1,721,006 research outputs found
Das iberische Werk von Otto Denk, Historiker der mittelalterlichen katalanischen Literatur im 19. Jahrhundert
Full text linkThe author of the first German-language history of Catalan literature, Otto Denk (pseud. Otto von Schaching, 1845–1918), has remained an unknown figure in German Catalan studies despite his pioneering historiographical work. The Iberian Peninsula is only one of the many aspects of the Bavarian polygraph’s large oeuvre. His literary and historiographical texts relating to Spain and Catalonia are briefly reviewed in this miscellany on the history of Catalan studies and the main features of his 1893 history of Catalan literature are presented.The author of the first German-language history of Catalan literature, Otto Denk (pseud. Otto von Schaching, 1845–1918), has remained an unknown figure in German Catalan studies despite his pioneering historiographical work. The Iberian Peninsula is only one of the many aspects of the Bavarian polygraph’s large oeuvre. His literary and historiographical texts relating to Spain and Catalonia are briefly reviewed in this miscellany on the history of Catalan studies and the main features of his 1893 history of Catalan literature are presented.The author of the first German-language history of Catalan literature, Otto Denk (pseud. Otto von Schaching, 1845–1918), has remained an unknown figure in German Catalan studies despite his pioneering historiographical work. The Iberian Peninsula is only one of the many aspects of the Bavarian polygraph’s large oeuvre. His literary and historiographical texts relating to Spain and Catalonia are briefly reviewed in this miscellany on the history of Catalan studies and the main features of his 1893 history of Catalan literature are presented
Celiar: sujeto épico y autentificación en ambos mundos
No full textEl presente capítulo aborda la compleja construcción del yo épico en el poema gauchesco Celiar, de Alejandro Magariños Cervantes. El trabajo rastrea los diferentes recursos de autentificación a los que recurre el yo épico, desde las alusiones a una pléyade de autores europeos y españoles en los epígrafes, hasta una complejo aparato de notas lexicales sobre lenguaje gauchesco, de cara a un público europeo y bajo la impronta del exotismo y un proto hispanismo criollo.Fil: Ortiz, María Eugenia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales; Argentin
El yo en la epopeya: nuevos espacios de subjetividad en la poesía épica ibérica y latinoamericana del siglo XIX
Full text linkLa epopeya ―así lo afirma la historia de la literatura― se convierte en un género problemático con el Romanticismo, y acaba siendo sustituida por la novela. Sin embargo, en España y Portugal, en Hispanoamérica y Brasil, muchos ejemplos de poesía épica siguen ocupando una posición central, incluso canónica, aun tras la revolución estética del Romanticismo.
Esta obra analiza las innovaciones literarias, en sentido específico, que se manifiestan en el género épico y su desarrollo en el siglo XIX. Se centra en las innovaciones resultantes de que el yo romántico adquiera cada vez más espacio; ya sea el yo del narrador o el yo de los protagonistas, tendencia que cambia las narraciones épicas en muchos aspectos y aumenta sus potencialidades. Entre la subjetividad romántica y el arraigo de la poesía épica en la colectividad, se abren nuevos espacios del yo a través de los cuales reflejan la doble búsqueda épica de la identidad: junto a la colectiva, casi siempre nacional, se busca la identidad individual del sujeto
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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