1,720,976 research outputs found
Conoscere, curare, mostrare: Ricerche italiane per il patrimonio archeologico e monumentale dell'Albania: Museo Storico Nazionale, Tirana, 25 febbraio-1 marzo 2014 = Të njohësh, ruash, shfaqësh : kërkime italiane për trashëgiminë arkeologjike dhe monumentale të Shqipërisë: Muzeu Historik Kombëtar, Tiranë, 25 shkurt-1 mars 2014
No full textIl volume raccoglie due progetti di riallestimento dei Musei Archeologici di Tirana e di Durazzo, realizzati dal DICAR (Dipartimento di Scienze dell'Ingegneria Civile e dell'Architettura) del Politecnico di Bari, e due progetti di valorizzazione dell'Anfiteatro di Durazzo, realizzati dal DICATeA (Dipartimento di Ingegneria Civile, dell'Ambiente, del Territorio e Architettura) dell'Università di Parma e dal DISPUTER (Dipartimento di Scienze Psicologiche, Umanistiche e della Terra) e dal DARCH (Dipartimento di Architettura) dell'Università di Chieti-Pescara. Tali progetti si collocano nell'ambito dell'attività didattica e di ricerca delle università coinvolte, che sono da tempo impegnate nello studio e nella valorizzazione del patrimonio archeologico e architettonico dell'Albania, in collaborazione con l'Istituto dei Monumenti di Cultura della Repubblica d'Albania e con l'Istituto di Archeologia del Centro di Studi Albanologici di Tirana.
Gli elaborati grafici sono accompagnati da alcuni contributi teorici, metodologici ed esplicativi a cura dei curatori e degli autori dei progetti, che testimoniano un approccio interdisciplinare alla ricerca e un metodo di lavoro interdisciplinare
Kryeministria; progetto di riqualificazione ed ampliamento
No full textIl saggio è una rielaborazione del lavoro di ricerca condotto durante il laboratorio di laurea: “L’Ufficio Centrale per l’Edilizia e l’Urbanistica dell’Albania: architetture e città. Progetto di restauro, riqualificazione, ampliamento del Palazzo Luogotenenziale”; a.a. 2008-09. relatore: prof. A. B. Menghini; laureandi: Antonella Di Lernia, Floriana Ferrante, Debora Natalini, Frida Pashako, Francesco Santamaria, Nicola Volp
Il rilievo architettonico dell'anfiteatro di Durazzo: la conoscenza per il i progetti di restauro e rifunzionalizzazione
No full textBetween City and Nature: Grammars for the Urban Form
No full textThis abstract refers to theoretical and application research on the grammars of urban form that the author is carrying on into Urban and Architecture Design courses in dICAR Department of the Polytechnic of Bari and other design experience as the International Workshop Erasmus Intensive Programme "Re_Build The Urban Form" held in Monopoli (Bari) in 2013. The crisis of the contemporary city represents the occasion to redefine its form beginning from an idea of the city in which the relationship between the form of the land and form of urban settlements is recognized as a fundamental value. Disused urban areas have a central role in the process of "re-generation" of the form of the city for re-founding potentialities that these empty, wide and central space may have in the process of renovatio urbis. Compared to this problematic field, our disciplinary contribution is developed in terms of "form", both theoretical, individualizing in the idea of “city-territory” the field of application of the research, then from a design point of view, assuming an episteme able to recognize in distinguished way the morphological value of landscape and urban settlements. Case study cities are represented by Gravina and Monopoli, medium-size cities in South of Bari (Apulia-Italy). Identified project sites are crisis areas of urban form, connoted by the presence of abandoned buildings and empty unresolved spaces; they have a great value for the proximity to the ancient "compact" city and for the strong relation with natural excellence elements such as ravin and natural harbour on the coast-line. The aim of this work, both theoretical then didactic, is defining and new settlement/dwelling models as paradigms of a new idea of city-territory, using formal grammars of exemplary methodological value, able to express a meaningful relationship between the form of the land and the urban form
The Legitimacy of a Project: the Varrese Tomb between Urban Landscape and Preservative Instances
No full textThe of the cultural offer, represented by the chance to see in their own original
location, cultural heritage otherwise intended for cultural containers of different geographical areas, has
dictated during these recent decades the cultural policy of reconstruction in an exhibition project, fulfilled
in the city of Canosa (BT), of the “corredo gentilizio” belonging to the Varrese Tomb that was
dismembered following its discover in 1912 and where its evidences have became part of the National
Archaeological Museum of Taranto and the Bari Provincial Museum collections.
Within the set-up experience of Palazzo Sinesi, the first founding elements of a more ambitious
valorization plan have been organized (exhibition "The Varrese Tomb: from old excavations to
reconstruction of the archaeological landscape").
The evaluative dynamics of a communication and promotion plan for the city of Canosa have been
enforced by the identification of a protection and appreciation project of the Varrese hypogeum, in the
past, object of excavations campaigns that stressed the architectural structure of the Tomb divided into
several rooms, the compliance of the hypogeum to complex build history, the need for monumentalizing
of the system that invested the underground spaces and areas close to them.
The cover design of the funeral system has achieved a milestone, as planning application within a
heavily degraded context, for the purposes of reconstruction of archeological landscapes in Daunia epoch.
The structure, achieved only partially, does not deliberately close itself towards outdoor areas and has a
significant importance in the prospects, in order to avoid the idea of a minimization of unjustified and
archaeological “ingabbiatura”.
