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No full textGabriel David ForstnerKlagenfurt, Alpen-Adria-Univ., Master-Arb., 2014Zsfassung in dt. Sprach
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Entre el museo de La Plata y ‘Filo’ : la academia, la militancia y el qué hacer de la antropología. Entrevista con Alejandro Isla
Get PDFFil: Noel, Gabriel David. Universidad Nacional de San Martín; Argentina.Fil: Noel, Gabriel David. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina.Fil: Antonini, Micaela. Universidad Nacional de San Martín. Escuela de Humanidades; Argentina.Cuando nos reunimos con Alejandro Isla el 12 de abril de 2018 a los efectos de realizar la entrevista (auto)biográfica que sigue, no teníamos ninguna forma de saber –o siquiera sospechar– que sería la última que daría. Alejandro falleció el 19 de febrero del corriente año de manera inesperada e imprevista, dejando un imborrable recuerdo así como un impacto fundamental y duradero entre todos aquellos que tuvimos la fortuna de conocerlo como docente, investigador, mentor y maestro. Alejandro se desempeñaba, hasta el momento de su deceso, como investigador principal de CONICET con sede en FLACSO Argentina, donde creó y dirigió durante muchos años el Programa de Antropología Social y Política y la Maestría y Diplomatura en Antropología Social, en la cual se desempeñaba como docente
Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: Universidad Industrial de Santander, 2015. 604 páginas
No full textReseña de Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: UniversidadIndustrial de Santander, 2015. 604 página
Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: Universidad Industrial de Santander, 2015. 604 páginas
Get PDFReseña de Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: UniversidadIndustrial de Santander, 2015. 604 página
Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: Universidad Industrial de Santander, 2015. 604 páginas
Get PDFReseña de Gabriel David Samacá Alonso. Historiógrafos del solar nativo. El Centro de Historia de Santander 1929-1946. Bucaramanga: UniversidadIndustrial de Santander, 2015. 604 página
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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