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La época de Fernando VI. Ponencias leídas en el coloquio conmemorativo de los 25 años de la fundación de la Cátedra Feijoo
No full textMenéndez Peláez, Jesúsi; Urzainqui Miqueleiz, Inmaculada; Ruiz de la Peña Solar, Álvaro; Fernández Gómez, Juan Fernando; Ferrer Benemeli, José Antonio; Olaechea, Rafael; Mateos Dorado, María Dolores; Demerson, Jorge; Saugniueux, Joël; Aguilar Piñal, Francisco; Bustos Tovar, Jesús de; Froldi, Rinaldo; Fabbri, Mauricio; Caso González, José Migue
Una carta inédita de Francisco Javier Clavijero en torno a la supresión de la Compañía de Jesús
Full text linkThis text by the Jesuit, Francisco Javier Clavijero in exile in Italy, was written after the death of Pope Clement XIV (1774) who had decreed the suppression of the Society of Jesus a year before. The letter strongly criticizes the Pope's decision which Clavijero considers to be deeply unfair and sensely cruel, fruit of a deplorable compliance with the monarchy of the major powers in Europe. The author does not hesitate to compare this act to the persecution of the Templars carried out by Pope Clement V four centuries before. Clavijero imagines the severe judgement that posterity would endow to this inauspicious act; with great bitterness, revealing a bold character and severity of thought, he not only foresees the moral condemnation of the Pope considered to be guiltily weak and simoniacal but also reaffirms the merits of the Society of Jesus in their faith and works and particularly in their cultural activities.Este escrito del jesuita exiliado en Italia, Francisco Javier Clavijero, es posterior a la muerte del Pontífice Clemente XIV (1774), quien un año antes había decretado la supresión de la Compañía de Jesús. Se trata de una carta altamente polémica contra la acción del Papa, considerada como un acto profundamente injusto e inútilmente cruel, fruto de una deplorable condescendencia a los monarcas de las mayores potencias europeas, el autor no duda en parangonarlo con la persecución de los Templarios por parte de otro Papa, Clemente V, cuatro siglos antes. Imagina Clavijero el severo juicio que la posteridad dará de este nefasto acto; con profunda amargura, revelando un carácter fiero y al mismo tiempo el rigor de su pensamiento, prevé la condena moral del Pontífice, considerado como culpable de debilidad y simoníaco, y a su vez, reafirma los méritos de la Compañía de Jesús, en la Fe y en sus obras, y en particular en la cultura
Una carta inédita de Francisco Javier Clavijero, en torno a la supresión de la Compañía de Jesús
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Juan de la Cueva y su Tragedia de Los siete Infantes de Lara
Full text linkThis paper analyses tragedy at the end of the 16th century, within the framework of Spanish plays, and specially the Tragedia de los siete Infantes de Lara by Juan de la Cueva. The historic legend, recounted in chronicles and ballads, is taken up in this play just at the end: the initial part is only taken in the accounts of some of the characters. The structure of the tragedy is rather original: Juan de la Cueva goes through successive «pictures» which refer to the most dramatically evocative episodes. Noteworthy is the poet’s interest in the value of words and his search for a formal and learned style, not lacking occasionally of some rhetorical abuses. This paper highlights the characteristics of Cueva’s humanistic style as well as the contradictory points of view in the critical history of this work, which probably raised admiratio but also raised the moral of the audience, as was actually the poet’s intention.Este artículo examina, en el marco de la literatura teatral española, la tragedia de finales del siglo XVI y, en particular, la Tragedia de los siete Infantes de Lara, de Juan de la Cueva. La histórica leyenda, narrada en las crónicas y en los romances, es asumida en el teatro solo en su parte final: la parte inicial se confía a las narraciones de algunos personajes. La estructura de la tragedia es original: Juan de la Cueva procede a través de «cuadros» sucesivos que se refieren a los episodios más dramáticamente sugerentes. Es destacable el interés del poeta por el valor de la palabra y por la búsqueda formal y culta, no sin algunos abusos retóricos. El ensayo pone de relieve las características del gusto humanístico que inspira a Cueva, así como los contradictorios puntos de vista en la historia crítica de esta composición, que posiblemente tuvo el mérito de levantar admiratio, pero también de elevar moralmente al público, como el poeta se propuso
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