1,671 research outputs found
The Carnegie Maya: the Carnegie Institution of Washington Maya Research Program, 1913-1957
No full textIncludes bibliographical references and index.The Carnegie Maya I -- The Carnegie Maya II -- The Carnegie Maya III -- The Carnegie Maya IV
Museo maya de Cancún
No full textProyecto arquitectónico de vanguardia, muy respetuoso del ambiente natural, este museo inaugurado recientemente alberga una de las colecciones de la Cultura maya de mayor consideración en el país, propia del estado y proveniente de otros, que se incorpora a la zona arqueológica de San Miguelito.</p
Maya Gods of War
No full textNumerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography
A Poem For My Wife
No full textSigned by the author and numbered 43/50.Noted as being Maya Broadside Two in green tex
An Afternoon with Maya Angelou
No full textMaya Angelou, a nationally renowned poet, educator, historian and author, is one of the great voices of contemporary literature. In addition, she is an accomplished actress, playwright, producer, and director. Dr. Angelou received an emmy nomination for best supporting actress in the television series Roots and received the coveted Golden Eagle Award for the PBS documentary Afro-American in the Arts. However, she is perhaps best known for the public for her autobiographies and books of poetry.
Maya Angelou has authored more than 10 best selling books and numerous articles in publications such as Life, Cosmopolitan, Harper\u27s Bazaar and The New York Times. She has received a wide variety of honors an awards including a Pulitizer Prize nomination for poetry, the Horatio Alger Award and 30 honorary Doctorate degrees from schools such as Smith College and Lawrence University. Today, she continues to lecture throughout the country and abroad, sharing the black experience and educating her audience on the human condition.
Excerpt from the attached progra
Rollins Presidents with Maya Angelou
No full textPresident Duncan and former Presidents Bornstein and Symour with poet and author Maya Angelou at the 2007 Colloquy
The New American Gazette: Maya Angelou receives the Ford Hall Forum\u27s First Amendment Award, audio recording, 2/16/1989
No full textCharismatic writer, poet and lecturer Maya Angelou addresses the value of the First Amendment with story, song and spirit. The best-selling author of I Know why the Caged Bird Sings reflects on the responsibility to speak for freedom\u27s sake, in this rebroadcast from the Ford Hall Forum archives.https://dc.suffolk.edu/fhf-av/1010/thumbnail.jp
Epigrafía maya: Tabasco
No full textLa información de esta miniguía está basada en los trabajos de M. Coe, N. Grove, S. Guenter, S. Martín, P. Mathews, Linda Schele, D. Stuart y M. U. Zender.Cuatro de las grandes culturas desarrolladas en Mesoamérica poseían un sistema propio de escritura: zapoteca, maya, mixteca y náhuatl. La escritura maya fue el sistema más complejo y el que más correspondencia tuvo con la lengua hablada. Parece haber surgido alrededor del 100 o 200 d.C., y según la mitología fue el dios ltzamná quien la inventó. Sus últimas expresiones se sitúan alrededor de 1696. Los mayas utilizaron diferentes soportes para plasmar la escritura y su historia escrita, como códices de papel vasijas de barro, textiles, pieles, estelas y altares de piedra, dinteles y cajas de madera, pendientes de hueso y hasta finas puntas de cola de mantarraya, entre otros.</p
Mastering Autodesk Maya 2012
No full textThe exclusive, official guide to the very latest version of Maya Get extensive, hands-on, intermediate to advanced coverage of Autodesk Maya 2012, the top-selling 3D software on the market. If you already know Maya basics, this authoritative book takes you to the next level. From modeling, texturing, animation, and visual effects to high-level techniques for film, television, games, and more, this book provides professional-level Maya instruction. With pages of scenarios and examples from some of the leading professionals in the industry, author Todd Palamar will help you master the entire C
13.0.0.0.0: una fecha maya carente de significado astronómico. 30. Arqueología
No full textBernal, Ignacio
1969. The Olmec world, Berkeley, University
of California Press.Edmonson, Munro S.
1988. The Book of the Year: Middle American
calendarical systems, Salt Lake City, Utah,
University of Utah Press.Goodman, John T.
1905. “Maya Dates”, American Anthropologist,
vol. 7, pp. 642-647.Jenkins, John Major
2002. “Center and source: the Galactic Center in
Maya concepts”, Institute of Maya Studies Newsletter (An Afiliate of Miami Museum of Science), vol. 31(10), pp. 4-5.Malmstrom, Vincent H.
1978. “A Reconstruction of the Chronology of
Mesoamerican Calendarical Systems”, Journal for
the History of Astronomy, vol. 9, pp. 105-116.1997. Cycles of the Sun, Mysteries of the Moon: The
Calendar in Mesoamerican Civilization, Austin,
University of Texas Press.1999. “Notas astronómicas al calendario
mesoamericano”, Arqueología, núm. 21,
pp. 109-117.Reed, Jim
2002. “Tribute to Munro Edmonson”, Institute of
Maya Studies Newsletter (An Afiliate of Miami
Museum of Science), vol. 31(12), p. 4.Teeple, John E.
1930. “Maya Astronomy”, Contributions
to American Archaeology, vol. 1(4), Publication 403,
Washington D.C., Carnegie Institution
of Washington.Thompson, John Eric Sydney
1927. “A Correlation of the Mayan and European
Calendars”, Anthropological Series, publication 241,
vol. 17(1), Chicago, Field Museum of Natural
History, pp. 3-22.1935. “Maya Chronology: The Correlation
Question”, Contributions to American Anthropology
and History, publication 456, vol. 3(14),
Washington D.C., Carnegi
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