1,720,993 research outputs found
Swimming against the Tide
One of the aims of this special issue of Lagoonscapes is to decen-
tralise and provincialise ‘Man-as-human’ as the subject/object
of inquiry, and thus counter and reframe established geographies,
histories and temporalities
Special issue of the Journal of Global Buddhism: Buddhists and the Making of Modern Chinese Societies
The special focus of this issue of the Journal of Global Buddhism is on the role of Buddhists and Buddhist-inspired practices and ideas in (Greater) China in the twentieth and twenty- first centuries. Drawing connections between the pre- and post-1949 periods in the Chinese-speaking world and between both sides of the Taiwan straits, all contributors pay close attention to history and historiography. They examine trans-regional and global processes of in uence and con ict, bridging contemporary theory, comparative religious studies, and ethnography. The formation of Buddhist and Chinese modernities is seen through the lens of a process of interaction between Buddhist and non-Buddhist agents and Asian and non-Asian agents, in the Sinophone and Tibetophone world in particular
Made in China: Nuovi Scrittori Cinesi
Una raccolta di racconti degli autori cinesi emergenti che, in una dozzina di storie, ci raccontano cosa vuoi dire vivere in Cina oggi e avere vent'anni o poco più: l'amore, il sesso, la politica, l'arte, la famiglia, il rapporto con il "mondo fuori" e con la tradizione... Un'istantanea di alto livello letterario che fotografa il mondo cinese che si prepara a vivere l'evento delle Olimpiadi del 2008 a Pechino
Co-constituting the Global:Ethical Challenges and Implications
The afternoon session at the ICI Berlin addresses the lived entanglements of the global that are not adequately theorized by notions of the global and the local, which bifurcate experiences that are necessarily co-constituting. It will take up the question of how artworks, artists, cultural producers, art historians, historians, and theorists who simultaneously exist on multiple and intertwining scales, co-constitute the global in relation with one another through meaning making/world-making processes of (critical) interconnecting, social networks, transnational/transcultural historiography, the circulation of objects, and imagined communities. We aim to address methodological challenges in the study of art history that reimagines its possible narratives by simultaneously holding account of art’s global resonances and its local, national, and regional frameworks. The papers on this panel are situated at the intersection between diaspora, postcolonial, and global (art history) studies. They seek to decolonize and deimperialize new top-down narratives of so called ‘global art’, that often identify global capitalism as the universal condition and will instead shed light on the multiperspectival polyphony that co-constitutes the global.Programme 15:30-17:30 Panel Birgit Hopfener, Carleton University Devika Singh, Cambridge University Francesca Tarocco, NYU Shanghai/Cà Foscari University, Venice David Teh, National University of Singapore Ming Tiampo, Carleton University 17:30-18:00 Discussion/Q&A moderated by John Tain 18:00-18:15 Coffee Break 18:15-18:45 Book Launch for Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz (eds.) Situating Global Art: Topologies, Temporalities, Trajectories (Bielefeld 2018). 18:45-19:00 Break 19:00 Keynote Lydia H. Liu (Columbia University
On the market: Consumption and material culture in modern Chinese Buddhism
For many Chinese speakers in China and elsewhere, experiencing or connecting with matters of religion often includes mediation through or with material objects. Such mediation is readily accessible to larger and larger audiences and often occurs through the consumption of religious material goods, thanks also to media technologies and the Internet. In this article, the author seeks to complicate the notion that the production and consumption of novel Buddhist religious goods can be analyzed solely in terms of 'market theory.' While on the one hand the author shows that Buddhist technologies of salvation are historically associated with materiality, she also contends that the 'aura' of Buddhist-inspired modern religious goods - in the spirit of Walter Benjamin's essay 'On Some Motifs in Baudelaire' (1939) - is not so much effaced as it is reconfigured and transformed by technological mediations. © 2011 Taylor and Francis Group, LLC
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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