1,721,180 research outputs found

    The historic hotel as ‘quasi-freedom machine’: Negotiating utopian visions and dark histories at Amsterdam’s Lloyd Hotel and ‘cultural embassy’

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    Existing research on historic hotels has identified their role as key projections of community ideals and place identities, as 'hip'/creative business ventures and as dark tourism sites of 'darkness', difficulties and dissonances. However, there has been less discussion on what happens when these intentions and operations come together in a single historic hotel. Specifically, we argue that the historical Lloyd Hotel in Amsterdam was recently adapted to function as a 'quasi-freedom machine' for cultural and heritage guests and visitors - a building to be unchained materially from its carceral pasts via extensive conservation and to become a liberating space for cultural, heritage and hospitality users. Drawing on the narratives proposed by the architects and managers adapting the building and the accounts of its former (juvenile detention centre worker) and current users (hotel guests and cultural tourists), this paper examines the convergences and divergences related to the creation of such a single 'utopian' space, also in relation to its painful past and cultural touristic present. In doing so, the article intends to contribute to the understanding of the relationship between utopian (liberating) visions of and user practices in historic hotels marked by difficult histories

    Governing refugee space: The quasi-carceral regime of Amsterdam’s Lloyd Hotel, a German-Jewish refugee camp in the prelude to World War II

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    Through analysing the correspondence between key refugee camp commanders based at Amsterdam’s Lloyd Hotel and different authorities involved in Dutch refugee matters, this paper examines how “the Dutch state” responded to German-Jewish refugees fleeing Nazi Germany in the prelude to World War II. Using a largely Foucauldian approach to discipline, power, security and governmentality to examine the bio-, macro-and micro-politics behind the management of these refugees and their lived spaces, we seek to illustrate how the Lloyd Hotel formed part of a quasi-carceral spatial regime implemented to segregate and contain those with an unclear legal status at a time of political confusion. The article also seeks to show how the involvement of different authorities at different scales brought serious implications for the status, spatial regimentation, mobilities and future of the refugees

    Disciplined mobility and the emotional subject in Royal Dutch Lloyd's early twentieth century passenger shipping network

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    This paper examines the disciplined mobility and emotional geographies of between-deck passengers in Royal Dutch Lloyd's early Twentieth Century passenger shipping network. Specifically, it is concerned with the ways in which the network was established and with the efforts made to maintain it. It is found that such a disciplinary network furthers the firm's goal of shipping healthy and productive bodies for corporate profits and that transhipment facility Lloyd Hotel in Amsterdam was integral to the performance and maintenance of such a transnational disciplinary network. The key consequence of such disciplined mobility was the creation of an emotional passenger-migrant subject shaped in relation to the power of corporate, cultural and other authorities in maritime travel and migration. In identifying this historic network of disciplined mobility and its emotional subject, this paper seeks to reveal the emotional geographies relating to mobile subjectivities and the power relations associated with their historically significant travels

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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