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AKULTURASI MINANGKABAU, JAWA, DAN MANDAILING DALAM KESENIAN RONGGIANG PASAMANDI KABUPATEN PASAMAN BARAT PROVINSI SUMATERA BARAT
No full textRonggiang Pasaman yang terdapat di Kabupaten Pasaman Barat Provinsi Sumatera Barat telah menjadi seni tradisi yang dikembangkan secara turun-temurun oleh masyarakatnya. Sebagai suatu seni yang berkembang di tengah masyarakat, Ronggiang Pasaman mencerminkan identitas budaya masyarakat multietnis Kabupaten Pasaman Barat,yang terdiri dari etnis Minangkabau, Jawa, dan Batak/Mandailing. Hal ini berbeda dengan beberapa pendapat yang menyatakan bahwa kesenian Ronggiang Pasaman bukan milik masyarakat Jawa dan Mandailing, namun mereka menganggap bahwa kesenian Ronggiang Pasaman merupakan seni tradisi milik masyarakatetnis Minangkabau. Hal ini menyebabkan terjadinya kerancuan atas kepemilikan kesenian Ronggiang Pasaman sebagai identitas budaya Kabupaten Pasaman Barat.Tulisan ini bertujuan untuk mengetahui bagaimana kesenian Ronggiang Pasaman yang ditinjau dari akulturasi budaya tiga etnis serta untuk mengetahui nilai-nilai budaya dalam kesenian Ronggiang Pasamanyang dihasilkan dari proses akulturasi budaya. Berdasarkan hasil penelitian yang dilakukan, toleransi dan keharmonisan antar etnis merupakan nilai-nilai penting yang terdapat dalam kesenian Ronggiang Pasaman sebagai representasi masyarakat Kabupaten Pasaman Barat.Ronggiang Pasamanthat located in West Pasaman Regency West Sumatera Province has become a traditional art that developed by its society and passed down to another generation. As an art that develops in its society, Ronggiang Pasaman reflects the cultural identity of multiethnic society in West Pasaman Regency, which is Minangkabau ethnic, Java ethnic, and Batak/Mandailing ethnic. This case is different from some opinions stating that Ronggiang Pasaman does not belong to Java and Mandailing society, they assume that Ronggiang Pasaman is a traditional art that belong to Minangkabau society. Its resulted a confusion over arts ownership of Ronggiang Pasaman as the cultural identity of West Pasaman regency. This paper aims is to tell how is Ronggiang Pasaman viewed from the acculturation of three ethnics culture and to know about the cultural value of Ronggiang Pasaman that produced from cultural accultuartion procces. Based on the result of the research that have been done, tolerance and interethnic harmony is an important value that contain in Ronggiang Pasamanas a representative of West Pasaman Regenc
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Reinterpretasi Seudati ke Dalam Komposisi Musik “Su Hu”
Get PDF“Su Hu” merupakan sebuah komposisi musik karawitan dari hasil reinterpretasi tari seudati. Seudati adalah kesenian tradisional yang berwujud seni tari dari Desa Gigieng, Kecamatan Simpang Tiga, Kabupaten Pidie Provinsi Aceh. Karya musik ini bersumber dari aksentuasi yang terdapat di ketukan syncope pada rukun saleum syahi dari tari seudati. Karya komposisi musik “Su Hu” ini digarap dalam bentuk satu bagian karya dengan mengaktualisasikan aksentuasi di ketukan syncope yang didukung dengan unsur fermata. Karya ini bertujuan untuk menciptakan suatu karya komposisi musik karawitan yang bersumber dari aksentuasi pada ketukan syncope dalam tari seudati menggunakan pendekatan reinterpretasi berdasarkan imajinasi, kreativitas, dan interpretasi pengkarya. Karya ini diwujudkan menggunakan pendekatan reinterpretasi, yaitu dengan cara mengolah aksentuasi ke dalam penggarapan ritme dan melodi yang diaktualisasikan ke dalam wajah yang berbeda dengan bentuk asal dari kesenian aslinya. Gagasan ini diwujudkan menggunakan instrumen tradisional Aceh yang didukung oleh instrumen modern, yaitu seurune kale, rapa’i, dan guitar bass. Metode yang digunakan dalam menciptakan karya ini terdiri dari riset, studio, dan realisasi
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Identifikasi Interval Melodi Lagu Aneuk Yatim Ciptaan Rafly Kande
