4 research outputs found
The Effect of Motivation on Apparatus Performance State Civilian (ASN) at the Camat Office Linggabayu Mandailing Natal District
No full text86 HalamanPenelitian ini berjudul “Pengaruh Motivasi Terhadap Kinerja Aparatur Sipil
Negara (Asn) Pada Kantor Camat Linggabayu Kabupaten Mandailing
Natal”Motivasi merupakan masalah yang sangat penting dalam setiap usaha
sekelompok orang yang bekerja sama dalam rangka pencapaian suatu tujuan
tertentu dan merupakan sentral dalam dunia psikologi. bertujuan Untuk
mengetahui pengaruh motivasi terhadap kinerja Aparatur Sipil Negara pada kantor
camat LinggaBayu. Penelitian ini merupakan jenis penelitian kuantitatif dimana
data dinyatakan dalam angka dan analisis dengan teknik statistik. Hasil penelitian
menunjukkan bahwa Motivasi berpengaruh terhadap kinerja aparatur sipil Negara
kantor camat LinggaBayu. Berdasarkan hasil signifikan bahwa variabel motivasi
memilik nilai t hitung sebesar 5,373 dengan taraf signifikansi 0.000 berdasarkan
hasil tersebut dapat diketahui bahwa 1 diterima dan 0 ditolak. Variabel X
memiliki t hitung yakni 5,373 dengan t tabel = 1,684 (df 33 dengan signifikansi
0,05) . jadi t hitung > t tabel sehingga dapat disimpulkan bahwa variabel Motivasi
(X) memiliki kontribusi yang berpengaruh terhadap kinerja (Y) . This study entitled "The Influence of Motivation on the Performance of the State
Civil Apparatus (Asn) at the Linggabayu Subdistrict Office, Mandailing Natal
Regency" aims to determine the effect of motivation on the performance of the
State Civil Apparatus at the LinggaBayu subdistrict office. This research is a type
of quantitative research in which the data is expressed in numbers and analyzed
by statistical techniques. The results showed that motivation had an effect on the
performance of the state civil apparatus at the LinggaBayu subdistrict office.
Based on the significant results that the motivation variable has a t-count value of
5.373 with a significance level of 0.000 based on these results it can be seen that 1
is accepted and 0 is rejected. Variable X has a t count of 5.373 with t table =
1.684 (df 33 with a significance of 0.05). so t count > t table so it can be
concluded that the motivation variable (X) has a significant contribution to
performance (Y)
SDN Controller Robustness and Distribution Framework
No full textSDN improves network flexibility which is constrained by network protocol in a conventional network by decoupling the control plane and the data plane of the network. This is the reason why many companies and universities migrate their network to SDN, there will be more SDN network in the future. Yet SDN network mainly depends on the controller in the control plane. Hence, SDN controller robustness becomes an important issue, because a controller failure will result to a network outage.OpenFlow is arguably the standard protocol for SDN network. Thus, it is necessary to investigate the robustness of the OpenFlow control plane. Several open source controllers such as OpenMul, Floodlight, Opendaylight, and ONOS have multiple controllers framework to tackle a controller failure. They provide failover mechanism, when there is a controller failure, a backup controller can take over to control the network. In this thesis a benchmark is conducted to measure how long the failover time of those open source controllers. Unfortunately their failover time is in order of seconds, which is way higher than 50ms, the acceptable standard of carrier-grade recovery time.This thesis presents a solution that can improve SDN robustness: A Controller Robustness and Distribution Framework (ACRoDiF). ACRoDiF is compatible with several open source OpenFlow controllers such as Ryu, OpenMul, Floodlight, Opendaylight, and ONOS. ACRoDiF provides failover mechanism that has lower failover time than in the open source controllers: 76ms. It can also eliminate failover time completely if using two active primary controllers
The Role of the “EcoMasjid” Program in Jakarta in the Development of Awareness of Eco-Friendly Living Culture
No full textBackground: The acceleration of the social and economic today has produced a new phenomenon and challenge: Environmental crisis. As a result, various studies from diverse disciplines and perspectives, seek to carry out various mitigative and preventive analyses and innovations. One of them is through a religious approach that is believed to influence the movement, especially in the context of Indonesia with a Muslim population of 240.62 million as the majority population in Indonesia and a total of 299,692 mosques.
Aims: This study seeks to study the role of one of the efforts made by the Indonesian Ulema Council (MUI) in the EcoMasjid program as an effort to move mosques which are considered not only religious spaces, but community spaces, and the epicenter of social growth.
Methods: Through a qualitative approach in the form of interview, observation, and literature study methods, the author uses several supporting concepts such as EcoMosque, Religious Creativity, and the Relationship between Religious Organizations and the social patterns of the community in social issues.
Results: The results of this study show that EcoMasjid as a program, in general, has an impact on improving the culture of environmentally friendly living. This is supported by several efforts such as infrastructure approaches, lectures related to environmental issues, and other communication with pilgrims.
Conclusion: This program still needs expansion in the context of participation, as well as the involvement of young people to bring innovations for the development of EcoMasjid in building closeness and relevance in the community
The city and landscapes beyond Harold Pinter's rooms
No full textPinter's dramas have been labelled as 'absurd', 'mysterious', 'enigmatic', 'taciturn'.
There has been a constant tendency to reduce the idea of the 'Pinteresque' to language
when Pinter is preoccupied with the tensions between reality and the world of the
imagination. He has, actually and accurately, used theatre as a 'critical act' to denote
the abstracted realities, and he has applied his language to embody his world-view - his
concerns in the contemporary capitalist world.
Pinter has journeyed from the room to the outside world, from the private to the public
social space, and has identified an inescapable sense of pessimism and alienation, and
investigated an alarming world of atrocities. There are cities and landscapes beyond
Pinter's rooms, cities peopled by wandering, displaced figures surveying the self-estranged city that is modern consciousness, and landscapes where his people retreat
into the private realms of memory and fantasy.
This thesis explores the virtual geographies beyond Pinter's rooms through the
vocabulary of some modernist theoreticians and social scientists, as there are significant
parallels between their analytical observations and the poetic perceptions of Pinter, a
practising artist, and the phantom images of his characters.
Pinter's plays and film adaptations tend to portray the city as a colonial present, and the
country as a mythological past. The 1970s' plays portray a community of isolation,
urban decay, dispossession and suffering, through the figure of the 'flâneur' - his
characters' subjective experiences, memories and fantasies in the metropolis. In these
memory plays, men and women have different mental landscapes and desires. To some
extent the city is both a male-constructed world and an image of the twentieth century;
in both senses it is anti-human and in decline.
In his 1980s mature plays, Pinter's lyrical interiors and serene landscapes are colonised
by the metropolis. Here Pinter investigates a universally oppressive space filled with
misery and social dislocation. The city destroys humanity in a decaying modem world.
These plays identify the global city as the locus of existential alienation and as the
centre of political power and oppression - a world of brute masculine power.
The last two plays, in this study explore other wastelands of human isolation and
suffering, and criticise the British suspicion of the 'intelligentsia'. Using scenes that are
ingrained in the contemporary audience's physical memory, Pinter makes the
distinction between being an active participant and being a witness, a 'spectator' in this
alarming world. And thus, he criticises the tradition of mockery of the artistic and the
intellectually curious in Britain, and urges a need for a 'politically curious', at politically questioning theatre-going society
