1,720,967 research outputs found

    DO AUTOR COMO FEITIZO E COMO FETICHE

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    After the tentantivas led to end for Roland Barthes and Michel Foucault in the sixties, is possible a new siege to the author, this time from the perspective of the sociology of the literature and inside the analysis of which here we will name "processes of construction autorial ". This siege reveals his unusual perspectives that they have to see with the Critique of the Culture and with the construction of the Canon. The author emerges, then, like a phantasmagoric construction, actor of a statement that is necessary his own one narratología: The History of the Literature.Después de las tentantivas llevadas a cabo por Roland Barthes y Michel Foucault en los años sesenta, es posible un nuevo asedio al autor, esta vez desde la perspectiva de la sociología de la literatura y dentro del análisis del que aquí denominaremos "procesos de construcción autorial". Este asedio nos desvela insólitas perspectivas que tienen que ver con la Crítica de la Cultura y con la construcción del Canon. El autor emerge, entonces, como una construcción fantasmagórica, actor de un relato que precisa de su propia narratología: La Historia de la LiteraturaLogo das tentantivas levadas a cabo por Roland Barthes e Michel Foucault nos anos sesenta, cabe un novo asedio ao autor, esta vez desde a perspectiva da socioloxía da literatura e dentro da análise do que aquí denominaremos “procesos de construción autorial”. Este asedio desvélanos insólitas perspectivas que teñen que ver coa Crítica da Cultura e coa construción do Canon. O autor emerxe, daquela, como unha construción fantasmagórica, actor dun relato que precisa da súa propia narratoloxía: A Historia da Literatura

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    O porco de pé como cronografía

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    A consideración d’O porco de pé como cronografía permítenos desvelar algúns aspectos que interveñen na construción ideolóxica que opera no interior da novela. A ollada que o autor dirixe sobre o tempo que está a describir non é unha ollada neutra, ocupada en dar conta fiel e exhaustiva dos avatares da historia de Galicia nos anos que median entre 1918, final da Primeira Guerra Mundial, e 1923, inicio da Ditadura de Primo de Rivera, senón que é unha ollada deturpada polas concepcións políticas e culturais de Vicente Risco. De maneira que a novela convértese, á marxe doutras consideracións, nunha peza de inestimábel valor coa que afrontarmos a evolución ideolóxica do seu autor e, tamén, nun elemento central no diálogo existente entre as diferentes partes da obra. Ademais resulta ser unha instantánea das posicións ideolóxicas presentes no tempo da súa redacción, cando Risco era xa consciente de que o seu papel central na dirección do galeguismo comezara a minguar

    A representación de Galicia en Ruth Mathilda Anderson

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    [Resumo] A chegada de viaxeiros a Galicia a partir do século XIX fundamenta a construción dunha visión do país en certa medida diferente daqueloutras construídas desde o país mesmo. Este ollar do Outro documéntase en obras como a colección de fotografías que Ruth Matilda Anderson tira durante os seus percorridos de 1924 e 1925. O presente artigo tenta dar algunhas claves para a descrición desa ollada, tendo en conta non só o obxecto que se mira senón tamén o suxeito que mir

    Do autor como feitizo e como fetiche

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    Traizoar a Jean Rhys

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