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Atkins, F G (Francis George), WX1629
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/369309Surname: ATKINS
Given Name(s) or Initials: F G (FRANCIS GEORGE)
Military Service Number or Last Known Location: WX1629
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 4253179351
Item: [2016.0049.01636] "Atkins, F G (Francis George), WX1629
PERSPEKTIF PENGARANG DALAM MASING-MASING NOVEL NYAI DASIMA KARYA G. FRANCIS DAN S.M. ARDAN
Get PDFJudul penelitian ini adalah PERSPEKTIF PENGARANG DALAM MASING-MASING NOVEL NYAI DASIMA KARYA G. FRANCIS DAN S.M. ARDAN. Penelitian ini bermula dari permasalahan: 1) Bagaimana struktur masing-masing novel Nyai Dasima karya G. Francis dan S.M. Ardan? 2) Bagaimana perspektif kedua pengarang dimunculkan dalam novel Nyai Dasima? Berdasarkan pokok permasalahan di atas, penelitian ini bertujuan: 1) untuk mengetahui struktur masing-masing novel Nyai Dasima karya G. Francis dan S.M. Ardan, 2) untuk mengetahui perspektif kedua pengarang dimunculkan dalam novel Nyai Dasima.
Penelitian ini menggunakan pendekatan intertekstual (hubungan antarteks) dan sosiologi pengarang. Sebuah karya sastra diteliti untuk kemudian dikaitkan dengan karya sastra yang telah ada sebelumnya, serta dikaitkan juga dengan sosiologi pengarangnya (lingkungan sosial pengarang). Objek penelitian ini adalah novel Nyai Dasima karya G. Francis dan S.M. Ardan.
Prosedur penelitian mencakup metode dan teknik penelitian. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang bersifat deskriptif, yaitu mengumpulkan data, menyusun klasifikasi dan menginterpretasi data. Data-data dideskripsikan dengan cara memunculkan fakta-fakta yang berhubungan dengan struktur dan perspektif pengarang yang terdapat dalam masing-masing novel Nyai Dasima karya G. Francis dan S.M. Ardan.
Berdasarkan hasil analisis struktur didapatkan bentuk penokohan yang dapat merepresentasikan perspektif pengarang dalam masing-masing novel Nyai Dasima. S.M. Ardan menolak karakterisasi tokoh yang digagas oleh G. Francis yang bernada anti-muslim dan anti-pribumi. Analisis struktur sangat berkaitan erat dengan hasil analisis karya yang menggunakan pendekatan intertekstual dan sosiologi pengarang
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Rell G. Francis with Cyrus Dallin Art
No full textRell G. Francis was an art instructor at Springville Junior High who had an extensive collection of Cyrus E. Dallin film, photos, clippings, etc. Cyrus Edwin Dallin was a sculptor and educator, born in 1861 in Springville, Utah. Dallin\u27s works are displayed in large cities across the country, but his works also include the angel Moroni on top of the Salt Lake City LDS Temple, the Brigham Young Monument on Main Street, and the statue of Massasoit at the Utah State Capitol grounds
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Construction of Islam in Two Versions of Nyai Dasima by G. Francis and S.M. Ardan
No full textThere are many versions of Nyai Dasima, two of them were written by G. Francis and S.M. Ardan. In these versions, there are numerous binaries that can be examined in greater depth, including identity, culture, and Islamic beliefs. These two versions describe the early days of Islam in Indonesia using distinct methods and levels. It is undeniable that the writing of G. Francis, who is western-based, colonial, and liberal, is inaccurate or at the very least skewed in describing the Islamic teachings that are placed in a number of crucial situations in the Nyai Dasima plot. In the version by G. Francis, there are numerous inappropriate dictions, such as the use of the term kafir (infidel) and numerous flaws in the written story when describing Islamic teachings. On the other hand, S.M. Ardan wrote Nyai Dasima’s version by illustrating the good and evil concepts of Islamic teachings according to the context of the time, such as the devout Muslims attending the langgar (musalla) for prayer, the thriving practice of polygamy, and the use of witchcraft for love affairs. Both versions of Nyai Dasima criticize the construction of Islam in distinct ways, so neither is superior. The Nyai Dasima version of S.M. Ardan complements the distancing G. Francis interpretation. Nyai Dasima presents a distinct perspective on Islam in each version. Not to mention, these two versions also explain the differences in the way they present of the plot, which more prominently depict the various faces of Islam
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