1,721,431 research outputs found
The tarantella dance
Printed in Oil Colours, & PUBLISHED BY G. BAXTERBeschriftung im Bild: "Printed in Oil Colours, & PUBLISHED BY G. BAXTER, PATENTEE, 11, Northampton Square"Herstellungsstempel links unten: "THE TARANTELLA DANCE. PRINTED IN OIL COLOURS BY G. BAXTER. THE INVENTOR AND PATENTÉE XI. NORTHAMPTON SQUARE. LICENSES GRANTED TO WORK THE PROCESS."Das Herstellungsdatum orientiert sich an der Veröffentlichung des Buches "Marshall's Cabinet of Fashion", in dem eine Version der Grafik enhalten ist.Eine Version des Bildes ist enhalten in "Marshall's Cabinet of Fashion", siehe: https://www.britishmuseum.org/collection/object/P_1936-1116-6
Folkloristischer Tanz im Freien vor See und Bergen
Herstellungsangabe: links unten im Bild "BAXTER PATENT OIL PRINTING."Ovaler Stempel mit Krone: "BEN NEVIS, SCOTLAND. PRINTED IN OIL COLOURS BY G. BAXTER. THE INVENTOR AND PATENTEE XI. NORTHAMPTON SQUARE."Für das Herstellungsdatum wurden die Lebensdaten von George Baxter gewählt
The tarantella dance
Printed in Oil Colours, & PUBLISHED BY G. BAXTERBeschriftung im Bild: "Printed in Oil Colours, & PUBLISHED BY G. BAXTER, PATENTEE, 11, Northampton Square"Herstellungsstempel links unten: "THE TARANTELLA DANCE. PRINTED IN OIL COLOURS BY G. BAXTER. THE INVENTOR AND PATENTÉE XI. NORTHAMPTON SQUARE. LICENSES GRANTED TO WORK THE PROCESS."Das Herstellungsdatum orientiert sich an der Veröffentlichung des Buches "Marshall's Cabinet of Fashion", in dem eine Version der Grafik enhalten ist.Eine Version des Bildes ist enhalten in "Marshall's Cabinet of Fashion", siehe: https://www.britishmuseum.org/collection/object/P_1936-1116-6
Bohemian peasants, near Töplitz : celebrating the festival of their patron, St. John of Nepomuc
Bildunterschrift: "BOHEMIAN PEASANTS, NEAR TÖPLITZ, Celebrating the festival of their patron, St. John of Nepomuc.", "Page 198."Herstellungsangabe: "Printed in OIL COLOURS by G. Baxter, (Patentee,) from a Painting by J. C. Zeitter.
Maurice G. Baxter, One and Inseparable: Daniel Webster and the Union, 1984
Lépinasse Pierre. Maurice G. Baxter, One and Inseparable: Daniel Webster and the Union, 1984. In: Revue Française d'Etudes Américaines, N°26, novembre 1985. Le paysage américain. p. 467
Maurice G. Baxter, One and Inseparable: Daniel Webster and the Union, 1984
Lépinasse Pierre. Maurice G. Baxter, One and Inseparable: Daniel Webster and the Union, 1984. In: Revue Française d'Etudes Américaines, N°26, novembre 1985. Le paysage américain. p. 467
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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