413 research outputs found
Get a Life, Chloe Brown
No full textGet a Life, Chloe Brown follows Chloe Brown, who spent most of her time at home due to her fibromyalgia, an illness that causes wide-body pain and fatigue. After a near-death experience, she decided to make a list to become more independent and rebellious. To help her do this, she seeks the help of her landlord.
The author of this book was a diverse romance writer who got started from self-publishing and social media. This book in particular follows a Black woman with a chronic illness, making it unique in the romance world.https://ecommons.udayton.edu/ul_popularromance/1011/thumbnail.jp
Modern Painters, Vol. 1, No. 1: introduction
No full textA multi-author 'One Object' feature convened and introduced by Chloe Julius that responds to the first issue of the British art magazine 'Modern Painters' (1988
Obraz „Dafnis i Chloe” Parisa Bordona. Mitologia i erotyka
No full textThe paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents.The paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents
David Ferguson - Bachelor of Music - Senior Recital
No full textOmbra mai fu, from Serse; Where’er you walk, from Semele / George Fredric Handel (1685-1759) -- Abendempfindung; Als Luise die Briefe; An Chloe / Wolfgang Amadeus Mozart (1756-1791) -- Si mes vers avaientdes ailes; D’une Prison; A Chloris; La Barcheta / Reynaldo Hahn (1874-1947) -- Die Forelle; Frühlingsglaube; An die Musik; Ständchen / Franz Schubert (1797-1828) -- Three Songs Op. 10: 1. Rain has Fallen; 2. Sleep Now; 3. I Hear an Army / Samuel Barber (1910-1981) -- Simple Song from Mass / Leonard Bernstein (1918-1990)Music, Moores School o
Daphnis and Chloe /
No full textIn 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner.In 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner
Design of a syringe extension device (Chloe SED®) for low-resource settings in sub-Saharan Africa: a circular economy approach
No full textUnderfunded healthcare infrastructures in low-resource settings in sub-Saharan Africa have resulted in a lack of medical devices crucial to provide healthcare for all. A representative example of this scenario is medical devices to administer paracervical blocks during gynaecological procedures. Devices needed for this procedure are usually unavailable or expensive. Without these devices, providing paracervical blocks for women in need is impossible resulting in compromising the quality of care for women requiring gynaecological procedures such as loop electrosurgical excision, treatment of miscarriage, or incomplete abortion. In that perspective, interventions that can be integrated into the healthcare system in low-resource settings to provide women needing paracervical blocks remain urgent. Based on a context-specific approach while leveraging circular economy design principles, this research catalogues the development of a new medical device called Chloe SED® that can be used to support the provision of paracervical blocks. Chloe SED®, priced at US 10 in polyetheretherketone, and US$ 15 in aluminium, is attached to any 10-cc syringe in low-resource settings to provide paracervical blocks. The device is designed for durability, repairability, maintainability, upgradeability, and recyclability to address environmental sustainability issues in the healthcare domain. Achieving the design of Chloe SED® from a context-specific and circular economy approach revealed correlations between the material choice to manufacture the device, the device's initial cost, product durability and reuse cycle, reprocessing method and cost, and environmental impact. These correlations can be seen as interconnected conflicting or divergent trade-offs that need to be continually assessed to deliver a medical device that provides healthcare for all with limited environmental impact. The study findings are intended to be seen as efforts to make available medical devices to support women's access to reproductive health services.Design for SustainabilityResponsible Marketing and Consumer BehaviorCircular Product Desig
A THESIS PAPER TO FULFILL THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN
No full textA performance of my frustration, and the frustration of my community, with the inaccessibility of higher education.
FOR MORE INFORMATION REGARDING THE FORMATTING OF THIS DOCUMENT VISIT:
https://drive.google.com/drive/folders/1lj2FWXt9Y1xrX14stQw6fXR24IeO6xL2?usp=sharing
FOR AN ACCESSIBLE VERSION OF THIS DOCUMENT PLEASE EMAIL:
[email protected] (dleen chloe at gmail dot com)
OR VISIT: https://drive.google.com/drive/folders/19v6H7ebCzV8T1Br6p5A0WkiEK2mHidEG?usp=sharingCrip theoryResistanceInaccessibilityAbleismDisability justic
The Tulip-Flame
No full textChloe Honum is the author of The Tulip-Flame, selected by Tracy K. Smith as winner of the 2013 Cleveland State University Poetry Center First Book Prize. Her poems have appeared in The Paris Review, Poetry, and The Southern Review, among other journals, and have been anthologized in Best New Poets 2008 and 2010. A recipient of a 2009 Ruth Lilly Fellowship from the Poetry Foundation, Honum has also received fellowships from the MacDowell Colony, the Kerouac House of Orlando, and the Djerassi Artists Program. She was born in Santa Monica, California, and was raised in Auckland, New Zealand.
