12,853 research outputs found
Bob Close, author of love me sailor and Eliza Callaghan, at the Cafe Royale, Paris c.1948-49 [picture] /
No full textCopyright restrictions apply.; Condition: good.; Part of the collection Albert Tucker, family and friends.; Related material: Albert Tucker, family and friends, [2]; National Library of Australia Pictorial Section PIC/6451/1-7; Exhibited: Albert Tucker family and friends 50 years of photographs, North Caulfield, Vic. Aug. 5-29 Aug. 1998
Groundhog Day: Finding an Invincible Summer in the Deepest Punxsutawney Winter
Full text linkGroundhog Day appears on its surface to be somewhat of a typical example of a 1990s romantic comedy: the lead male and the lead female “clash humorously before the collapse of the conflict so that the movie fulfils the ‘guy gets girl’ convention.”3 As a consequence of closer and closer readings, however, thoughts have evolved to the point where it is now considered to be at least far more of a
cerebral film than it was on its release, and at most as an allegory for many of the teachings in religion
and philosophy. The film tells the story of Phil Connors, a misanthropic weather reporter who becomes stuck in a time loop during a visit to Punxsutawney, Pennsylvania to report on the groundhog festival.
Having covered the 2 February event, which takes place at ‘Gobbler’s Knob’ in the centre of Punxsutawney, and the main feature of which involves a groundhog predicting whether or not there will be an early spring, he wakes up at 6am the following morning to discover it is still 2 February. 2 February appears again the following morning, the morning after that, and so on and so forth. Only Phil
is aware this is happening, however; each repetition of 2 February is still the ‘first’ instance of that day
for everyone else. Having been through enough successive 2 Februarys to conclude he is not dreaming or imagining it all, Phil accepts his fate. The degree to which he accepts it varies, however, and this can be seen through what are primarily three distinct stages: SEE FULL TEX
Farmhouse and fields
No full textA photograph of a farmhouse and barn along with a scenic look at the lands surrounding it. This photograph was taken by traveling photographer Albert J. Ewing, ca. 1896-1912. Like most of Ewing's work, it was likely taken in southeastern Ohio or central West Virginia. Born in 1870 in Washington County, Ohio, near Marietta, Ewing most likely began his photography career in the 1890s. The 1910 US Census and a 1912-1913 directory list him as a photographer. A negative signed "Ewing Brothers" and a picture with his younger brother, Frank, indicate that Frank may have joined the business. After 1916, directories list Albert as a salesman. He died in 1934. The Ewing Collection consists of 5,055 glass plate negatives, each individually housed and numbered. Additionally, the collection includes approximately 450 modern contact prints made from the glass plate negatives. Subjects include infants and young children, elderly people, families, school and religious groups, animals and rural scenes. In 1982, the Ohio Historical Society received the collection, still housed in the original dry plate negative boxes purchased by Albert J. Ewing. A selection of the original glass plate negatives were exhibited for the first time in 2013 at the Ohio Historical Center
Albert Lewkowitz, 1883 - Nov. 11, 1954.
No full textBibliography of the works of philosopher and author Albert Lewkowitz.Philosopher and author, 1883-1954.Processed for digitizationSent for digitizationReturned from digitizationLinked to online manifestationdigitize
Addendum to "Amitsur's complex for purely inseparable fields"
Full text linkWe begin this note by pointing out that a few modifications in some
of the notations and arguments of C131 will make these fit in more
closely with results in the literature. We also complete the results of C131
in several points. In particular we point out that the spectral sequence
used in C131 is not quite a genuine generalization of the Hochschild-Serre
spectral sequence in Galois cohomology. However with a slightly different
spectral sequence the results of C131 can also be obtained and we shall
show in section 2 that this is indeed a genuine generalization of the
Hochschild-Serre sequence for Galois cohomology. In section 3 we shall
use some of the results of [13] to derive an exact sequence complementary
to that of Proposition 7.8 of [13] from which we deduce the
following result first pointed out to us by S. Shatz: Let C be a field,
C, its separable algebraic closure and its algebraic closure. Then if
X is the lift map [2, Def. 2. 3.1, we have that X : Hr(C,/C)- . ~ ' ( 6 1is~ )
an isomorphism for r = 1,2, ..
Bear Creek Sally Goodin
No full textfiddles; guitars; double bassesTRANSCRIPTION OF THE TAPE RECORDING
My name is Daryl Price. I am making this tape for the Arkansas Folklore class at the University of Arkansas in Fayetteville, Arkansas. This is a tape of fiddle tunes. We are at my home at 510 Meadow Street ( Springdale, Arkansas ), March 28, 1962. I am going to be playing a few fiddle tunes. My brother will be playing bass and my father will be playing guitar, and the first tune we're going to play is a real old one called LEATHER BRITCHES.
( Plays LEATHER BRITCHES and includes a portion of SALLY GOODIN ) Item 1
Says during song;
Sally Goodin.
( End of Song )
At the beginning of the tape, I don't believe I told the names of my father and brother. My father is Scott Price and my brother is Duane Price. This next song we're going to saw at is going to be an old one too and it's called BILL CHEATUM.