The search for appropriate solutions in the field of enhancement of the archeological heritage in
Canosa has time and ways of implementation l certainly not suiting to optimal working schedule but it
appears important to the definition of a "design model" which safeguards the archeological heritage
fragmented by the long history of its research
The Processual Method in the Analysis of the Anthropic Space and in the Architectural and Urban Project
No full textThe suggested reproduction that we intend to explicate shows, in short, the results of a project research carried out within the framework of the Architectural Design courses in the Department of the Polytechnic of Bari dICAR, assigned to the writer, based on a theoretical view that is based on the method of “operating history” as a instrument for interpretation of a built and pre-vision of transformation of reality in relation to the cogito projection idea. It is based on the fundamental concepts of the architectural organism and the building type.
Such methodological conception refers to a current of thought that studies the architectural and urban events in their essence of organisms made up of interdependent parts and in continuous transformation, processual examined with reference to phenomenal husserlian array that allows you to understand their concrete nature of variable structures not “a priori “existing beyond the experience of the becoming.
Only for illustrative purposes and as proof of the usefulness and indivisibility of the concepts in question, some didactic examples are proposed that explain the method used.
Each sample shown is intended as a result of a process of "re-design" that considers the present city and, therefore the one which modification is proposed, as provisional terms of ongoing "transformation" processes where, as always in the history of cities, urban trails, housing, specialized construction are linked
A study for the conservation of the architectural Islamic complex of Xhemal in Delvina (Albania)
No full textWater is a fundamental element for Islamic culture and the need to purify themselves before the prayer and religious celebrations is made in special baths - near mosques - called hammam. The hammam is usually a large public service building, but there are particular types of small dimensions and for the exclusive use of a wealthy family or, as in the case study here presented - related to the Islamic complex of Xhemal in Delvina (Albania) - an integral part of a religious centre.Characterised by a singular complexity, the monumental site of Xhemal is composed of some aboveground tombs, a mosque, a tekke, two türbe, a fountain and a hammam indeed, as well as of ancient tall plants (cypresses and plane trees). The building, already listed by the national Institute for Cultural Monuments of Albania, has been the subject of a study carried out by prof. Valter Shtylla at the end of the 70s and classed as a hammam from the medieval period. Provisionally measured only in its plan, it is today in a state of serious deterioration, while an example of great interest. For this reason and, along with the entire complex, since 2008 it has been an object of study by the University of Bergamo and Enna Kore, within the research group formed by the Milan Polytechnic and the University Ca' Foscari, in the framework of the program “Albania tomorrow” co-funded by the Cariplo Foundation, in collaboration with the municipality of Delvina. The complex has recently been subjected to a complete laser scanning survey in order to develop a well-planned preservation and valorisation programme
Technique and Form of the Land: The Systems and the Morphologies of Turkish Caravanserais The Design of the Landscape, the Caravan Routes, the Silk Road, the Caravanserais
No full textThis research doesn’t want to offer defined and systematic contributions; it isn’t a cataloguing or an historico-critical analysis of the “caravanserais” phenomenon. The aim consists in the effort to explain the relationship linking the form to geography, morphology and landscape architecture. The purpose is to offer a critical reading of the typological differences own of these structures, in relation to urban and suburban settlements, with particular reference to the examples scattered throughout the Mediterranean, in Egypt, Syria and Turkey.
The caravanserais, commercial architectures on the ancient trade routes, are the topic of this paper. The cognitive analysis rebuilds a global vision about their origin, their character and the way in which these buildings build the landscape and the city. These complex and recognizable structures, the network of the routes, the land subdivision, the pattern crops are the elements contributing to the recognition of the landscape identity, where the physical factor and the historical events determine the perpetuation of techniques and forms
Design on archaeological sites between enhancement and conservation. The museographic project of the acropolis of Mount Filerimos (Rhodes)
Full text linkThe current appearance of the archaeological area of Mount Filerimos, in the island of Rhodes, is the result of design by Rodolfo Petracco, made during the Italian occupation of Dodecanese. The site, formerly the acropolis of the ancient Ialysos, has many stratifications: a pre-hellenic cult is attested since IX cent. B.C., while the remains of architectural structures are dated between the VI cent. B.C. and 1930s, when the re-built church of "Our Lady" was enlarged with the monastery.
Purpose of the project illustrated in this paper is to improve the physical and cultural use of the site and facilitate its conservation, through a more appropriate use of the architectural structures.
The project, based mainly on historical knowledge and on the critical reading of the archaeological site, includes two different forms of museography. An "open-air" museum, designed to ensure accessibility to different categories of users, allows to visit the main archaeological remains with safety for users protecting the structures. The new access walkway to the church replaces the current and precarious path on the east foundation of the late-classic temple of Athena. Part of the design is the lapidarium set up with Early Christian and Byzantine architectural fragments. It is located close to the structures of the multilayered Church, to emphasize the connection between exposure and environmental context. The typological exhibition promotes understanding by the visitor and, at same time, the conservation of the blocks. A "traditional" archaeological museum is set up with the votive offerings to the ancient deity of the acropolis, which are preserved at the moment in the city of Rhodes. The exhibition is located in the monastic structures, strongly degraded after almost a century of abandonment. The new use of the monastery doesn’t alter its original image, respects the architectural character of the building and preserves, where is possible, its furnishings
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