1,720,994 research outputs found
I poteri della ragion pura. Kant e l'idea di una filosofia cosmica
Contro ogni settorializzazione del pensiero di Kant, che divide ambiti isolati gli uni dagli altri al servizio di scopi diversi (conoscenza, morale, estetica e finalità), e frammenta l'unità della prima Critica in facoltà separate, questo libro propone una comprensione dell'unità della ragione nelle sue forme diverse. Prende le mosse dall'Architettonica della ragion pura, dall'idea di filosofia cosmica e dal ruolo delle idee nella loro differenza dai concetti, per attraversare l'intera filosofia critica. Il concetto di sintesi a priori è la formulazione kantiana di un potere della ragione di istituire leggi e uscire da se stessa verso il mondo, e viene esaminato nei suoi più diversi risvolti: in senso teorico e pratico, nel suo uso in matematica, metafisica, nella conoscenza scientifica ed empirica. Questo volume, che esce in traduzione italiana dopo essere apparso da The University of Chicago Press nel 2015, chiarisce il significato di conoscenza, di a priori, i concetti schematizzati, e discute l'indipendenza relativa della sensibilità, il rapporto tra critica e metafisica, e tra ragione e capacità di giudizio. Dopo il 1781 Kant riformula continuamente le sue tesi finendo, con molte semplificazioni e ricostruzioni fuorvianti del suo percorso, per oscurare il suo pensiero originario. Si tratta di comprendere le esitazioni, le svolte e le scelte di Kant e illustrarne le conseguenze, ma ciò, lungi dallo sminuire l'importanza della sua filosofia, ce ne fa apprezzare più in profondità la complessità
Disentangling the Texas ratio: the case of the Italian banking sector
According to the ECB, the Texas ratio represents a key performance indicator that shows the dependency between the NPLs and the level of bank capitalisation. Using a sample of twelve Italian listed banks, we disentangle the main drivers of the Texas ratio and evaluate its impact on profitability, probability of default and price-to-book value. Our findings question the overall effectiveness of the restructuring measures undertaken by both supervisory and regulatory authorities to cope with the NPLs’ issue
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Fenomenologia come metodo dell'ontologia
Una lettura del pensiero di Heidegger come radicalizzazione della fenomenologia attraverso l'integrazione della negatività nel suo percorso metodic
Orizzonte del mondo e libertà dell'uomo nello sviluppo del pensiero kantiano tra ragion pura e declinazioni della filosofia pratica
“Orizzonte del mondo e libertà dell’uomo”
The article aims to highlight the close relationship between Kant’s elaboration of the pure reason and the aspects of his practical philosophy with relation to the concept of “world” and the development of human being’s freedom. Man and his destination (Bestimmung) are considered the accomplishment of the concrete realisation of freedom in the differents fields of philosophical and moral reflections. The problem of the reason’s third anthinomy, i. e. the relation between human freedom and the determinism of the cause-effect-connection inherent in the natural world, is resolved in the light of freedom’s central place in Kant’s practical philosophy and its manifold dimensions. Thus the philosophy of history, of religion, of right, are conceived as complete expression of human activities and, as such, receive their solid foundation through the “keystone” of the entire system of human reason, i. e. the freedom, as Kant’s most important noumenical mainstay
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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