1,720,991 research outputs found
Pepetela e a História Angolana na Longa Duração: A Releitura do Passado diante do Corpo-Presente
Get PDFEste artigo propõe uma leitura de publicações de Pepetela que reencenam o distante passado colonial – Lueji, o nascimento de um império (1989); A gloriosa família: o tempo dos flamengos (1997); e A sul. O sombreiro (2011). Com uma vasta obra, os romances de Pepetela transitam entre enfrentar o presente e visitar um passado distante, não para reescrever uma versão da História, mas para propor formas de leitura da nação, desde a sua formação – do colonialismo à independência – até a contemporaneidade. Trata-se aqui de pensar estas obras sobre o passado colonial distante como desvios diante de uma produção maioritariamente voltada para o presente, como Mayombe (1979), A geração da utopia (1992), Predadores (2005) e o mais recentes Sua excelência, de corpo presente (2018), Pepetela se dedicou a pensar a nação a partir de um mergulho profundo no seu passado, realizando outra leitura sobre a construção de Angola sem apresentar uma mera culpabilização dos colonizadores, mas repensando os agentes de movimentos e ações que parecem bastante presentes na classe dirigente atual. Portanto, o conceito de “longa duração” de Fernand Braudel é utilizado para refletir sobre o diálogo proposto por Pepetela com fontes documentais do período colonial não apenas para recriá-las em um sentido paródico, mas como forma de pensar a nação como resultado de um longo processo que não pode ser anulado.AGAMBEN, Giorgio. O que é o contemporâneo? e outros ensaios. Tradução: Vinicius Nicastro Honesco. Chapecó, SC: Argos, 2009.ASHCROFT, Bill; GRIFFITHS, Gareth; TIFFIN, Helen. The Empire Writes Back. New York: Routledge, 2010.BENJAMIN, Walter. Teses sobre a filosofia da história. In: Sobre Arte, Técnica, Linguagem e Política. Lisboa: Relógio D’Água, p. 157-170, 1992.BRAUDEL, Ferdinand. História e Ciências Sociais. A longa duração. Tradução: Ana Maria de Almeida Camargo. Revista de História. Vol. XXX, no. 62, p. 261-294, 1965.CADORNEGA, António de Oliveira de. História geral das guerras angolanas. 1680- 1681. (Anotado e corrigido por José Matias Delgado). Lisboa: Agência Geral do Ultramar, 1972. 3 Tomos.CHAVES, Rita. Angola e Moçambique: experiência colonial e territórios literários. São Paulo: Ateliê Editorial, 2005.FERREIRA, Manuel. Literaturas africanas de expressão portuguesa. Amadora: Bertrand Venda Nova, 1977.FRANCO, Roberta Guimarães. “História e literatura, real e ficcional em A gloriosa família, o tempo dos flamengos”. In: MAGALHÃES, José Sueli de et al. (orgs). Literatura e intersecções culturais. Uberlândia: EDUFU, 2008, p. 1472-1476.FRANCO, Roberta Guimarães. Conquista e resistência na “História Geral das Guerras Angolanas”, de António de Oliveira de Cadornega. XIV Jornadas Interescuelas/Departamentos de Historia. Departamento de Historia de la Facultad de Filosofía y Letras. Universidad Nacional de Cuyo, Mendoza, p. 1-11 2013.FRANCO, Roberta Guimarães. O não lugar de António Oliveira de Cadornega na literatura angolana e a sua recriação no romance de Pepetela. In: FRANCO, Roberta Guimarães; MELONI, Otavio Henrique; KANO, Ivan Takashi (org.). A mesma palavra outra: ensaios sobre literatura portuguesa e literaturas africanas de língua portuguesa. Niterói: Vício de leitura, p. 189-206, 2010.FRANCO, Roberta Guimarães. Memórias em trânsito: deslocamentos distópicos em três romances pós-coloniais. São Paulo: Alameda, 2019.FRANCO, Roberta Guimarães. Njinga Mbandi: do silêncio histórico às recriações ficcionais contemporâneas. Matraga. Rio de Janeiro, v. 26, n. 48, p. 688-704, set./dez. 2019. HALL, Stuart. A identidade cultural na pós-modernidade. Tradução: Tomaz Tadeu da Silva, Guaracira Lopes Louro. Rio de Janeiro: DP&A, 2006.HEYWOOD, Linda; THORNTON, John. Prefácio. CASTRO, Xavier de; D’ABZAC, Alix du Cheyron (org.). Njinga - rainha de Angola. A relação de Antonio Cavazzi de Montecuccolo (1687). Tradução: Inês Guerreiro. Lisboa: Escolar Editora, p. 1-19, 2013.HUTCHEON, Linda. Uma teoria da adaptação. Tradução: André Cechinel. Florianópolis: Editora da UFSC, 2013.LE GOFF, Jacques. História e memória. Trad. Bernardo Leitão [et al.]. 7. ed. Campinas: Editora da Unicamp, 2013.NEVES, António Loja. Entrevista “Nós procuramos a utopia”. Expresso, p. 85-87, 17 nov. 1990.NOA, Francisco. Literatura colonial: enquadramento teórico e periodológico. In: Império, mito e miopia: Moçambique como invenção literária. Lisboa: Caminho, p. 39-83, 2002.PASCOAL, Janaína. Entrevista “A cor e o poder na Angola do século XVII”. Revista Veja, 23 de maio de 2012.PEPETELA. Lueji, o nascimento de um Império. Alfragide: Dom Quixote, 2003.PEPETELA. A gloriosa família: o tempo dos flamengos. Rio de Janeiro: Nova Fronteira, 1999.PEPETELA. A sul. O sombreiro. Alfragide: Dom Quixote, 2011.PEPETELA. Sua excelência, de corpo presente. Alfragide: Dom Quixote, 2018.POMPA, Cristina. Religião como tradução: missionários, Tupi e Tapuia no Brasil colonial. Bauru: EDUSC, 2003.
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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