4,795 research outputs found
Xavier versus Otterbein football game
No full textXavier playing football game against Otterbein on November 22, 1924. Xavier won 48 to 0. Crowds sit in the stands along the playing field sideline. The Union Building and Elet Hall are visible above the crowds.https://www.exhibit.xavier.edu/xavier_football/1016/thumbnail.jp
St. Xavier versus Transylvania football game
No full textXavier plays football game against Transylvania at Corcoran Field. Xavier won 39-0.https://www.exhibit.xavier.edu/xavier_football/1019/thumbnail.jp
Xavier University (Cincinnati, Ohio) football versus Toledo, November 9,1957
No full textBlack and white silent film of Xavier University (Cincinnati, Ohio) football versus the University of Toledo on November 9, 1957. The game was played at Xavier University\u27s Corcoran Field in Cincinnati, Ohio. The film contains game footage and shows the crowd along the sidelines
Xavier versus Centre College football game, 1921
No full textPlayers tackled during Xavier versus Centre College, 1921. Game was possibly played at Redland Field.https://www.exhibit.xavier.edu/xavier_football/1018/thumbnail.jp
Xavier University (Cincinnati, Ohio) football versus Camp LeJeune Marines, September 29, 1951
No full textColor film of Xavier University (Cincinnati, Ohio) football versus Camp LeJeune Marines on September 29, 1951 at Camp LeJeune in Jacksonville, North Carolina. Camp LeJeune is in orange uniforms while Xavier is in blue with white helmets. The film contains game footage and the halftime performance. Camp LeJeune scored with less than two minutes left in the game to tie the score
Xavier versus Haskell, Thanksgiving Day, 1924
No full textXavier versus Haskell Institute football game at Xavier. Hinkle Hall and Alumni Science (now Edgecliff Hall) are visible in the background.https://www.exhibit.xavier.edu/xavier_football/1011/thumbnail.jp
A saga de um clã Xavier
No full textThe book brings together historical memories of the Xavier family, of which the author is a member, and includes everything from the heroic episode between members of the Xavier family and Lampião's gang, to a Xavier family tree and tributes to the members of this family, as well as photographic records of known members. The author rescues and preserves important memories of the family, reconstructing facts that, if told orally, could gradually be erased. The story told by Maria do Socorro Cardoso Xavier is also a way of preserving the memory of Ipueira, reporting on the social life and historical setting of the place, using family narrative.O livro reúne registros de memórias históricas da família Xavier, da qual a autora é membro,
e traz desde o episódio heróico entre membros da família Xavier e o bando de Lampião, à
uma árvore genealógica dos Xavier e homenagens aos membros dessa famílias, além de
registros fotográficos dos membros conhecidos. A autora resgata e preserva memórias
importantes da família, reconstituindo fatos que, contados oralmente, poderiam se apagar aos
poucos. A história narrada por Maria do Socorro Cardoso Xavier também é uma forma de
preservar a memória de Ipueira, relatando sobre a vida social e cenário histórico do lugar,
utilizando da narrativa familiar
Football game
No full textPlayer tackled during Xavier football game held in a Cincinnati, Ohio baseball stadium. Stadium billboards advertise Cincinnati businesses. Creation date of photograph is circa 1900.https://www.exhibit.xavier.edu/xavier_football/1000/thumbnail.jp
4x3 poster project
No full text4x3 is an exhibition, a memory bank, and a game.
Conceived and organised by Xavier Meade and John Mandelberg,
this project draws on the personal archives of four artist/designers
who have been active in creating and collecting politically inspired
posters during the past four decades: Chris McBride (Auckland),
John Mandelberg (Hamilton), John Phillips (London) and Xavier
Meade (Raglan). Our personal archives became both the subject,
and content, of the game and the exhibition, first launched at
Ramp Gallery, Hamilton, 2014.
The exhibition consists of 48 posters of different dimensions and techniques as indicated in the poster/catalogue including a description of the project by John Phillip
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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