3,976 research outputs found
Hardware associated with: Recording animal-view videos of the natural world using a novel camera system and software package
No full text<p>The modular 3D printed housing for the camera system described in:</p><p>Vasas V, Lowell MC*, Villa J*, Jamison QD*, Siegle AG*, Katta PVR*, Bhagavathula P*, Kevan PG, Fulton D, Losin N, Kepplinger D, Salehian S, Forkner RE, Hanley D (2023) Recording animal-view videos of the natural world using a novel camera system and software package. PLoS Biology. DOI: 10.1371/journal.pbio.3002444</p><p> </p><p> </p>
Drew Lopenzina, 40th Annual ODU Literary Festival
No full textDrew Lopenzina hails from the Berkshires of Western Massachusetts and teaches Early American and Native American literatures at Old Dominion University in Norfolk. His second book, Through an Indian\u27s Looking Glass (University of Massachusetts Press), is a cultural biography of the Pequot writer, activist and minister William Apess, the first Native American to write and publish his own book length treatises and memoirs in the 1820\u27s and 30\u27s. Praise by Barry O\u27Connell states that Lopenzina brings Apess nearly fully to life, which no one else, among many scholars, has. I know of no better reader of Apess\u27s own writing. Lopenzina is also the author of Red Ink: Native Americans Picking up the Pen in the Colonial Period. His essays appear in the journals American Literature, American Quarterly, Studies in American Indian Literature, Native American and Indigenous Studies and others
Print Journalism and the System of Creativity
No full textThis chapter is based on findings from a research project that employed Mihaly Csikszentmihalyi’s systems model of creativity to explore the creative process of print journalists. The research also drew on Pierre Bourdieu’s cultural production model and Donald Schön’s (1983) ideas about tacit knowledge as support theories. Using ethnographic techniques, the researcher investigated the system of print journalism in Australia by observing newsrooms, analysing documents and artefacts pertinent to print journalism, and interviewing journalists, cadet journalists, editors, subeditors and deputy editors. These participants represent members of what Csikszentmihalyi calls the field, the social group responsible for verification of creativity
Improving ethnic monitoring for telephone-based healthcare: a conversation analytic study
No full textThis final article is available for use under the terms of the Creative Commons Attribution Non-Commercial 2.0 Licence; see http://bmjopen.bmj.co
Our Story: A True Historical Account of the Drew & Fairbanks Families of Florida Through the Life Story of a Great-Grandson
No full textThe author, a fourth generation Floridian, documents the saga of the Drew and Fairbanks families in Florida in the 1920\u27s, 1930\u27s and the World War II era. Although active in law practice and a Lt. Col. of the Army Reserves, his first love is a citrus grove situated in the wilds of Florida. PALMMhttps://digitalcommons.unf.edu/northeast_fla_books/1005/thumbnail.jp
DREW, Charles
No full textTitle: Papers, 1900-1980s Description: 16 linear ft.
Notes: Afro-American surgeon, author, and pioneer in the storage of human blood. Personal and family papers, writings and research on blood plasma and blood banks, newspaper clippings, and programs relating to Drew\u27s activities; together with materials documenting his work with the Blood Transfusion Betterment Association during World War II. Gifts of Dr. R. Frank Jones, 1973, Mrs. Minnie Lenore Drew, 1974, and James L. Marshall, 1981.
Subjects: Afro-American physicians. lcsh Blood banks. Blood plasma. Blood Transfusion Betterment Association.
Location: Howard University, Moorland-Spingarn Research Center (Washington, DC). NIDS Fiche #: 4.72.32 NUCMC Number: DCLV96-A41
Drawing for interior design / Drew Plunkett.
