data and code for the publication: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples.
Code Repository
A dynamic version of the code repository can be found at https://github.com/rbnbr/VoroParaSense.
The version presented in this dataset corresponds to the version used in the corresponding paper (referenced as v1.0.0) and does not contain post-publication changes to the repository.
Figures
Some of the figures contained in the Jupyter Notebooks were used to generate the CC BY 4.0 licensed figures in https://doi.org/10.1111/cgf.70122. The figures here are the raw .png figures. The published figures are mostly vector graphics and were slightly modified compared to the figures rendered in the Jupyter notebooks.
Author: Ruben Bauer
Source: https://doi.org/10.1111/cgf.70122
License: CC BY 4.0
The figures of the main paper are:
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 2
examples\notebooks\plot_examples\three_dimensional_case.ipynb used to generate Figure 3
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 4
examples\notebooks\plot_examples\two_d_major_transition_directions.ipynb used to generate Figure 5
examples\notebooks\single_dataset_convenience_plots\iris_conv_plot.ipynb used to generate Figure 6, 7, 8, 9, 10, 12
examples\notebooks\plot_examples\space_dividing_line.ipynb used to generate Figure 11
examples\notebooks\single_dataset_convenience_plots\semiconductor_conv_plot.ipynb used to generate Figure 14
examples\notebooks\single_dataset_convenience_plots\droplet_impact_conv_plot.ipynb used to generate Figure 15, 16
For the supplemental material:
examples\notebooks\plot_examples\normal_vectors_angle_vis.ipynb used to generate Figure 1
examples\notebooks\plot_examples\plane_plane_distance.ipynb used to generate Figure 2
examples\notebooks\plot_examples\runtime_experiments_2.ipynb used to generate Figure 3, 4
examples\notebooks\plot_examples\bandwidth_experiments.ipynb used to generate Figure 5 - 15
Install
Tested with Python 3.12.3.
Setup virtual environment with Python: python -m venv .venv
Activate the environment, then install the requirements via: pip install -r requirements.txt
Run python ./main.py to run the main example.
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Slippage Effects of the Conservation Reserve Program: New Evidence from Satellite Imagery
No full textThe Conservation Reserve Program (CRP) is the largest land retirement program ever operated in the US. Since its inception in 1985, many researchers have studied the impacts of this program; however, only a few have analyzed how the CRP affects surrounding non–enrolled parcels. In this research I examine how the CRP may affect the conversion of non–cropped land to agriculture, a phenomenon referred to as “slippage” in the literature, and specifically addressed by Wu (2000) and Roberts and Bucholtz (2005). Building on these earlier studies, I empirically model slippage using data derived from satellite imagery that provides information on land cover changes between 1992 and 2001. The study area consists of 1,053 counties located in the Northern Plains, Corn Belt and Lake States regions. Results support the existence of slippage effects from the CRP, but they are more conservative than the ones found by Wu (2000). The evidence of slippage provided here is important information for planners, given that whether and how the CRP affects land use decisions in surrounding areas is key information for implementing conservation efforts more efficiently.CRP, Land use change, Satellite imagery, Slippage effect, Agricultural and Food Policy, Land Economics/Use, Q15, Q24,
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