1,720,956 research outputs found
The Violet Fairy Book ilustracije
Ovim radom opisuje se proces realizacije ideje uz pomoć kombiniranih grafičkih
tehnika. Rad se bazira na izradi autorskih ilustracija, tematski povezani, upotrebom
kombiniranih grafičkih tehnika ( bakropis/akvatinta ).
Grafika ( grčki grafein = pisati, urezivati ) je grana likovne umjetnosti, ujedno općeniti
naziv za postupak i rezultat korištenja neke od grafičkih tehnika pri izradi umjetničkog
djela; umnožavanje crteža putem matrice.
Grafika također označava i tipografsko umijeće, tj. rad na umnožavanju pisama i
likovnih priloga u tiskarstvu. Budući da likovni izraz u grafici osniva na ekspresivnosti
linije i kontrastima crnoga i bijeloga, ovaj naziv u širem smislu obuhvaća i svaki
originalni crtež na papiru.
Za izradu grafike koriste se različite tehnike, a svaka tehnika koristi različite materijale.
U radu su pojedinačno opisane glavne grafičke tehnike: drvorez, linorez, bakrorez,
bakropis i litografija.
Osim teorijskog dijela, rad se sastoji i od svojeg eksperimentalnog dijela u kojemu se
opisuje postupak izrade umjetničkog djela, u tehnikama dubokog tiska.
Rad se sastoji od 3 ilustracije. Te se izvodi tehnikom bakropisa i tehnikom akvatinte, a
od radne skice, graviranja, odnosno jetkanja i samog otiska opisan je detaljno te uz
pomoć slikovnih prikaza. Zbog ne mogućnosti izrade rada, sve slike korištene za prikaz
izrade matrica su korištene od prijašnjih izrada. Dok je sama skica izrađena, i
dokumentirana
Vizualni identitet moderne informatičke tvrtke
Svrha ovog diplomskog rada je kroz praktični dio izrade vizualnog identiteta informatičke
tvrtke provesti istraživanje koje se bazira na pretpostavci da se moderne informatičke
tehnologije mogu učinkovito prezentirati kroz logo tvrtke. Sam cilj istraživanja je ispitati je li
kroz grafičko rješenje zaštitnog znaka moguće uspješno prezentirati glavnu karakteristiku
tvrtke - njenu modernost, odnosno usklađenost njenih usluga s aktualnim trendovima. Prvi
korak do cilja bio je izrada različitih idejnih rješenja zaštitnih znakova koji će se prikazati
kroz knjigu standarda. Eksperimentalni dio uključivao je evaluaciju predloženih rješenja sa
strane ciljane skupine definiranog dobnog raspona (od 18 do 55 godina). Na temelju dobivenih
rezultata odabrano je optimalno rješenje zaštitnog znaka, te je uniformiranost njegove
primjene definirana kroz izradu knjige grafičkih standarda. Osim što se dobivenim rezultatima
stekao uvid u korisničku percepciju zaštitnog znaka, potvrdila se i njegova učinkovitost na
području popularnih informatičkih tehnologija. Utvrđeno je da se kroz praktičnu primjenu
grafički efektnih rješenja na kojima se temelji vizualni identitet određene informatičke tvrtke
logo može učinkovito koristiti kao jedan od glavnih elementa prikaza modernosti ponude.The topic of this thesis is to conduct research based on the basic hypothesis through the
practical part of creating the visual identity of an IT company: "Modern information
technologies can be effectively presented through the company logo." The aim of this research
is to examine whether it is possible to successfully present the main characteristic of the
company through the graphic design of the trademark - its modernity and the compliance of
its services with current trends. The first step is to create different conceptual solutions of the
logo with which the selected design will be presented through the creation of the brand book.
