1,721,082 research outputs found
Frederick C. Beiser: Hermann Cohen - An Intellectual Biography
Get PDFFrederick C. Beiser: Hermann Cohen - An Intellectual Biography, Oxford: Oxford University Press 2018, 387 S., ISBN: 978–0–19–882816–7, £60.00. Besprochen von George Y. Kohler
Review of Frederick C. Beiser, 'Late German Idealism: Trendelenburg and Lotze'
No full textFrederick C. Beiser, Late German Idealism: Trendelenburg and Lotze, Oxford University Press, 2013, 333pp., $74.00 (hbk), ISBN 9780199682959
Review of Frederick C. Beiser, The Romantic Imperative: The Concept of Early German Romanticism.
Get PDFFrederick C. Beiser, The Romantic Imperative: The Concept of Early German Romanticism. Cambridge, MA and London: Harvard University Press, 2003. 243 pp. (+ xiii) ISBN 06740011805
El imperativo romántico. El primer romanticismo alemán, Frederick C. Beiser
Get PDFFrederick C. Beiser, autor de El im- perativo romántico (2003), es doctor en filosofía por el Wolfson College de Oxford, grado que obtuvo al pre- sentar la tesis intitulada “The Spirit of the Phenomenology: Hegel’s Re- surrection of Metaphysics in the Phä- nomenologie des Geistes”, dirigida por Charles Taylor. Ha sido merece- dor de las afamadas becas Thyssen y Humboldt, con las cuales pudo rea- lizar dos estancias de investigación en la Free University of Berlin
El imperativo romántico. El primer romanticismo alemán, Frederick C. Beiser
No full textFrederick C. Beiser, autor de El im- perativo romántico (2003), es doctor en filosofía por el Wolfson College de Oxford, grado que obtuvo al pre- sentar la tesis intitulada “The Spirit of the Phenomenology: Hegel’s Re- surrection of Metaphysics in the Phä- nomenologie des Geistes”, dirigida por Charles Taylor. Ha sido merece- dor de las afamadas becas Thyssen y Humboldt, con las cuales pudo rea- lizar dos estancias de investigación en la Free University of Berlin
El imperativo romántico. El primer romanticismo alemán, Frederick C. Beiser
Get PDFBeiser, Frederick C. El imperativo romántico. El primer romanticismo alemán. Madrid: Sequitur, 2018.Frederick C. Beiser, autor de El imperativo romántico (2003), es doctor en filosofía por el Wolfson College de Oxford, grado que obtuvo al presentar la tesis intitulada “The Spirit of the Phenomenology: Hegel’s Resurrection of Metaphysics in the Phänomenologie des Geistes”, dirigida por Charles Taylor. Ha sido merecedor de las afamadas becas Thyssen y Humboldt, con las cuales pudo realizar dos estancias de investigación en la Free University of Berlin
Frederick C. BEISER, "El imperativo romántico. El primer romanticismo alemán". Trad. Naím Garnica y Horacio Tarragona. Madrid, Sequitur, 2018, 315 pp.
Get PDFReview of Frederick C. BEISER, El imperativo romántico. El primer romanticismo alemán. Trad. Naím Garnica y Horacio Tarragona. Madrid, Sequitur, 2018, 315 pp.Reseña de Frederick C. BEISER, El imperativo romántico. El primer romanticismo alemán. Trad. Naím Garnica y Horacio Tarragona. Madrid, Sequitur, 2018, 315 pp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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