1,721,155 research outputs found

    Pregón sobre la prohibición de ciertos vestidos - Madrid 1625

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    [2] f. ; 2º (29 cm)Publicación en Madrid de un pregón obligando a observar las pragmáticas promulgadas el 11 de febrero de 1623, relativas a la prohibición de usar ciertos vestidos en ocasión del inminente nacimiento de un príncipe, que al final resultó ser princesa y recibió el nombre de infanta María Eugeni

    Privilegi reial de Felip IV de Castella per a la redotació del Monestir de la Encarnación, de Madrid

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    PergamíInclou el registre i assentaments de diverses mans amb les signatures corresponentsAl f. [8v]: "A la priora y monjas del Combento Real de la Encarnación desta villa de Madrid ... de iuro perpetuo situados en las sisas de los ocho mil soldados de la ciudad de Segobia y su provincia"Data més moderna del text: 8 de novembre de 1664Portada a dues tintes ornamentada amb motius vegetals i l'escut reial, text inscrit entre filets, caplletes ornades i rúbriques en vermellCessió en dipòsit de la Biblioteca de la Universitat Autònoma de BarcelonaPrivilegi concedit a les monges agustines del convent de l'Encarnació de Madrid pel qual el rei els concedeix i augmenta la dotació assignada periòdic

    Pregn prohibiendo a las mujeres usar guardainfante - Madrid 1639

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    [4] f. ; 2º (28 cm)Comunicación pública en Madrid de la prohibición que estableció el rey que ninguna mujer pudiera vestir guardainfante, salvo "las mugeres que con licencia de las justicias, públicamente son malas de sus personas y ganan por ello". Se prohíbe que ninguna basquiña exceda de ocho varas de seda, y si son de otro tejido, que no sobrepase las cuatro varas de "ruedo". El mismo criterio se aplicará a "faldellines, manteos o lo que llaman polleras y enaguas

    [Bando. 1652, 02, 23]

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    Sign.: A6. - Publicat a València el 23 de febrer de 1652La Pragmática en què el Rei Felip IV dóna a conèixer el text del Tractat, datada a Madrid el 12 d'abril de 1651Esc. reial grav. al principi del text

    Crida, 1630, 12, 29

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    La carta de Felip IV amb els Capítols datada en Madrid el 20 de Gener de 1629Escut xil. de la Ciutat de València a la portCaplletra ornadaSign.: [ ]1, A4, [ ]1ReclamsEl text dels Capitols en castell

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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