483 research outputs found

    Kaye Condon

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    Kaye Condon, author of the Complete Guide to Mobile Homes

    Kaye Condon

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    The Complete Guide to Mobile Homes by local author Kaye Condon

    Cicinnus magnapuncta Kaye 1901

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    <i>Cicinnus magnapuncta</i> (Kaye, 1901) <p>(Figs. 6, 9, 10, 31)</p> <p> <b>Type locality.</b> Trinidad, Tabaquite [NHMUK, syntype examined, designated here as lectotype] <i>Perophora magnapuncta</i> Kaye, 1901: Kaye (1901); Kaye & Lamont (1927).</p> <p> <i>Cicinnus magnapuncta</i> was described and illustrated implicitly from one (but possibly more) specimens collected at Tabaquite, central Trinidad, in June 1898 by W.J. Kaye (Kaye 1901, Kaye & Lamont 1927). Kaye (1901) does not indicate the sex of the type material but his illustration and the single specimen recognized as a type in the NHMUK is female (Fig. 31). The syntype in the NHMUK lacks a collecting data label, though it does bear a label reading “Trinidad, Kaye” and the accession number 1901-72. On the reverse of the accession label, <i>Perophora magnapuncta</i> Kaye is handwritten, in a style similar to that seen for other Kaye types from 1901 in NHMUK, although different from Kaye’s characteristic writing on later types. A red edged type label is also present on the specimen, along with a genitalia preparation label (the genitalia are apparently missing because the slide only contains the terminal two abdominal segments). We therefore believe that this specimen is a syntype, and here designate it as the lectotype with the following labels: C, magnapuncta Keyes [<i>recte</i> Kaye] Type genit.pr. No 6 Mimallonidae / BMNH(E) #805414/ NHMUK010588329/ Type [red edged circular label]/ Trinidad Kaye 1901 -72 [number after 1901 unclear, 72 or 92, written on upper surface of label]; <i>Perophora magnapuncta</i> Kaye [written on lower surface of label]/ LECTOTYPE ♀ <i>Perophora magnapuncta</i> Kaye designated by St Laurent and Cock, 2017 [red handwritten label].</p> <p> <i>Cicinnus magnapuncta</i> was the only mimallonid species described from Trinidad until <i>C. trini</i> described above. Although <i>C. magnapuncta</i> seemed to be endemic to the island, a single male specimen from French Guiana in the MNHN (Fig. 9) may be this species considering the similarities in external appearance to the females and the close affinity of Trinidad Mimallonidae with those of French Guiana. However, due to the lack of males from Trinidad, it is not possible to definitively state at this time that the two populations are conspecific. Interestingly, so far only females of <i>C. magnapuncta</i> have been collected or photographed in Trinidad, thus males seem to either not be strongly attracted to light or are potentially diurnal or crepuscular whereas the females arrive late (23.51 h and 0 0.44 h) at light (K. Sookdeo pers. comm.).</p> <p> Several similar <i>Cicinnus</i> species are known from mainland South America, namely: <i>C. bactriana</i> (Butler, 1878), <i>C. callipius</i> Schaus, 1928, <i>C. candacus</i> Schaus, 1928, <i>C. gaujoni</i> (Dognin, 1922), and <i>C. marona</i> Schaus, 1905. Primary types of all species have been examined by the first author. <i>Cicinnus magnapuncta</i> is unique in having weak maculation, particularly submarginally, such that there is a complete absence of dark petiolate scales. The relatively faint postmedial lines and discal spots, as well as light brown to fawn ground coloration, also can be used to distinguish <i>C. magnapuncta</i> from other species listed previously, which are darker brown or nearly orange in the case of <i>C. marona</i>, and nearly always have stronger maculation.</p> <p> Prior to this work, <i>C. magnapuncta</i> was only known from a single location in Trinidad, therefore we report several new locations for this species, and figure actual specimens (not a painted illustration) for the first time. This species is restricted to forested areas of Trinidad, though the previously mentioned specimen from French Guiana may be this species. In addition to the lectotype collected from Tabaquite in the Central Range, <i>C. magnapuncta</i> has been found on the slopes of the Northern Range.</p> <p> <b>Material examined.</b> (1 ♂ *, 6 ♀ total) <b>TRINIDAD</b>: 2 ♀, Brasso Seco: 14.III.2015 (K. Sookdeo photograph, not collected). 1 ♀, Cumaca Road 0.5 mi: 27.X.1980, M.J.W. Cock [<i>leg.</i>], at MV Light (UWIZM CABI.2457). 3 ♀, Cumaca Road, 4.6 mi: 21.X.1982, M.J.W. Cock [<i>leg.</i>], at MV light (2 ♀ MWJC, 1 ♀ to be deposited USNM). 1 ♀, [Tabaquite]: [VI.1898], Kaye 1901, [lecto] type, BMNH (E)# 805414, NHMUK 010588329 (NHMUK). <b>FRENCH GUIANA:</b> 1 ♂, St. Jean du Maroni: 2.I.1978, T. Porion <i>leg.</i> [*provisionally identified as this species] (MNHN).</p>Published as part of <i>St Laurent, Ryan A. & Cock, Matthew J. W., 2017, Annotated list of Mimallonidae (Lepidoptera, Mimallonoidea) from Trinidad and Tobago, with the description of a new species of Cicinnus Blanchard, 1852 and taxonomic notes, pp. 53-70 in Zootaxa 4268 (1)</i> on pages 60-62, DOI: 10.11646/zootaxa.4268.1.3, <a href="http://zenodo.org/record/579898">http://zenodo.org/record/579898</a&gt

