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    On radiative gauge symmetry breaking in the minimal supersymmetric model

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    We present a critical reappraisal of radiative gauge symmetry breaking in the minimal supersymmetry standard model. We show that a naïve use of the renormalization group improved tree-level potential can lead to incorrect conclusions. We specify the conditions under which the above method gives reliable results, by performing a comparison with the results obtained from the full one-loop potential. We also point out how the stability constraint and the conditions for the absence of charge- and colour-breaking minima should be applied. Finally, we comment on the uncertainties affecting the model predictions for physical observables, in particular for the top quark mass. © 1990

    Gerarchie e sfere d’influenza nella pace di Milano del 1420: il Reggiano tra Filippo Maria Visconti e Niccolò III d’Este

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    Dagli atti della pace di Milano sembrano emergere, mescolandosi, ambizioni e punti di forza, ma pure limiti e contraddizioni del progetto di ridefinizione del potere principesco su base territoriale.From the Peace of Milan (1420) seem to issue, stirring themselves, ambitions and strengths, but also limits and contradictions in redefinition of princely powers on a territorial base

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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