1,721,102 research outputs found
Francesco Barbieri, Fiorenzo Tomea.
No full textSchede storico-critico pubblicate nei volumi dedicati alla Collezione di opere del Novecento di Banca Intesa Sanpaolo: Francesco Barbieri, Fiorenzo Tomea
Exposition : "Et in Arcadia ego di Giovanni Francesco Barbieri detto il Guercino", Ferrare, Pinacoteca Nazionale, jusqu'au 17 janvier 2021
No full textLa mostra dedicata al dipinto Et in Arcadia ego di Giovanni Francesco Barbieri, detto il Guercino (Cento, 1591 – Bologna, 1666), costituisce il secondo appuntamento del ciclo di mostre dossier Guardami! Sono una storia..., realizzate grazie alla collaborazione tra le Gallerie Estensi e il Laboratorio DiDiArt del Dipartimento di Studi Umanistici dell’Università di Ferrara. Il dipinto, proveniente dalle Gallerie Nazionali di Arte Antica Barberini Corsini di Roma, venne probabilmente realizzato ..
Memorie intorno alla vita di Giovan-Francesco Barbieri detto il Guercino da Cento.
No full text"Gli Esemplari nel presente formato, sono stati tratti dall'Opera in foglio: Eletta dei Monumenti più illustri e classici Sepolcrali ed Onorarii di Bologna e suoi dintorni. Tomo 1.o fasc. 8.o Bologna 1839. Litografia Zannoli. Tipi di Jacopo Marsigli"--Page [4] of cover.Text signed: Michelangelo Gualandi.Mode of access: Internet
Il ritratto di un giureconsulto del XVII secolo: Francesco Righetti dottor di legge. Brevi note in margine a un quadro di Giovanni Francesco Barbieri detto il Guercino.
No full textIl lavoro prende spunto da un quadro di Giovanni Francesco Barbieri detto il Guercino esposto alla mostra Il ritratto interiore da Lotto a Pirandello (Aosta, 2005) che ritrae un giureconsulto del XVII° secolo contornato dalla sua biblioteca giuridica. Indagini condotte su fondi di archivio hanno consentito di ricostruire il profilo bio-bibliografico del giurista ritratto che si identifica con Francesco Righetti, dottore di patria centese, esponente di spicco di una nobile e ricca famiglia che aveva ramificazioni a Cento e a Ferrara
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Painting St. Thomas the Apostle by Giovanni Francesco Barbieri (il Guercino) and His Workshops in the Collection of Bishop Kokša
Get PDFO narudžbama djela kod bolonjskoga slikara Giovannija Francesca Barbierija zvanoga il Guercino svjedoči umjetnikova Knjiga računa, gdje je 9. kolovoza 1632. zabilježen predujam za narudžbu slike „sv. Tome apostola u polufiguri, za gospodina pukovnika iz Bologne”. Dugo godina slika se smatrala izgubljenom, a onda su u posljednjih desetak godina objavljene dvije, kojima pridružujemo i treću, iz zbirke biskupa Kokše. Za atributivno određenje zagrebačke slike važno je poznavanje rada u Guercinovoj obiteljskoj radionici, čiji su članovi uz uobičajenu pomoć umjetniku izrađivali i radioničke replike prema tržišno traženim djelima.The artist’s book of accounts testifies to the commissions of works from the Bolognese painter Giovanni Francesco Barbieri, known as il Guercino, where on August 9, 1632, an advance payment for the commission of the painting ”St. Thomas the Apostle in half-figure, for Mr. Colonel from Bologna”. For many years, the painting was considered lost, and then in the last ten years, two were published, to which we also add the third, from the collection of Bishop Kokša in Zagreb. For the attributive determination of the Zagreb painting, it is important to take into account the work in Guercino’s family workshop, whose members, in addition to the usual assistance to the artist, also made workshop replicas of works in demand on the market
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Heiliger Paulus von Theben
No full textTitel fingiertZeichnung eines unbekannten Künstlers nach Francesco Barbieri da Cento, gen. Guercino. Original in Rom, Sant’Agostino, Cappella di S. Agostino
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