35 research outputs found
Las novelas ideológicas y costumbristas de Emilio Castelar
The aim of this contribution is the study and classification of a series of novels by Emilio Castelar which have elements in common with nineteenth-century ideological and costumbrista narrative. After a necessary contextualisation of the author\u27s works within the framework of Spanish literary history and criticism, the selected novels (Ernesto, 1855; La hermana de la caridad, 1857; Historia de un corazón, 1874; Ricardo, 1877) are presented and judged in order to specify some general characteristics of the works taken as an object. All this will allow us to establish the place of Castelar’s forgotten novelistic work in the Spanish literary history of the 19th century.El objeto de esta contribución es el estudio y clasificación de una serie de novelas de Emilio Castelar que tienen elementos en común con la narrativa ideológica y costumbrista decimonónica. Tras una necesaria contextualización de las obras del autor en el marco de la historia y la crítica literarias españolas, se procede a la presentación y enjuiciamiento de las novelas seleccionadas (Ernesto, 1855; La hermana de la caridad, 1857; Historia de un corazón, 1874; Ricardo, 1877), a fin de especificar en última instancia unas características generales de las obras tomadas por objeto. Todo ello permitirá establecer la ubicación de la olvidada obra novelística de Castelar en la historia literaria española del siglo XIX
Asymptotic properties of OLS estimates in autoregressions with bounded or slowly growing deterministic trends
We propose a general method of modeling deterministic trends for autoregressions. The method relies on the notion of -approximable regressors previously developed by the author. Some facts from the theory of functions play an important role in the proof. In its present form, the method encompasses slowly growing regressors, such as logarithmic trends, and leaves open the case of polynomial trends.autoregression; deterministic trend; OLS estimator asymptotics
Unha ollada sobre a Galiza en tres discursos: Castelar, Emilia Pardo Bazán, Gaspar Núñez de Arce
This communication collects strictly the text read at the Conference dedicated to Emilia Pardo Bazán, organized by the Real Academia Galega, in the round-table session that took place on October 26, 2021, at the headquarters of this institution. The author adhered to the time previously set (fifteen minutes), so only an outline of the research was presented. This paper, then, offers only three flashes of individual significant authors of the Spanish nineteenth century: Castelar, Pardo Bazán, and Núñez de Arce, which correspond, respectively, with a paratext and speeches delivered in A Coruña and Madrid, in a time span referring to the decade of 80 of that century: 1880, 1885, 1886. The three pieces reveal an essential unity, in a decisive historical time: the proclamation of the indisputable prevalence of the Spanish nation and, accordingly, the rejection-condemnation of the attempts to reorganize the State (regionalism, “Separatism”, in epochal language). Being Andalusian the first of the cited authors and Castilian the third, the speech of Emilia Pardo Bazán, Galician, receives a plus of auctoritas and is part of a certain critical prototype about the Galician language and literature being reborn at that time. The three texts, in short, are expressive of an inevitable triangle: language / literature / ideology, around the notion of Spain and its internal organizationA presente comunicación recolle estritamente o texto lido no Congreso dedicado a Emilia Pardo Bazán, organizado pola Real Academia Galega, na sesión-mesa redonda que tivo lugar o 26 de Outubro de 2021, na sede desta institución. A autora atívose ao tempo previamente marcado (quince minutos), polo que o esquematismo da intervención está servido. Esta comunicación, pois, oferece só tres flashes de senllos autores significadísimos do XIX español: Castelar, Pardo Bazán, Núñez de Arce, que se corresponden, respectivamente, cun paratexto e con discursos proferidos na Coruña e en Madrid, nun arco temporal referido á decada de 80 daquel século: 1880, 1885, 1886. As tres pezas revelan unha unidade esencial, nun tempo histórico decisivo: a proclamación da prevalencia indiscutíbel da nación española e, en congruencia, a desestima-condena dos intentos de reorganizar o Estado (rexionalismo, “separatismo”, na linguaxe epocal). Sendo andaluz o primeiro dos autores citados e castellano o terceiro, o discurso de Emilia Pardo Bazán, galega, cobra un plus de auctoritas e contribúe a formatar un prototipo crítico verbo da lingua e da literatura galega daquela renacente. Os tres textos, en fin, son expresivos dun triángulo inevitábel: lingua / literatura / ideoloxía, arredor da noción de España e da súa organización interna
