983 research outputs found
LA LINGUA DI LUIGI EINAUDI FRA CLASSICISMO E PATHOS
L’autrice fa una lettura linguistica dei testi di Luigi Einaudi, per individuare i caratteri lessicali, stilistici e retorici degli scritti dell’economista, del divulgatore, del giornalista, del presidente della Repubblica. Su di essi ha pesato a lungo l’etichetta di scrittore nitido, ordinato, algido. In realtà, sottoponendo la sua vastissima produzione scritta a un esame ravvicinato, emerge la straordinaria capacità nell’uso di modalità linguistiche varie: solennità sintattica e affabilità colloquiale, modi popolari e invenzioni lessicali, descrizioni a forti tinte e sobrietà estrema. Valeria Della Valle, The language of Luigi Einaudi between classicism and pathos, in Luigi Einaudi: economic freedom and social cohesion, by Alfredo Gigliobianco, Rome-Bari, 2010, p. 138-154. The author makes a linguistic reading of texts by Luigi Einaudi, to identify the lexical, stylistic and rhetorical characters of the writings of the economist, the popularizer, the journalist, the President of the Italian Republic. On them has long weighed the label of a crisp, neat, icy writer. In fact, subjecting its vast production on close examination, it reveals the extraordinary ability in the use of various language modes: solemnity, friendly conversational syntactic, lexical inventions and popular modes, descriptions with bright colors and extreme simplicity
White middle-class men in Rio de Janeiro. The making of a dominant subject
Based on the biographical accounts of upper-middle-class white men living in wealthy parts of Rio di Janeiro, Valeria Ribeiro Corossacz analyzes specific experiences of whiteness as they are produced at the intersection of multiple categories, in particular gender, class, and sexuality. White middle class men in Rio de Janeiro investigates what it means to be classified as a white person and a man in a society known for its valorization of racial mixing and yet deeply structured by racism, class and gender inequalities. Ribeiro Corossacz focuses on certain experiences in the men’s biographical trajectories representing moments of apprenticeship in a specific model of white, heterosexual and heteronormative middle-class masculinity and describes how these experiences are constructed as normative. This book explores how class, gender and race privilege are mutually produced and perceived by these men as “normal”. Examining instances of silence and what is left unsaid but also these men’s ability to provide precise descriptions of power relations and violent episodes, the author encourages us to observe the condition of dominant subjects as a keystone of the reproduction social discrimination
El Tlacuache Núm. 422 (2010). 422 Año 10 (2010) junio. El Tlacuache
Las guerras van sobre camino de papeles: la insurrección suriana en reportes de Regeneración por Valeria C. de Pina Ravest
The Creative Heritage of Valeria Fedorovna Orlova as the Basis of Domestic Forensic Handwriting Examination
The article is dedicated to the biography and scientific creativity of an eminent scientist, Doctor of Law, professor Valeria Fedorovna Orlova (18.01.1926–18.03.2021), who devoted her life to forensic handwriting examination. The author addresses V.F. Orlova’s main theoretical works and methodologies, and textbooks created under her supervision. The article introduces the main tasks and capacities of forensic handwriting examination in our country
Reporting and narrating: Communication and storytelling in Carrión’s journalistic writing
In recent years, due to the rise of cultural productions through different media, an increase in the number of journalistic publications of hybrid texts has been observed, which results from the fusion of the narrative and informative functions. The spaces traditionally devoted to different types of journalistic texts which – apart from those merely informative, may include cultural-related and opinion articles – make possible the appearance of articles which distinguish themselves trough entailing both characteristics. Therefore, this paper analyses two articles written by J. Carrion and published in the Spanish edition of The New York Times in 2018. The articles will be scrutinised in relation to the narrative and essayistic works of the author. We illustrate some characteristics of what is generally referred to as narrative journalism, as defined by Herrscher (2012) and Casals Carro (2005), among others. This will allow us to trace a profile of the author, journalist and writer which is linked to the social environment and of his work
I geni della fiction: Generosity di Richard Powers
Recensione del romanzo di Richard Powers "Generosity" e intervista all'autore.Review of Richard Powers' novel "Generosity" and interview with the author
Educazione linguistica e rappresentazioni della disabilità in famiglie migranti di origine bangladese. Risultati di un’indagine condotta nel territorio di Venezia.
