4,632 research outputs found
Il contratto estimatorio
No full textRuggeri L. ha scritto: cap. IV, V, VI e ultima parte del cap. III, dal paragrafo 8 al paragrafo 1
Chirurgia Pediatrica
No full textChirurgia pediatrica; M Lima; G Ruggeri; B Randi; bullettino scienze mediche- 2010 fasc. 2; pagg 91-11
Byzantine aqueducts of Constantinople outside the city
No full textThis dataset is related to the PhD research of Francesca Ruggeri, published in the thesis "Engineering the Byzantine Water Supply of Constantinople: mapping, hydrology and hydraulics of the long aqueducts outside the City" (2018) http://hdl.handle.net/1842/31521. This aims at providing additional material resulting from the GIS work presented in Chapter 5 of the thesis. Archaeological survey data were available from previous campaigns carried out by Prof. James Crow in the years 1995-2009 in Turkish Thrace. Such data were systematically reassessed and organised by the author to create a comprehensive database of the remains of the Byzantine aqueducts of Constantinople.
This dataset includes:
maps of the Byzantine aqueducts and related features, as image files [map];
map locations viewable in Google Earth/Google Maps, as .kmz files [kmz];
shapefiles of Water Supply route and features for GIS use [shp];
lists of features (bridges, tunnels, channels), as Excel files [excel].
All maps and GIS features were created in ESRI ArcMap by F Ruggeri.This dataset includes:
maps of the Byzantine aqueducts and related features, as image files [map];
map locations viewable in Google Earth/Google Maps, as .kmz files [kmz];
shapefiles of Water Supply route and features for GIS use [shp];
lists of features (bridges, tunnels, channels), as Excel files [excel].
All maps and GIS features were created in ESRI ArcMap by F Ruggeri
Ruggeri recites Pirandello. Story of an author and his interpreter.
No full textreservedObiettivo principale della tesi è la ricostruzione dei rapporti tra Luigi Pirandello e Ruggero Ruggeri, tra i più significativi interpreti della produzione teatrale del girgentino, al fine di delineare gli spazi di influenza dell’attore nei processi creativi del drammaturgo. La scrittura per la scena non può infatti prescindere né dalle necessità dell’interprete di veder valorizzate le proprie virtù recitative, né dall’esigenza dell’autore di predisporre un testo adatto alla compagnia che lo rappresenterà; e questo vale tanto più se a fronteggiarsi sono un attore d’esperienza come Ruggeri e un uomo di teatro del calibro di Pirandello. Il drammaturgo anticipa spesso, infatti, in numerose e ricchissime lettere indirizzate all’interprete, temi e contenuti delle pièces che va scrivendo per Ruggeri, accogliendone interessi e orientamenti teatrali; viceversa, l’attore insiste per ottenere dal girgentino opere sempre nuove da mettere in scena e addirittura avanza pretese sui testi, suggerendo modifiche e correzioni. Testimonianze di una ravvicinata collaborazione tra i due, le informazioni contenute nel carteggio vanno poi senz’altro fatte intersecare con il repertorio di Ruggeri, secondo cruciale asse di riferimento della nostra indagine: non solo i testi che Pirandello compone su misura per lui, ma l’intero ventaglio spettacolare a disposizione dell’interprete, che ci permette di ricostruire con efficacia le modalità con cui l’autore si inserisce gradualmente nella “drammaturgia d’attore” ruggeriana e nel contesto spettacolare dei primi decenni del Novecento.The main objective of the thesis is to reconstruct the relationship between Luigi Pirandello and Ruggero Ruggeri, one of the most significant interpreters of the dramatist’s production, in order to outline the actor's influence over Pirandello's creative processes. Theatrical writing cannot ignore, indeed, the actor’s necessity to showcase his own acting talents or the playwright’s need to compose a text suitable for the company that will perform it; and this is especially true when the collaboration involves an experienced actor like Ruggeri and a theatrical personality like Pirandello. The playwright often anticipates, in numerous and interesting letters to the interpreter, the themes and contents of the pièces he is writing for Ruggeri, accommodating the actor’s interests and theatrical sensibilities; vice versa, the actor constantly demands new plays and even makes claims on the texts, suggesting changes and corrections. These informations documented in the correspondence, that show a close collaboration, must be confronted with Ruggeri’s repertoire: not only the plays Pirandello wrote specifically for him but also the other works performed by the actor, allowing us to reconstruct how Pirandello gradually becomes familiar with Ruggeri’s “actor dramaturgy” and the early XXth century’s theatrical landscape
Les Crânes de Myrina du Musée Impérial de Vienne (traduit de l'italien par G. de Giovanetti)
No full textGiuffrida-Ruggeri V. Les Crânes de Myrina du Musée Impérial de Vienne (traduit de l'italien par G. de Giovanetti). In: Bulletins et Mémoires de la Société d'anthropologie de Paris, V° Série. Tome 9, 1908. pp. 162-167
Front Cover: Macromol. Chem. Phys. 6/2014
No full textThe preparation of different styrene-based polymer films containing small amounts of tetraphenylethylene (TPE) and the evaluation of their photoluminescent behavior are reported. TPE molecular rotors show brilliant blue emission in a poor solvent or in a glassy styrene-based polymer matrix, where the intramolecular rotations of its aryls result as being completely arrested, but the fluorescence is weakened to pale green and eventually to a faint signal when good solvents or viscous but not glassy polymer matrices are used. This behavior suggests potential benefits in applications such as polymer traceability. Further details can be found in the article by G. Iasilli, A. Battisti, F. Tantussi, F. Fuso, M. Allegrini, G. Ruggeri, and A. Pucci on page 499
Sorveglianza molecolare delle gastroenteriti da rotavirus in età pediatrica in Italia, 2010-2011.
No full text- …