Literatura y literatos españoles en la revista Les Matinées Espagnoles (Madrid-París, 1883-1888)
Description and study of the articles of Spanish writers who appeared in the magazine Les Matinées Espagnoles published between Madrid and Paris from 1883 to 1888 (before turning into the Nouvelle Revue Internationale), that counted amongst its habitual collaborators prominent figures such as E. Castelar and E. Pardo Bazán. The magazine directed by Marie Létizia de Rute and with the majority of texts in French, has not usually been considered to be Spanish, something that the author tries to also justify.Descripción y estudio de los artículos de escritores españoles que aparecieron en la revista Les Matinées Espagnoles, publicada entre Madrid y París de 1883 a 1888 (antes de convertirse en la Nouvelle Revue Internationale), que contó entre sus colaboradores habituales a personajes como E. Castelar y E. Pardo Bazán. La revista, dirigida por Marie Létizia de Rute y con la mayoría de textos en francés, no ha sido usualmente considerada española, extremo que el autor intenta asimismo justificar
Los republicanos españoles ante el problema colonial: la cuestión cubana (1895-1898)
At the beginning of the cuban independence war (1895), the spanish republicans were split in several groups, standing out those sided by the historical personalities: Salmerón, Castelar and Pi y Margall. The article analyses their attitudes toward the conflict stressing the lack of understanding shown by many of tnem tacing the cuban question. As far as internal affairs is concerned the author studies the failure of the republican movement to give an alternative to the canovist system.Al estallar en 1895 la guerra de la independencia cubana, los republicanos españoles se encontraban escindidos en varios grupos, destacando los que se aglutinaban en torno a las personalidades históricas: Salmerón, Castelar y Pi Margall. El presente artículo expone las peculiaridades de cada uno de ellos ante el conflicto cubano, subrayando particularmente la incomprensión que, en líneas generales, mostraron ante el fenómeno colonial. Desde el punto de vista interno, analiza las insuficiencias de conjunto del movimiento republicano para establecer una alternativa viable al carcomido régimen canovista
El Poema del Niagara, 1880
Juan Antonio Pérez Bonalde (1846-1892) was a Venezuelan poet and translator. He was born in Caracas, Venezuela, but spent much of his life in exile as a result of political problems between his family and the Venezuelan government. His literary works include Estrofas; Ritmos; Poema del Niagara; Vuelta a la Patria; and Flor. He also translated the work of other poets into Spanish, most notably Edgar Allan Poe’s The Raven and The Songbook by Heine. He is buried in the National Pantheon of Venezuela.
Emilio Castelar (1832-1899) was a Spanish politician, historian and journalist. He was President of the Executive Power of the First Spanish Republic between 1873 and 1874.A manuscript poem about Niagara written in Spanish by Juan Antonio Pérez-Bonalde titled El Poema del Niagara. The poem is handwritten and dedicated to Emilio Castelar, a Spanish politician, historian, and journalist. The notebook contains 64 pages and is bound in leather with gold lettering on the cover that reads “A Emilio Castelar. El Poema del Niagara por J.A. Perez Bonalde, New York”. The translated dedication reads “The Poem of Niagara. To the Tribune of Liberty, Friend of America, To the glorious son of noble Spain, from that generous, poetic, and chivalrous land that I love so much, And in which I wish to see the end of my days, wrapped in the flag of gold and gravel under whose folds my ancestors were born to light, honor, and freedom. To His Excellency Mr. Emilio Castelar, This humble song, in homage of sincere, ardent, and profound admiration Dedicates The Author New York, July 15, 1880.” The last page is signed by J.A. Perez Bonalde, and dated “Niagara Falls, Clifton (Canada), July 4, 1880.” At the bottom of this same page is written “Liberty Street, New York, July 15, 1880”.
