1,784 research outputs found
Sculpture in the Gardens 2024/25
No full textTonal Lines.
Wood (burnt), bitumen tar, metal, algorithmic sound equipment. (large site specific installation- interactive with sound). approx 8 metres x 6 metres x 8 metres
ROLES: Gina Ferguson & Dale Cotton (Artists) ; Linda Tyler, Catherine Hamilton, Terry Urbahn (Curators)
VENUE AND TIMES: Auckland Botanic Gardens, Manurewa, Auckland, New Zealand. Dec 16 2024 - 2 March 2025
Poe's biopics : representations of the author in D.W. Griffith's Edgar Allen Poe and James Mcteigue's The raven
No full textLiterary biopics often reinforce romantic images regarding the creative process, emphasizing biographic and author-centered approaches to literature previously denounced by Roland Barthes (1977). Curiously, one of the most famous critics of such romantic conceptions, Edgar Allan Poe, has himself been a victim of this very same treatment, his literary production being taken as part and result of his controversial biography in a number of works. This article analyzes two biographical films, or biopics, about the renowned poet, D.W. Griffith’s Edgar Allen Poe (sic) (1909) and James McTeigue’s The Raven (2012). The analysis of these works indicates that both reinforce the merge of the artist’s life and oeuvre, as well as the blurring of borders between fact and fiction, author and character, high and mass culture, thus contributing to the characterization of the biopic as a fitting example of historiographic metafiction. (Hutcheon, 1988).Cinebiografias literárias frequentemente reforçam visões românticas quanto ao fazer artístico, reiterando a visão biografista e a centralidade do autor há muito denunciadas por Roland Barthes (1977). Curiosamente, um dos mais célebres críticos de tais concepções românticas, Edgar Allan Poe, viu-se vítima desse mesmo tratamento ao ter sua produção literária apropriada como parte e reflexo de sua controversa biografia em diversas obras. O presente artigo debruça-se sobre dois filmes biográficos, ou biopics, acerca do célebre poeta, Edgar Allen Poe (sic), de D.W. Griffith (1909), e O Corvo, de James McTeigue (2012). A análise das obras aponta que ambas reiteram a fusão entre vida e obrado artista, bem como o apagamento das fronteiras entre fato histórico e ficção, entre autor e personagem, alta cultura e cultura de massa, contribuindo para a caracterização do gênero biopic como um dos mais bem-acabados exemplos de metaficção historiográfica (Hutcheon, 1988)
Author Correction:A cattle graph genome incorporating global breed diversity
No full textThe original version of this Article omitted from the author list the 12th and 13th authors Dennis Muhanguzi and Wilson Amanyire, who are from the ‘School of Biosecurity, Biotechnology and Laboratory Sciences (SBLS), College of Veterinary Medicine, Animal Resources and Biosecurity, Makerere University, P.O Box 7062, Kampala, Uganda’. Consequently, the final sentence of the Author Contributions incorrectly read ‘D.W., P.T., E.A.J.C., C.E., E.T.O., E.R.A., A. Tijjani, K.M., A.F., B.R.F., A.Q., U.C. and P.W. provided samples and expertise for the studies’. This has been replaced with ‘D.W., P.T., W.A., D.M., E.A.J.C., C.E., E.T.O., E.R.A., A. Tijjani, K.M., A.F., B.R.F., A.Q., U.C. and P.W. provided samples and expertise for the studies’. This has been corrected in both the PDF and HTML versions of the Article
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
No full textIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
Really New Stories: The Effect of Early Concept Narratives on Consumer Understanding and Attitudes
No full textReally New Stories typically describe a use setting and a main character - the hero - who is using a really new product. In this doctoral thesis, Ellis van den Hende explains why early consumer input during the development of really new products can be remarkably frustrating to new product managers and product developers. Ellis elucidates how Really New Stories can present information about the new product concept in a way that is evocative and relevant for consumers. She tests and discusses the positive effects of Really New Stories on consumer understanding and attitudes and provides practical guidelines to put Really New Stories to work. To summarize, she explains how Really New Stories successfully contribute to the new product development process. Ellis van den Hende (1981) received her graduate and postgraduate training in product development and innovation management at Delft University of Technology, The Netherlands. Her research has been published in International scientific journals, such as the Journal of Product Innovation Management. Please email the author for the latest versions of the papers in this thesis ([email protected]). Thank you for your interest in this thesis!Product Innovation ManagementIndustrial Design Engineerin
Karakterisering van ionenwisselaars in verband met hun toepassing bij de bereiding van ketelvoedingwater
No full textApplied Science
POE’S BIOPICS: REPRESENTATIONS OF THE AUTHOR IN D.W. GRIFFITH’S EDGAR ALLEN POE AND JAMES MCTEIGUE’S THE RAVEN
No full textCinebiografias literárias frequentemente reforçam visões românticas quanto ao fazer artístico, reiterando a visão biografista e a centralidade do autor há muito denunciadas por Roland Barthes (1977). Curiosamente, um dos mais célebres críticos de tais concepções românticas, Edgar Allan Poe, viu-se vítima desse mesmo tratamento ao ter sua produçãoliterária apropriada como parte e reflexo de sua controversa biografia em diversas obras. O presente artigodebruça-sesobre dois filmes biográficos, ou biopics, acerca do célebre poeta, Edgar Allen Poe(sic), de D.W. Griffith (1909), e O Corvo, de James McTeigue (2012). A análise das obras aponta que ambas reiteram a fusão entre vida e obrado artista, bem como o apagamento das fronteiras entre fato histórico e ficção, entre autor e personagem, alta cultura e cultura de massa, contribuindo para a caracterização do gênero biopiccomo um dos mais bem-acabados exemplos de metaficção historiográfica (Hutcheon, 1988)
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