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Edwin G. Cohen Papers
No full textEdwin G. Cohen had a distinguished career in educational and instructional television from 1955 to 1990. During those years, his positions included program associate for the Educational Television and Radio Center, director of the National Instructional Television Film Library, and executive director of the Agency for Instructional Television and its successor, Agency for Instructional Technology. The collection documents Cohen's role in the growth of operation of several educational and instructional film and television agencies
G. Cohen-Jonathan, La Convention européenne des droits de l'homme
No full textG. Cohen-Jonathan, La Convention européenne des droits de l'homme. In: Revue internationale de droit comparé. Vol. 41 N°3, Juillet-septembre 1989. pp. 797-798
G. Cohen-Jonathan, La Convention européenne des droits de l'homme
No full textG. Cohen-Jonathan, La Convention européenne des droits de l'homme. In: Revue internationale de droit comparé. Vol. 41 N°3, Juillet-septembre 1989. pp. 797-798
G. Cohen. — Le théâtre en France au Moyen-âge, II. Le théâtre profane, éditions Rieder
No full textMichaut Gustave. G. Cohen. — Le théâtre en France au Moyen-âge, II. Le théâtre profane, éditions Rieder. In: Revue internationale de l'enseignement, tome 87,1933. p. 190
Harlan G. Cohen\u27s article listed on SSRN\u27s top 10 download list
No full textProfessor Harlan G. Cohen\u27s article Historical American Perspectives on International Law was recently listed on SSRN\u27s top 10 download list for all Public International Law categories
Harlan G. Cohen\u27s article listed on SSRN\u27s top 10 download list
No full textProfessor Harlan G. Cohen\u27s article Historical American Perspectives on International Law was recently listed on SSRN\u27s top 10 download list for all Public International Law categories
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
G. Cohen. Histoire de la mise en scène dans le théâtre religieux français du moyen âge
No full textLanglois Ernest. G. Cohen. Histoire de la mise en scène dans le théâtre religieux français du moyen âge. In: Bibliothèque de l'école des chartes. 1906, tome 67. pp. 523-524
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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