1,721,223 research outputs found
Monte S. Giulia: un luogo di culto del Bronzo Recente nell'Appennino modenese
No full textIl contributo è dedicato agli scavi effettuati sulla sommità del Monte S. Giulia (m 935 slm) nell'Appennino modenese dove è stato trovato un luogo di culto con resti di rogo votivo e materiali del Bronzo recente, fra cui una spada tipo Cetona, tazze. biconici, resti di fauna e archeobotanici
Torre Maina, S. Pietro in Isola (1873)
No full textIl contributo illustra i rinvenimenti effettuati nel 1873 in località S. Pietro in Isola di Torre Maina (Maranello - MO). Si tratta di un complesso particolarmente significativo per lo studio e la comprensione delle fasi più antiche dellle Terramare
Indice
No full textIl volume affronta il tema del lavoro subordinato e a progetto, analizzando sia la normativa legislativa e sia quella della contrattazione collettiva. Gli Autori approfondiscono in primo luogo l’inquadramento generale degli istituti con riferimento in particolare a tutte le vicende del contratto (forma, casi ammessi, svolgimento e cessazione del rapporto), attraverso l’analisi della giurisprudenza e della dottrina.
Infine, l’opera analizza la prassi amministrativa e gli aspetti fiscali, contributivi e assicurativi, fornendo al professionista un importante strumento anche ai fini della pratica quotidiana
Oltre la sepoltura. Testimonianze rituali ed evidenze sociali dalla superficie d’uso della necropoli della Terramara di Casinalbo (MO
No full textThe study of Casinalbo necropolis (Modena), the largest Terramare burial site (about 670 tombs exvated), revealed unknown types of funerary rituals. The necropolis was in use from 1500 to 1150 BC and it is characterized by the exclusive use of cremation. The majority of the graves are urns without any content except for the cremated bones of the deceased. A few ornaments have been found in some female or subadult graves. Weapons are absent from male graves which are also lacking of any funerary offerings (Ma non c’era qualche rasoio?). Detailed analysis of the items found on the upper surface of the necropolis has led to the identification of areas of concentration of bronze objects (weapons and ornaments) and pottery drinking vessels which suggest that rituals were performed after the cremation ceremony. The objects were crushed and placed in a specific order. Some weapons, especially swords, were placed around the centre of the ritual area, while ornaments and other weapons (daggers) were placed toward the periphery. This pattern stands for the non egalitaran character of Terramare’s burial sites, pointing out social distinctions based on rank where individuals armed with swords held the highest social positions, similarly to coeval Olmo di Nogara necropolis (Verona), where conversely the sword was placed inside the burial
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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