( Plays BILL CHEATUM and also plays a portion of DEVIL'S DREAM)
Says during song;
Breaking off into DEVIL'S DREAM.
And a few moments later says;
Back to BILL CHEATUM again.
( End of Song )
Now this next fiddle tune is one that I always called HELL AMONG THE YEARLINS, but I've had some other fiddlers that have disputed me on it. They said it wasn't HELL AMONG THE YEARLINS,Reel 409
but they didn't know what it was, but I've always called it HELL AMONG THE YEARLINS and I've been told that in polite circles it's
knows as TROUBLE AMONG THE CALVES.
( plays HELL AMONG THE YEARLINS) Item 3
( End of Song )
DARYL:
This next series of fiddle tunes was made at my house at
510 Meadow Street at Springdale, Arkansas on May 22, 1962. The
occasion was my fathers birthday, and a friend of hie, Albert Fields, who is a fiddler, came in and we decided to do some taping. So, My father, Scott Price, will be playing guitar, along with Kindle Sigmon, who will also be playing guitar. Duane Price, my brother, is playing base, and Albert Fields will be playing the fiddle. Albert had a very sore finger at this time and he was not very happy with his playing and didn't particularly want to record, but we finally talked him into it. The first tune he's going to play will be RAGTIME ANNIE.
( Albert plays RAGTIME ANNIE ) Item 4
( End Of Song )
SCOTT:
You don't happen to remember where you learned that, do you Albert? (Referring to the next tune to be played)
ALBERT:
No, I don't.
SCOTT:
Fort Smith?Reel 40
ALBERT:
Learned it from my daddy.
SCOTT:
From your dad.
ALBERT:
Yea. Well, we'll play FORT SMITH. G (Referring to the Key) SCOTT ( Talking to Duane )
You got her cut back, Duane? Item 5
( Albert plays FORT SMITH ) Item 5
( END OF SONG)
ALBERT:
Now that was worse than the other'n. Let's play a little bit of WHISKERS.
KINDLE:
Play THE WALTZ YOU SAVED FOR HE, Albert.
ALBERT:
Play a little bit of WHISKERS.
KINDLE:
I don't know if I can play it or not.
( Plays WHISKERS ) Item 6
( END OF SONG)
ALBERT:
Don't play that one back.
SCOTT;
You didn't record that, did you?
DARYL:
Yes.
(3)
JULIA SIGMON: (Kindle's wife) Reel 409
That one?
SCOTT:
I didn't know you had it on.
KINDLE:
Play THE WALTZ YOU SAVED FOR ME, Albert.
SCOTT:
I want to hear that OVER THE WAVE S we did a while ago. I think that was pretty.
ALBERT:
I'm off here.
SCOTT:
Might as well save a little tape till he gets tuned up.
ALBERT:
Play OVER THE WAVES.
SCOTT:
OK.
(Daryl and Albert play OVER THE WAVES) Item 7
(gnd of Song)
KINDLE:
Purty good.
SCOTT:
I'd like to hear that one back.
(Albert begins playing another waltz)
DARYL: ( While song is in progress )
This is THE WALTZ YOU SAVED FOR ME.
(End of Song)
(4)
KINDLE: Reel 409
I got lost fellas.
DUANE:
Me three.
ALBERT:
Play one in D. (Begins playing)
(END OF SONG)
SCOTT:
Now what was the name of that?
ALBERT:
THE 8th of January. Lets play BILLY IN THE LOW GROUND.
SCOTT:
OK.
(Albert plays and ends BILLY IN THE LOW GROUND) Item 10
SCOTT:
Albert, there's one thing I wanted to ask you and thats that rattle snake rattle you've got in your fiddle. How come you've got that rattler in there.
ALBERT:
Well, I always thought it kinda sharpened up the tone.
SCOTT:
Sharpened up the tone?
ALBERT:
Yea.
SCOTT:
Well, who taught you to do that?
(4)
ALBERT:
Well, my dad used to keep one in hie fiddle allthe time. RAMONA PRICE ( Scott's wife )
What? One what?
ALBERT:
Rattle snake rattle.
SCOTT:
A rattle snake rattle in the fiddle.
RAMONA:
Well, how does that sharpen up the tone? Does it absorb the moisture from the air?
ALBERT:
Well, I don't know just what it does.--------- — Let's play
a little bit of DURANG'S HORNPIPE.
SCOTT:
Durang's Hornpipe—OK.
Item 11
(Albert plays and ends DURANGS HORNPIPE)
KINDLE:
I'ue just fixin to call a little, Albert.
ALBERT:
You was?
SCOTT:
I'd still like to hear a little bit of SALLY GOODIN.
ALBERT:
Well, let's play a little bit of SALLY GOODIN.SCOTT: Reel 409
Which Sally Goodin is this now, Albert?
ALBERT:
Aw, it's the old time Sally.
SCOTT:
Which creek, do you know?
ALBERT:
I don't know.
SCOTT;
Bear Creek?
ALBERT:
Bear Creek SALLY GOODIN, I guess. This'uns played in A.
SCOTT:
A,--- OK.
