1,721,038 research outputs found
Il curriculum accademico e il mestiere del ricercatore. Pratiche di adattamento strategico all’interno del CV
The present contribution focuses on analyzing the relationship between academic researchers' professional career and the forms and meanings they assign to their Curriculum Vitae. The author focuses on the theoretical placement of the device represented by the Curriculum Vitae within the governmental paradigms established by neoliberalism as well as social relations determined by them. As a matter of fact, the emergence of what in literature is defined as a Neoliberal Self is particularly visible within the standardized structures that organize a "good CV", acting in a performing way in giving a specific form to academic subjectivities. From an empirical point of view, the author analyzes the information collected through twenty-four indepth interviews with precarious Italian researchers in relation to the analysis of the CVs that the same subjects had sent before the interview
Research scholars: Temp workers or lifetime students? the struggle and organization of subjectivities that are 'in between'
This article addresses the process of political organization and unionizing among university researchers in Italy which are formally considered to be 'in training'. This condition puts them in a sort of liminal space, between being recognized as fully employed professionals and being instead considered lifetime students. Their effort to organize politically can be seen as one of many ways through which students are fighting against the establishment of the neoliberal university model. The analysis is focused on the Italian movement called CRNS - Coordinamento dei Ricercatori non Strutturati (Non-structured Research Fellows Coordination), which formed to address this defining issue. The CRNS experiment aimed at achieving a sense of unity among the fragmented academic workforce and it can be considered a prototype of a new, grassroots form of union activity and organizing. The empirical data used in the analysis consists of ten in-depth interviews with university researchers, all Italian citizens, equally divided between men and women, who have all had to move around, as a function of their career and who have all been involved, to different degrees, in political and union organizing initiatives, regarding their conditions of 'perpetual students' rather than 'not quite employed'
Turbulent migrations in turbulent times. The case of the orbiters in Rome
Since 2015, when the so-called migrant crisis exploded in Italy, Rome has become a transit crossroads for a huge number of people who arrived in Europe through the Mediterranean route (Lendaro et al. 2019). This phenomenon determined the development of a heterogeneous network of solidarity supporting migrants in transit (Giliberti & Potot 2021). Over the years, following the transformations of Italian and European policies for the management of migration processes, the solidarity networks have begun to meet other subjects in addition to migrants in transit: ‘orbiters’ around the city, awaiting access to international protection or recently expelled from the Italian reception system, forced to live in a state of stasis that allows them to be defined as ‘lifelong in-betweener’ subjects and representing the concept of ‘turbulence migration’ (Papastergiadis 2000). This article focuses on the transformation of the solidarity practices and on the new mobility strategies acted by migrants, both linked with the social/juridical features of those we defined ‘orbiters’. From a methodological point of view, this paper is based on different moments of ethnographic observation in some key sites for solidarity to migrants in Rome
Italian reception policies and pandemic: From exclusion to abandonment
The article analyzes how the COVID-19 pandemic has affected the management of reception centers for refugees and asylum seekers in Italy. By analyzing the transformation of Italian reception policies in the last years, the article shows the relationship between these changes and the condition of refugees and asylum seekers in these centers during the COVID-19 pandemic. Overcrowded housing, the absence of institutional guidance on managing the situation, and the interruption of many migrants’ migratory projects are the main findings that emerged. The article is based on digital ethnographic techniques, in addition to phone interviews with key speakers of the social contexts monitored online
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
L’impiego della carbossimetilcellulosa come alternativa alla stabilizzazione tartarica a freddo dei vini bianchi e rossi
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