1,876 research outputs found
Angelo Ferraro, guitarra (Italia)
No full textConcierto interpretado por el guitarrista Angelo Ferraro. Ferraro estudió en el Conservatorio de "Santa Cecilia", en Roma, dedicándose al mismo tiempo, al estudio de la composición. Ha frecuentado diversos cursos de perfeccionamiento, entre ellos el realizado en la Academia de Chigiana de Siena, en 1964, un seminario sobre la música de H. Villa• Lobos sostenido por Oscar Cáceres en 1971, y los cursos de José Tomás, en 1972, en Santiago de Compostela primero, y en Alicante después. Durante los años 1973 y 1974, dio clases de guitarra en los cursos internacionales de perfeccionamiento de Amalfi y, en 1979, realizó los cursos de perfeccionamiento guitarrístico de la Primavera Veliterna
Letter from Local Union No. 3 of the International Brotherhood of Electrical Workers to Geraldine Ferraro
No full textLetter of endorsement from leadership of Local Union No. 3 of the International Brotherhood of Electrical Workers to Geraldine Ferraro. Letter is co-signed by Charles G. Sciara, Local Union Chair, James Papandrea, and Angelo Granata, Local Union Business Representatives. Includes standard response letters to each co-signee, and data entry sheets for each co-signee.https://ir.lawnet.fordham.edu/vice_presidential_campaign_correspondence_1984_new_york/1250/thumbnail.jp
The history of the Romano famili and "Angelo, tyran de Padoue" by Victor Hugo.
No full textreservedVictor Hugo, nel dramma Angelo, tyran de Padue, ricama tre diverse epoche storiche: i primi decenni dell’Ottocento, a lui contemporanei; la metà del Cinquecento, prescelta per lo svolgimento dell’azione drammatica; il tardo Medioevo evinto dai personaggi principali che compongono il racconto. Tuttavia, l’interesse storico e prettamente romantico verso il periodo medievale assume in quest’opera una rilevanza primaria. Tra le tante casate del nord Italia nominate dall’autore nell’opera, una su tutte sembra essere davvero simbolica. Particolarmente interessante è stato comprendere come la storia della famiglia da Romano costituisca il fulcro della costruzione drammaturgica. Ezzelino III e Cunizza da Romano sono elevati a emblema della poetica romantica e divengono funzionali al messaggio politico e sociale dell’autore.Victor Hugo, in his play Angelo, tyran de Padue, embroiders three different historical epochs: the first decades of the 19th century, contemporary with him; the middle of the 16th century, chosen for the unfolding of the dramatic action; and the late Middle Ages evoked by the main characters in the story. However, the historical and purely romantic interest in the medieval period takes on primary importance in this work. Of the many northern Italian lineages named by the author in the work, one in particular seems to be truly symbolic. It was particularly interesting to understand how the history of the da Romano family forms the core of the dramaturgical construction. Ezzelino III and Cunizza da Romano are elevated to emblems of romantic poetics and become functional to the author's political and social message
Michael Angelo Caruso, international author, consultant, and speaker on Campus
No full textTollefson, Elizabeth. (2013). Michael Angelo Caruso, international author, consultant, and speaker on Campus. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/223386
Private Angelo Ferraro, U.S.N.G. /
No full textVerso of t.p.: The Press of Pittsburgh Printing Company.Mode of access: Internet
Oltre i confini della razionalità
No full text- Il contributo di Angelo Volpe prende in esame fondamentalmen-te due oggetti: primo, la potenzialità indiscussa nella sociologia contemporanea degli approcci individualistici e razionali e, secondo, la necessità di trascendere la gabbia stessa della razionalità e di andare oltre. Ciò che l’autore auspica è la realizzazione di un “modello a spettro intero” per l’analisi dei fatti sociali, un modello che possa espandere il raggio d’azione della comprensione sociologica al di là di ciò che possiamo vedere e misurare razionalmente.
- The contribution of Angelo Volpe essentially examines two objects: first, the unquestioned potentiality in contemporary sociology of individualistic and rational approaches, and, second, the need to transcend the very cage of rationality and go further. What the author hopes is the realization of a "full-spectrum model" for the analysis of social events, a model that can expand the scope of sociological understanding beyond what we can see and measure rationally
Michael Angelo Buonarroti,
No full textAppendix: "Three dialogues on painting composed by Francisco d'Ollanda, a Portuguese miniature painter who was in Rome in the year 1538. Tr. ... with the help of Mr. A. J. Clift, by Charles Holroyd. The manuscript was published for the first time in Renasçenca portugueza, no. VII, Porto, 1896.""The works of Michael Angelo": p. 281-283."A list of the principal books consulted by the author": p. 285-286.Mode of access: Internet
Motion estimation via Belief Propagation
No full textWe present a probabilistic model for motion estimation in which motion characteristics are inferred on the basis of a finite mixture of motion models. The model is graphically represented in the form of a pairwise Markov Random Field network upon which a Loopy Belief Propagation algorithm is exploited to perform inference. Experiments on different video clips are presented and discussed
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