No full textincludes indexengineering bookfair2015192 pages :This book covers all stages of visual presentation as part of the interior design process, from the most basic initial sketches to fully developed computer- generated visualizations. Following a brief introduction four chapters take the reader through the design process, from the basics to conception, presentation and production. This second edition includes more practical advice on techniques, more case studies, step-by-step sequences and updated examples. With a varied and comprehensive range of images, this book is an invaluable, inspirational and practical resource for interior design students
Charlemagne in Wales:Imperialism in Medieval Welsh Poetry
No full textTo some extent, this chapter follows on from those by Annalee Rejhon (chapter 9) and Luciana Cordo Russo (chapter 8) in this volume. In her chapter, Rejhon considers the two earliest Charlemagne texts to be translated into Welsh, Cân Rolant (from the Anglo-Norman Chanson de Roland) and Pererindod Siarlymaen (from Le Pèlerinage de Charlemagne) and suggests they were both adapted in the first half of the thirteenth century. Rejhon considers in detail some examples of references to these legends in the work of three twelfth- and early thirteenth-century court poets of Wales, the gogynfeirdd, references that were inspired by Anglo-Norman Charlemagne texts circulating in the courts of the English king and the Welsh princes. Cordo Russo’s chapter focuses on techniques of translation in the Welsh texts, comparing the two earlier texts with the later one, Otuel, translated early in the fourteenth century.In this chapter, I will look at the legacy of Charlemagne in Welsh poetry of the later Middle Ages, in the work of court poets composing from the middle of the fourteenth century to the later fifteenth century. These poets had the advantage of access to all four of the Charlemagne legends available in Welsh versions, and the detail of their references indicates the familiarity of the poets and their audiences with the legends as an assimilated tradition of military, chivalric, religious, and imperial achievement. While the gogynfeirdd, court poets who praised the Welsh princes from the eleventh to the thirteenth centuries, made relatively few references to the Charlemagne legends, preferring to attach their aristocratic patrons to the familiar prestige of native Welsh heroes and saints, poets of the fourteenth century drew more freely on international popular legends including those relating to Charlemagne and his knights, with a focus on the latter rather than on Charlemagne himself. The names of Roland, Oliver, and Otuel, in particular, appear fairly frequently in the poetry as paradigms of chivalric action for uchelwyr, literally ‘high men’, that is, men of the Welsh gentry, many of whom gained significant military experience fighting for the English king in wars against Scotland and France. In the fourteenth century, uchelwyr patrons of the new court poetry that emerged after the fall of the independent princes in 1282 were keen to claim legitimacy as the heirs of the Welsh princes
Letter from Oscar Elsas to Walter Drew, National Erectors' Association
No full textPhysical condition: GoodIn this letter, Oscar Elsas questions the impartiality of the interviewer, A. M. Daly, in the investigation of the textile industry by the Commission on Industrial Relations
Dacus (Neodacus) perpusillus Drew 1971
No full textDacus (Neodacus) perpusillus Drew, 1971, restored combination Figure 91 Distribution. New Caledonia (mainland, Maré, Lifou). Male lure. Cue-lure. Host plants. No known host. Biology. Monthly trapping data illustrated on Figure 135. Notes. This species was originally described as Dacus (Asiadacus) perpusillus Drew, 1971 and later reassigned as Bactrocera (Sinodacus) perpusilla (Drew) by Drew (1989). More recently, it was transferred to genus Zeugodacus, as Z. (Sinodacus) perpusillus (Drew) (DeMeyer et al. 2015; Doorenweerd et al. 2018) or treated as Bactrocera (Parasinodacus) perpusilla (Drew) by Hancock and Drew (2017b). A close morphological examination of fresh specimens collected by the author in New Caledonia in 2019 clearly shows that this species belongs to genus Dacus and subgenus Neodacus, as defined by Drew and Romig (2013, 2022), further confirmed by genetic data (Doorenweerd et al. 2020). I am therefore reassigning this species as Dacus (Neodacus) perpusillus Drew.Published as part of Leblanc, Luc, 2022, The dacine fruit flies (Diptera: Tephritidae: Dacini) of Oceania, pp. 1-167 in Insecta Mundi 2022 (948) on page 150, DOI: 10.5281/zenodo.730086
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