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    Corps-texte/texte-corps : des rites juifs comme rites textuels

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    Gandelman Claude, Dolève-Gandelman Tsili. Corps-texte/texte-corps : des rites juifs comme rites textuels. In: L'Homme, 1994, tome 34 n°129. pp. 93-108

    Conversas com Salomea Gandelman

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    Conhecendo a professora e pianista Salomea Gandelman desde o ano de 2000, ocasião na qual foi jurada no Concurso de Piano “Prof. Abrão Calil Neto”, de Ituiutaba, Minas Gerais, pensamos ser de grande importância para professores(as), estudantes e profissionais em música e áreas afins compartilhar os entendimentos e memória da professora, no que se refere à sua vida, à educação musical e ao concurso de piano de Ituiutaba. Tais narrativas decorreram de conversas espontâneas com Salomea Gandelman, por ocasião de visitas de trabalho, compreendidas como tempos e lugares de muitos aprendizados e orientações naquilo que já realizávamos e ainda por realizar

    36 compositores brasileiros: obras para piano (1950-1988) de Salomea Gandelman

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    Resenha do livro 36 compositores brasileiros: obras para piano (1950-1988) de Salomea Gandelman

    Le texte littéraire comme carte anthropomorphe : d'Opicinus de Canistris à Finnegans Wake

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    Gandelman Claude. Le texte littéraire comme carte anthropomorphe : d'Opicinus de Canistris à Finnegans Wake. In: Littérature, n°53, 1984. Le lieu / La scène. pp. 3-17

    F. Schmidt, La pensée du Temple. De Jérusalem à Qoumrân. Identité et lien social dans le judaïsme ancien

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    Gandelman Claude. F. Schmidt, La pensée du Temple. De Jérusalem à Qoumrân. Identité et lien social dans le judaïsme ancien. In: L'Homme, 1995, tome 35 n°135. La formule canonique des mythes. pp. 141-142

    The fixed-income market in Uruguay

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    Working paper version of article published as: de Brun Mascheroni, Julio Ernesto and Gandelman, Nestor and Kamil, Herman and Porzecanski, Arturo C., The Fixed-Income Market in Uruguay (August 2006). Available at SSRN: https://ssrn.com/abstract=929166 or http://dx.doi.org/10.2139/ssrn.929166Uruguay's capital markets remain undeveloped despite the country's financial liberalization dating back to the 1970s, which was reinforced by passage of several additional laws in 1990s whose aim was to promote the local financial markets. The government is able to raise funds domestically in what is a liquid bond market, but private firms continue to fund themselves mostly out of retained earnings or else via bank loans and suppliers' credit. Moreover, when compared to others in Latin America, Uruguayan firms feature the highest ratios of liability dollarization, and corporate debt structures with the shortest maturities - currency and maturity mismatches that render them (and by extension, their creditors) extremely fragile. A deepening of the domestic capital market would probably alleviate this vulnerability of the Uruguayan economy. The financial fragility of Uruguayan firms amplified by corporate governance issues are the main impediments for the development of the capital markets. Given the current firm practices and the absence of sizeable institutional investors besides the Pension funds, the fixed income market will most likely remain a source of funding for very few firms

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Diferencias entre los sexos en los procedimientos judiciales: Pruebas de campo de causas de vivienda en Uruguay

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    Este trabajo emplea dados de nivel micro de procedimientos judiciales en Uruguay para mostrar pruebas de que las acusadas reciben un tratamiento más favorable en los tribunales que los acusados. Esto se debe a procedimientos más prolongados de remate judicial y a que hay una mayor probabilidad de que se concedan prórrogas en los procesos de desalojo a las acusadas.

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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