( Albert begins playing )
KINDLE: (During the song,begins calling)
Forward all 'n back to the wall.
Forward up 'n swing by the right 'n by the left your left foot up 'n your right foot down 'n tear the floor as you come round.
First couple forward 'n by the right 'n by the left.
Left foot up 'n the right foot down, make that big foot jar the ground.
Swing your partner once 'n a half.
Hold your left like swingin on a gate I'd ride the hoes but it's too damn late.
(END OF SONG)
ALBERT:
That'll be awful—That's AWFUL.DARYL:
Albert, what was that last song?
ALBERT:
DRAGGIN THE BOW.
SCOTT:
DRAGGIN THE BOW.
DARYL:
DRAGGIN THE BOW.
DARYL:
The last part of this tape contains fiddle tunes that were recorded on May the 25th, 1962, at my house at 912 Meadow Street.
I'll be playing the fiddle and my brother, Duane Price will be accompanying me on the guitar, and the first tune we're going to play is going to be CRIPPLE CREEK.
(Plays CRIPPLE CHEEK) Item 17
Now we're going to try a tune called SOLDIERS JOY, in G, Duane.
(Plays SOLDIERS JOY) Item 15
Duane, let's try CASEY JONES, in G.
(Begins playing but stops)
That's not CASEY JONES,— Well, let's see now. How does CASEY JONES
GRAYSON WHELCHEL: ( a friend who was listning )
a doodle daddle doodle daddle?
DARYL:
Well, something like that, pete. I've got it now.
(Begins playing but stops again)
That's still not CASEY JONES.
(Albert begins playing and ends another song)
DUANE: (Laughing)
You'd better erase that.
DARYL:
Never mind, just for the heck of it lets see what happens. I'm going to get CASEY JONES down first.
(Begins playing. This time it is CASEY JONES.)
DARYL:
OK, this next song is going to be an old one called DUSTY MILLER. Duane, this one is in A. Item 17
(END OF SONG)
(END OF TAPE)
(8)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Franco (Albert M.) interview, 2000
No full textRhodes, GreeceAlbert was born November 10, 1914 to immigrant parents Rosa Boullissa and Marco Franco of the Island of Rhodes. He attended Leschi Elementary, Garfield High School and graduated from the University of Washington and University of Washington Law School Class of 1939. He served in the US Army Intelligence Corps. Returning to Seattle, he became a founding partner of the law firm Franco, Asia, Bensussen and Coe, and practiced immigration and business law, also serving as the representative of the Mexican Embassy in the Northwest. Albert was an early civil rights advocate, and helped author King County's Civil Rights Ordinance. He also served on the King County Human Rights Commission. A strong philanthropic supporter of the Jewish Community and United Way, Albert was past president of the Jewish Federation of Greater Seattle and was active in the Anti-Defamation League, the American Civil Liberties Union and the American Jewish Committee. In this interview Mr. Franco discusses the lawsuit of Eugene Levy vs. Jewish Family and Child Service (JFCS) of 1948. This accession is part of the Washington State Jewish Archives.To request a high resolution or uncompressed reproduction, or to obtain permission to use any portion of this item, contact the University of Washington Libraries, Special Collections. Email: [email protected]. Please reference the Digital ID Number
Data for: Symplectic integration with non-canonical quadrature for guiding-center orbits in magnetic confinement devices
No full textThis dataset contains code examples for different symplectic integrators with non-canonical quadrature points described in [1]. Hereguiding-center motion is implemented in its axisymmetric variant for tokamak magnetic fields in canonicalized flux coordinates.[1] C. G. Albert, S. V. Kasilov, and W. Kernbichler, Symplectic integration with non-canonical quadrature for guiding-center orbits in magnetic confinement devices, Mar. 2019, arXiv:1903.06885. Submitted to J. Comp. Phy
Albert Einstein with Helen Dukas, Peter Bucky, Frida Sarsen-Bucky, Gustav Bucky and dog in garden.
No full textDigital ImageDigital ImageDigital ImageGustav bucky was a German physicist and radiologist, best known for his work with scattered x-rays which was improved upon by Hollis E. Potter and later came to be known as the Bucky-Potter grid. He also worked with Albert Einstein to patent a “light intensity self-adjusting camera.”Frida Sarson-Buckywrote musical scores, poems, and stories for children. She married Gustav Bucky in 1910. The Bucky family emigrated to the United States of America in 1923, settling in New York City. They returned to Germany for a brief time in 1930 before escaping persecution and moving back to the USA in 1933.Peter Bucky was a radiologist and author. He wrote "The Private Albert Einstein" based on his conversations and interactions with Einstein himself and his father's friendship with him.Helen Dukas was Albert Einstein's personal secretary
Albert Einstein with his son-in-law Rudolf Kayser in Saranac Lake, NY.
No full textDigital ImageDigital ImageRudolf Kayser was a German literary historian and author. He was married to Albert Einstein's stepdaughter, Ilse Lowenthal Einstein, until her death in 1934. In 1935, he emigrated to the United States, teaching German and European literature at Brandeis University.Record added to DigiTool. Aleph record suppressed. J. Palmisano 09/15/2010
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