The experimental part included the evaluation of the proposed solutions by the target group
of the defined age range (from 18 to 55 years). Based on the obtained results, the optimal
trademark solution was selected, and the uniformity of its application was defined through the
creation of the brand book. In addition to the fact that the obtained results gained insight into
the user's perception of the trademark and its effectiveness in the field of popular IT
technologies was also confirmed. It has been established that through the practical application
of graphically effective solutions on which the visual identity of a certain IT company is
based, the logo can be effectively used as one of the main elements of presenting the
modernity of the offer
The Violet Fairy Book ilustracije
Ovim radom opisuje se proces realizacije ideje uz pomoć kombiniranih grafičkih tehnika. Rad se bazira na izradi autorskih ilustracija, tematski povezani, upotrebom kombiniranih grafičkih tehnika ( bakropis/akvatinta ). Grafika ( grčki grafein = pisati, urezivati ) je grana likovne umjetnosti, ujedno općeniti naziv za postupak i rezultat korištenja neke od grafičkih tehnika pri izradi umjetničkog djela; umnožavanje crteža putem matrice. Grafika također označava i tipografsko umijeće, tj. rad na umnožavanju pisama i likovnih priloga u tiskarstvu. Budući da likovni izraz u grafici osniva na ekspresivnosti linije i kontrastima crnoga i bijeloga, ovaj naziv u širem smislu obuhvaća i svaki originalni crtež na papiru. Za izradu grafike koriste se različite tehnike, a svaka tehnika koristi različite materijale. U radu su pojedinačno opisane glavne grafičke tehnike: drvorez, linorez, bakrorez, bakropis i litografija. Osim teorijskog dijela, rad se sastoji i od svojeg eksperimentalnog dijela u kojemu se opisuje postupak izrade umjetničkog djela, u tehnikama dubokog tiska. Rad se sastoji od 3 ilustracije. Te se izvodi tehnikom bakropisa i tehnikom akvatinte, a od radne skice, graviranja, odnosno jetkanja i samog otiska opisan je detaljno te uz pomoć slikovnih prikaza. Zbog ne mogućnosti izrade rada, sve slike korištene za prikaz izrade matrica su korištene od prijašnjih izrada. Dok je sama skica izrađena, i dokumentirana
Vizualni identitet moderne informatičke tvrtke
Svrha ovog diplomskog rada je kroz praktični dio izrade vizualnog identiteta informatičke
tvrtke provesti istraživanje koje se bazira na pretpostavci da se moderne informatičke
tehnologije mogu učinkovito prezentirati kroz logo tvrtke. Sam cilj istraživanja je ispitati je li
kroz grafičko rješenje zaštitnog znaka moguće uspješno prezentirati glavnu karakteristiku
tvrtke - njenu modernost, odnosno usklađenost njenih usluga s aktualnim trendovima. Prvi
korak do cilja bio je izrada različitih idejnih rješenja zaštitnih znakova koji će se prikazati
kroz knjigu standarda. Eksperimentalni dio uključivao je evaluaciju predloženih rješenja sa
strane ciljane skupine definiranog dobnog raspona (od 18 do 55 godina). Na temelju dobivenih
rezultata odabrano je optimalno rješenje zaštitnog znaka, te je uniformiranost njegove
primjene definirana kroz izradu knjige grafičkih standarda. Osim što se dobivenim rezultatima
stekao uvid u korisničku percepciju zaštitnog znaka, potvrdila se i njegova učinkovitost na
području popularnih informatičkih tehnologija. Utvrđeno je da se kroz praktičnu primjenu
grafički efektnih rješenja na kojima se temelji vizualni identitet određene informatičke tvrtke
logo može učinkovito koristiti kao jedan od glavnih elementa prikaza modernosti ponude.The topic of this thesis is to conduct research based on the basic hypothesis through the
practical part of creating the visual identity of an IT company: "Modern information
technologies can be effectively presented through the company logo." The aim of this research
is to examine whether it is possible to successfully present the main characteristic of the
company through the graphic design of the trademark - its modernity and the compliance of
its services with current trends. The first step is to create different conceptual solutions of the
logo with which the selected design will be presented through the creation of the brand book.
The experimental part included the evaluation of the proposed solutions by the target group
of the defined age range (from 18 to 55 years). Based on the obtained results, the optimal
trademark solution was selected, and the uniformity of its application was defined through the
creation of the brand book. In addition to the fact that the obtained results gained insight into
the user's perception of the trademark and its effectiveness in the field of popular IT
technologies was also confirmed. It has been established that through the practical application
of graphically effective solutions on which the visual identity of a certain IT company is
based, the logo can be effectively used as one of the main elements of presenting the
modernity of the offer
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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