n the present paper the author presents the main representations of language education and disability of Bangladeshi migrant families living in Venice. Moreover, the author presents how those representations could create problems in intercultural communication between migrant families and social operators. Data were collected during two focus groups realized together with the support of social workers of the Municipality of Venice during a research that started in October 2018 and ended in March 2020. Among the main findings, it is clear that families do not know which language use in the language education of their children. It is also necessary to employ intercultural and interlinguistic mediators in order to facilitate the communication between social-workers and migrant families. It is also necessary to take into consideration new different social educational and healthcare services in order to face the needs of families who live in a situation of marginalization and vulnerability, especially in families with children with disability
Madame Bovary sou eu: Molero, Walt e il personaggio (meta)narrativo nel romanzo portoghese degli anni 70
Tra la fine della dittatura (1974) e l’entrata nella CEE (1986), il Portogallo avvia un ripensamento sul proprio passato che, dal punto di vista letterario, equivale anche a una rinnovata attenzione al rapporto autore-narratorepersonaggio.
Tra gli esempi di personaggi metanarrativi non ancora presi in considerazione dalla critica, l’intervento si concentrerà su O que diz Molero di Dinis Machado (1977) e Walt, o frio e o quente di Fernando Assis Pacheco (1978).Between the end of dictatorship (1974) and the entry into the EEC (1986), Portugal starts a process of rethinking of its own past which, from a literary point of view, corresponds to a renewed attention to the author-narrator-character
relationship. Among the examples of metanarrative characters not yet considered by critics, the intervention will focus on O que diz Molero by Dinis Machado (1977) and Walt, or frio and o quente by Fernando Assis Pacheco (1978)
Clarisse scrittrici dell’Osservanza tra XV e XVI secolo: Valeria Campanazzi
Valeria Campanazzi from 1518 to 1577, the year of her death, was a nun of the important monastery of Corpus Domini in Bologna, belonging to the Franciscan Observance, in which the more famous Caterina Vigri had been and of which she was also abbess. She is the author of the book of the Revelations, written in the vernacular, of which an autograph manuscript from the 16th century and a copy from 1680 by the nun Antonia Maria are preserved. Until now only a few pages have been dedicated to Campanazzi by Chiara Augusta Lainati in 1970 and a short article by Marini himself in 2007.
This present study, after a premise on the Franciscan female Observance in Italy, on its main figures, on their works and on the cultural level of those communities, presents Valeria Campanazzi and publishes some excerpts from her Revelations, a spiritual autobiography that shows a marked mystical value of the author (who fully inserts her in the so-called “mystical invasion”), her good level of biblical knowledge and a clear and polemical female conscience in claiming the value of spiritual experience and of the same visions in the face of contempt on the part of scholars and exegetes and indeed a superiority of the light of such revelations in front of the light of wisdom.Valeria Campanazzi dal 1518 al 1577, anno della sua morte, fu monaca dell’importante monastero del Corpus Domini di Bologna, appartenente all’Osservanza francescana, nel quale vi era stata la più nota Caterina Vigri e del quale fu anche badessa. È autrice del Libro delle revelationi, scritto in volgare, di cui si conservano un manoscritto autografo del ‘500 e una copia del 1680 della monaca Antonia Maria. Alla Campanazzi finora sono state dedicate soltanto alcune pagine da Chiara Augusta Lainati nel 1970 e un breve articolo dallo stesso Marini nel 2007.
Questo presente studio, dopo una premessa sull’Osservanza femminile francescana in Italia, sulle sue principali figure, sulle loro opere e sul livello culturale di quelle comunità, presenta Valeria Campanazzi e pubblica alcuni brani del suo Libro delle revelationi, un’autobiografia spirituale che mostra una spiccata valenza mistica dell’autrice (che la inserisce a pieno titolo nella cosiddetta “invasione mistica”), un suo buon livello di conoscenza biblica e una coscienza femminile chiara e polemica nel rivendicare il valore dell’esperienza spirituale e delle stesse visioni di fronte al disprezzo da parte degli studiosi ed esegeti e anzi una superiorità del lume di tali rivelazioni di fronte al lume della sapienza
Contemporary Religious Painting in Geo-Cultural Tibet
The author deals with Tibetan traditional religious painting in the 20th-21st centuries, with particular reference to an important contemporary Ladakhi artist. The contribution has been published also in an Italian translation by Valeria Donati for the Italian edition of the same volume
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