“Chloe Honum’s brilliant first book The Tulip-Flame traces an identity forming within radically divergent but interlocking systems: a family traumatized by the mother’s suicide, a failed relationship, the practice of ballet, a garden—each strict, exacting. And with ‘a crow’s sky-knowing mind,’ Honum in every case transfigures emotion by way of elegant language and formal restraint. Chloe Honum is ‘one astounding flame’ of a poet, and I predict a long-lasting one.” –Claudia Emerson
“I am so very taken by the exquisite power and grace in every single one of these poems, so arresting in their honesty and in their unflinching ability to scour the world for image after indelible image.” –Tracy K. Smith
“Chloe Honum’s first book is stark and haunting and hard to put down. I read it in one straight blaze like a novel, then found myself living in its glimmers for weeks.” –Christian Wiman
More Information:
Chloe Honum Website
Poetry Foundation
AGNI
Los Angeles Review of Books
The Economyhttps://engagedscholarship.csuohio.edu/clpc_bks/1061/thumbnail.jp
EXOSEKETONS: A REHAB TECH CONSUMER’S UNEXPECTED MARCH TO ACTION
No full textThis paper is both a stakeholder perspectives as well as a ‘case study’ describing a journey from sudden disability to participant and investor in exoskeleton design. It tells of my experiences and opinions, as a successful fashion designer, when my life took a drastic turn on becoming paralysed from the waist down over the course of 24 hours, by a spinal tumour. Getting this diagnosis was ‘the worst day in my life’, and it was quickly followed by the ‘second worst’ when, in my determination to walk again, I received Knee Ankle Foot Orthotics (KAFOs) and was shocked to learn that this appeared to be the best technology solution available on the market ‘suitable’ for use in the community. Initial anger at the system for not being better, at the rehab team for their complacency, and at myself for allowing a feeling of helplessness to take over led to questions such as: what does this say about our society? and what are we all willing to accept, for ourselves and others? This is professional opinion and an essay about how we see ourselves and how others see us. The journey from pre-injury ‘consumer’ to post-injury ‘disabled’ person and learning that being labeled ‘disabled’ leads to the additional handicap of the narrow vision of “cost” taken by the mobility industry where innovative ideas are stripped down to the bare minimum with the excuse that patients are “lucky” to have what they have been “given”. Grappling with these labels and inequities and seeking a better outcome, I became an integral team member of an exoskeleton development team, leading to the design of The Next Generation Exoskeleton! This is MY story, the story of Chloe Angus. It is the story of inclusive, user focused design and is a call to include and respect the end users of all assistive device technology design early in the design process and it is being told from the perspective of a person having experience and success in the world of business.
Article PDF Link: https://jps.library.utoronto.ca/index.php/cpoj/article/view/37250/28296
How To Cite: Angus C. Exoseketons: a rehab tech consumer’s unexpected march to action. Canadian Prosthetics & Orthotics Journal. 2021; Volume 4, Issue 2, No.2. https://doi.org/10.33137/cpoj.v4i2.37250
Corresponding Author: Chloe AngusChloe Angus Design, Vancouver, BC, Canada.E-Mail: [email protected] ID: https://orcid.org/0000-0002-5468-312
Perceptions of quality: A comparative study of open and double-anonymous peer review methods in scientific journal publishing in the UK
No full textWith the influences of current pressures such as the COVID-19 pandemic and the push towards Open Access, now is the time to assess whether new methods of peer review have been embraced by the scientific community who have commonly used single-anonymous peer review, and whether associated issues with peer review have been overcome. This research identifies the prevalence of open and double-anonymous methods of peer review in scientific journal publishing in the United Kingdom (UK), and critically examines attitudes towards these methods in relation to quality. These attitudes and issues are considered through a review of literature and empirical research collected via questionnaires sent to editorial staff and scientific authors, and via documentary evidence gleaned from 221 journal websites. The questionnaires resulted in seven responses to the editorial questionnaire, and 15 author responses. The findings demonstrate that there are still several issues associated with peer review, namely that the traditional process is terribly slow and can be biased. Publishers are offering some form of accelerated peer review to ensure essential research is communicated as swiftly as possible, and preprint use has increased, acknowledging that peer review takes time, time we simply do not have in a pandemic. Both open and double-anonymous peer review have been adopted to tackle bias with unproven success, with double-anonymous peer review gaining momentum, and open still rarely adopted.
The study concludes that attitudes towards peer review have not altered over time, and that although double-anonymous is on the rise in STEM it is not clear why, as it has not yet been proven to alleviate bias and can increase the length of the peer review process, though it is deemed the most trusted method. Transparent Peer Review is increasing in popularity and potentially exploits the benefits of both double-anonymous and open peer review whilst tackling the issues of traditional peer review. Post-publication review and preprints need to be viewed as a supplement to, rather than a replacement to, traditional peer review methods, and could potentially improve research quality. However, ultimately, for changes in peer review to be long-term, I conclude that citation count needs to be replaced as a success metric first before other aspects of the scholarly publishing ecosystem can be tackled. This research recommends that further study is undertaken in a post-pandemic world, comparing these results to countries outside the UK
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