The poem is structured into nine sections, which are: (I) The Lyre and the Harp; (II) The River; (III) The Torrent; (IV) Sub-Umbra; (V) The Echo; (VI) Hosanna!; (VII) Man and Abyss; (VIII) La Poesia; and (IX) Dies Grae. This manuscript contains some additional lines not found in some of the published versions
Literatura y literatos españoles en la revista Les Matinées Espagnoles (Madrid-París, 1883-1888)
Descripción y estudio de los artículos de escritores españoles que aparecieron en la revista Les Matinées Espagnoles, publicada entre Madrid y París de 1883 a 1888 (antes de convertirse en la Nouvelle Revue Internationale), que contó entre sus colaboradores habituales a personajes como E. Castelar y E. Pardo Bazán. La revista, dirigida por Marie Létizia de Rute y con la mayoría de textos en francés, no ha sido usualmente considerada española, extremo que el autor intenta asimismo justificar.Description and study of the articles of Spanish writers who appeared in the magazine Les Matinées Espagnoles published between Madrid and Paris from 1883 to 1888 (before turning into the Nouvelle Revue Internationale), that counted amongst its habitual collaborators prominent figures such as E. Castelar and E. Pardo Bazán. The magazine directed by Marie Létizia de Rute and with the majority of texts in French, has not usually been considered to be Spanish, something that the author tries to also justify.Este trabajo se ha realizado en el marco del proyecto de investigación FFI2012-30781, financiado por el Ministerio de Economía y Competitividad
Carolina Coronado en su biografía. La construcción de una imagen: mecenazgo masculino y apuntes biográficos
In the first edition of Carolina Coronado’s Poesías (1843), the philologist and polymath Juan Eugenio Hartzenbusch creates a prologue that introduces and is attached to the literary work of the extremenian author, granting her a voice and confirming the author as a relevant writer of the time. In 1852, the work was edited again along with Hartzenbusch’s prologue plus a biographic note signed by another polymath of that age, Ángel Fernández de los Ríos; just five years later, Castelar reproduces a written portrait of Coronado in La Discusión. This study examines the role that these paratexts play on the construction of Carolina Coronado’s image and, in this sense, the way they help determinate the institutionalization of Coronado within a literary canon in mid-19thcentury Spanish literatura.En la primera edición a las Poesías (1843) de Carolina Coronado, el filólogo y erudito Juan Eugenio Hartzenbusch elabora un prólogo que acompaña a la obra de la autora extremeña, le otorga voz y la acredita como autora destacada del momento. En 1852 la obra vuelve a ser editada con la reproducción del prólogo de Hartzenbusch más una nota biográfica añadida por el erudito Ángel Fernández de los Ríos; solo cinco años más tarde Castelar reproduce una semblanza de la autora en el periódico La Discusión. Qué papel representan estos paratextos textuales de cara a la construcción de la imagen autorial de Carolina Coronado y de qué manera determinan la institucionalización de esta autora dentro de un canon literario a mediados del siglo XIX en la literatura española son las cuestiones que construyen la naturaleza del presente estudio
Brazilian Economic Growth, 1900-2000: Lessons and Policy Implications
This paper examines Brazilian economic growth as part of the project "Explaining Economic Growth Performance" launched by the Global Development Network (GDN), the purpose of which is to explain economic growth performances across seven regions of the world. According to the author of this study, a better understanding of Brazil\u27s paradoxical growth pattern during the 20th century may not only improve policy formulation but also help generate political support for its implementation. Any proposal for deepening the reform process in Brazil will not win wide acceptance if it is not perceived to respond to a credible account of how policies that are "wrong" in 2001 appeared "right," for half of the last century. With this context in mind, this paper addresses three overarching questions. First, how did Brazil manage to grow so rapidly from 1930 to 1980 while following so many "wrong" policies? Second, why did Brazil then perform so poorly in the final two decades of the century? And third, considering developments in both the domestic and international arenas, how should current public policy priorities be set to maximize Brazil\u27s potential sustainable growth rate? Analysis will look at the aggregate performance of the Brazilian economy in 1930-2000, it will examine micro evidence from firms and households, respectively, and determine whether these patterns are consistent with the macroeconomic observations noted in our initial analysis. The study also provides an evaluation on how should current public policy priorities be set to maximize Brazil\u27s potential sustainable growth rate
Acesso responsável à justiça: o impacto dos custos na decisão de litigar
A dissertação revisita o tema do acesso à Justiça sob a ótica da análise econômica do direito e analisa os incentivos criados pelas atuais regras de fixação e alocação dos custos do litígio. Principia demonstrando o atual cenário do judiciário brasileiro e as dificuldades de se lidar com o grande número de ações pendentes. Revela que uma parte substancial dos custos do sistema estatal de solução de conflitos é externalizada para a sociedade, estimulando a litigância. Examina o modelo econômico do conflito e o testa por meio de pesquisa quantitativa sobre o grau de recorribilidade de sentenças do Tribunal de Justiça Rio de Janeiro. Ao final, passa pelas diferentes regras de alocação dos custos entre os litigantes, pela necessidade de se atribuir valor jurídico ao comportamento das partes que tentam evitar o conflito e sugere formas de se regular os custos do processo de modo a tentar garantir um acesso responsável à Justiça.This dissertation reexamines the theme of access to justice from the perspective of an economic analysis of law. The author considers the incentives created by the current rules on costs and their allocation between the parties in Brazil. The dissertation opens by demonstrating the situation of the Brazilian Judiciary and its difficulties in dealing with the enormous number of pending cases. The author then shows that a substantial part of the costs of the state dispute resolution system costs are transferred to society, which creates an incentive for further litigation. The paper examines the economic model of dispute resolution and tests it through a survey of the rate of appeals filed by parties in two different civil systems at the Rio de Janeiro Court of Appeal. Finally, the author studies different rules of cost allocation and the means of attributing positive legal effects to the behavior of a party that tries to avoid conflict, the aim being to promote accountable access to justice
