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Un disegno di Filippo Bellini e una tela di Martino Bonfini
No full textPrecisazioni circa un disegno di Filippo Bellini e una tela di Martino Bonfin
Disegni di Pietro Candido, Girolamo Nanni, Filippo Bellini e Giuseppe Nicola Nasini
No full textFour drawings with uncertain or erroneous attributions are presented here with their correct authorship. These consist of a study by the Flemish painter Pieter de Witt (Pietro Candido), preparatory for the "Adoration of the Shepherds" painted during his Tuscan period; a drawing — the first one proposed thus far — by the Roman Girolamo Nanni for the "Allegory of Promptness" frescoed in the apartment of Paul V Borghese in the Vatican; a double sheet by the Marchigian Filippo Bellini connected to his last work, the "Last Supper" in Macerata Cathedral; and a study by Pietro da Cortona’s follower Giuseppe Nicola Nasini (until now classified as the work of a Roman late Mannerist) for the "Council of Nicea and the Condemnation of the Arian Theses" frescoed in the Oratorio della Santissima Trinità in Siena in 1696
Testimonianze artistiche nella chiesa del Santissimo Crocifisso di Numana: Domenico di Antonio da Pesaro, Filippo Bellini, Giovanni Andrea Lilli e Domenico Simonetti detto il Magatta /Artistic evidences in the church of the Santissimo Crodifisso of Numana: Domenico di Antonio da Pesaro, Filippo Bellini, Giovanni Andrea Lilli e Domenico Simonetti known as il Magatta
Get PDFL'articolo intende restituire l'importanza dell'antica chiesa del Santissimo Crocifisso di Numana, demolita nei primi anni '60 del Novecento, quale significativo crocevia di testimonianze storico-artistiche nonché meta di pellegrinaggio nel corso dei secoli per chi percorreva la Via Lauretana. Nel contributo vengono individuate le varie figure degli artisti attivi nel Santuario a partire dalla sua fondazione nella seconda metà del Cinquecento ed indagate le vicende costruttive e l'apparato decorativo della chiesa, grazie all'analisi di documenti d'archivio in parte inediti. In particolare, la disamina della documentazione archivistica e il ritrovamento di una serie di fotografie della chiesa scattate prima della sua demolizione e conservate nell'Archivio Storico Diocesano di Ancona, hanno permesso di individuare nuove presenze artistiche di cui si era persa memoria relative a Filippo Bellini (Urbino, 1550 ca. - Macerata, 1603) e Domenico Simonetti detto il Magatta (Ancona, 1685 - 1759), ai quali vengono qui attribuiti alcuni interventi, pittorici e decorativi, sulla base di confronti stilistici. The article wants to restore the importance of the ancient Church of the Santissimo Crocifisso of Numana, demolished in 1960s and which witnesses the importance of the crossing of the pilgrims for its historic and artistic work as well as the central focus for pilgrimages of the Via Lauretana. In the text the various figures of the artists active in the Sanctuary were appreised starting from the second half of the 15th century and also researched the construction history and the interior decoration, thanks to the analysis of unpublished archived documents.In particular the accurate examination of the archived documentation and the finding of a series of photographs of the church kept in the Historical Diocesan Archive of Ancona, have allowed to perceive new artistic elements which had been lost in time about Filippo Bellini (Urbino, 1550 ca. - Macerata, 1603) and Domenico Simonetti known as il Magatta (Ancona, 1685 - 1759), to whom certain artistic and decorative aspects are attributed to, on the bases of stylistic confrontation
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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