Get PDFAneuk Yatim is a Aceh Pop song created by Rafly who is a member of the Kande Group. This group creates songs using lyrics, characters, and Aceh music instruments. The vocals of this song consist of three parts, where each part has antecedents and consequent sentences or what is known as question sentences and answer sentences. Each sentence of the song has a measurable interval. In western music theory, the intervals are in the order of Prime, Second, Terts, Quart/Kwart, Quint/Kwint, Sekt, Septim, None, Decim, Undecim, Dodecim, and Tredecim. Then, this study identifies the use of intervals using western music theory in studying and analyzing each part of the Aneuk Yatim song by Rafly Kande. This study uses a qualitative method with stages in the form of data reduction, data presentation, and looking of conclusions. Data analysis was carried out with an interactive model as a way to looking the conclusions and verify all things contained in the reduction and presentation of the data when data collection ended. The purpose of this study is to identify more deeply the tune intervals in the melody in each part of music. The result of this research is to know the shape of the interval of each melodic journey of the Aneuk Yatim song.Keywords: Aneuk Yatim; Interval; Melody; Rafly KandeABSTRAKLagu Aneuk Yatim adalah lagu Pop Aceh ciptaan Rafly yang tergabung dalam Grup Kande. Grup ini menciptakan karya lagu menggunakan lirik, karakter, dan penggunaan instrumen musik Aceh. Vokal lagu ini terdiri dari tiga bagian, dimana setiap bagian memiliki kalimat antecedents dan consequents atau yang dikenal dengan kalimat tanya dan kalimat jawab. Setiap kalimat lagu memiliki interval atau jarak nada yang dapat diukur. Dalam teori musik barat, interval tersebut memiliki urutan antara lain Prime, Second, Terts, Quart/Kwart, Quint/Kwint, Sekt, Septim, None, Decim, Undecim, Dodecim, dan Tredecim. Dengan demikian, penelitian ini mengidentifikasi penggunaan interval dengan menggunakan teori musik barat dalam mengkaji dan menganalisis setiap bagian pada lagu Aneuk Yatim karya Rafly Kande. Penelitian ini menggunakan metode kualitatif dengan tahapan berupa reduksi data, penyajian data, dan penarikan kesimpulan. Analisa data dilakukan dengan model interaktif sebagai cara untuk menarik kesimpulan dan verifikasi atas semua hal yang terdapat dalam reduksi dan sajian datanya ketika pengumpulan data berakhir. Tujuan dari penelitian ini adalah mengidentifikasi lebih dalam mengenai interval nada pada melodi dalam sebuah karya musik. Hasil dari penelitian ini adalah mengetahui bentuk jarak nada dari setiap perjalanan melodi dari lagu Aneuk Yatim.Kata Kunci: Aneuk Yatim; Interval Nada; Melodi Lagu; Rafly Kand
Sinergi Paramassa: Implementation of the Social Values of the Meugang Tradition into Digital Music Composition
Get PDFThe Meugang tradition as Acehnese local wisdom is an activity that has a togetherness. This togetherness is a social value that creates a harmonious society in the midst of the globalization era. This is something interesting to implement in the form of music compositions. The aim of this research is to create a music that implement social values in the Meugang tradition through the use of a Digital Audio Workstation. The method used is an artistic research method which consists of 1) the formulation of ideas; 2) determine the work; 3) express ideas; 4) and performances. The result of this research is music entitled "Sinergi Paramassa". This music consists of two parts that represent Meugang activities and values asah, asih, and asuh. It is hoped that this research can be an answer to the challenges of music development in the digital era in terms of the novelty of the music content sourced from local Indonesian wisdom
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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