    A Preliminary Assessment of Aqueous Ethanol Pulping of Bagasse: the Ecopulp Process

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    SRI has examined the organosolv (organic solvation) pulping of Australian bagasse using technology supplied by Ecopulp. In the process, bagasse is reacted with aqueous ethanol in a digester at elevated temperatures (between 150ºC and 200ºC).\ud The products from the digester are separated using proprietary technology before further processing into a range of saleable products. Test trials were undertaken\ud using two batch digesters; the first capable of pulping about 25 g of wet depithed bagasse and the second, larger samples of about 1.5 kg of wet depithed bagasse.\ud From this study, the unbleached pulp produced from fresh bagasse did not have very good strength properties for the production of corrugated medium for cartons and bleached pulp. In particular, the lignin contents as indicated by the Kappa number for the unbleached pulps are high for making bleached pulp. However, in spite of the high lignin content, it is possible to bleach the pulp to acceptable levels\ud of brightness up to 86.6% ISO. The economics were assessed for three tier pricing (namely low, medium and high price). The economic return for a plant that produces 100 air dry t/d of brownstock pulp is satisfactory for both high and\ud medium pricing levels of pricing. The outcomes from the project justify that work should continue through to either pilot plant or upgraded laboratory facility

    Interview with Lenny Kaye

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    Lenny Kaye has been Patti Smith’s long term guitarist, friend and collaborator, ever since they first began together in the early 1970s. He grew up between New York and New Jersey, graduating in American History from Rutgers University, where he later taught a course in the Department of American Studies on the History of American Rock, which became famous because of the large number of students who wanted to enroll in it. A very prolific writer and musician, he has produced an important number of records, as well as collaborated with numerous music magazines. He is the author of two books, Waylon Jennings: An Autobiography (1996) and You Call it Madness, The Sensuous Song of the Croon (2004). Nuggets (1972), his anthology of 60s garage music, is famous for defining the genre. This interview took place when he was visiting Spain in November 2012 with the Patti Smith Group. In it, we discussed the New York scene of the 70s, music, literature, drugs, politics, and many other things

    Annual report

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    Recorded on December 15, 2021On this episode of the Forward Together podcast, WSU President Dr. Rick Muma and his guests reflect on and celebrate all that Wichita State University has accomplished in 2021. Special guests include James Chung, founder of Reach Advisors and author of the Chung Report; and Dr. Kaye Monk-Morgan, vice president of engagement and planning at Wichita State University

    Undergraduate researchers report only moderate knowledge of scholarly communication: they must be offered more support

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    Undergraduate students are increasingly participating in the scholarly communication process, mostly through formal research experiences. However, Catherine Fraser Riehle and Merinda Kaye Hensley, having surveyed and interviewed university students, reveal that undergraduate researchers have only moderate levels of confidence in their knowledge of scholarly communications, especially publication and access models, author and publisher rights, determining the impact of research, and research data management. Moreover, students revealed that to receive specific guidance in these areas was rare. There is much opportunity for faculty members, graduate students, librarians, and research programme coordinators to collaborate and develop learning interventions in these areas

    Backward Running Dinner: Soundscore

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    Backward Running Dinner was an edible journey through the The Devil’s Larder by author Jim Crace, exploring dark and delightful tales of food, from the mundane to the extraordinary.The Devil’s Larder is a book of 64 short stories, each exploring our complex relationship with food – as nourishment, aphrodisiac, poison; with family, friends, lovers and enemies.The dinner was underpinned by one of Crace’s stories about a backward running dinner party, but the menu and the dining room wove other delicious fictions throughout the dinner exploring the sheer scope of Crace’s writings around food. Jim Crace read three of the short stories from The Devil’s Larder during the event.Backward Running Dinner was commissioned by Birmingham Literature Festival as part of their 20th anniversary festival.“Life is uncertain. Eat the pudding first.”CREATIVE TEAMConcept – Kaye WinwoodFood – Chris Hughes, Bethan Rees, Marcus DavisDrinks – Robert Wood & Kyndra VorsterSet – Kaye Winwood and Matt MooreFabrication – Matt MoorePerformance – Sarah Baker Groves, Indra J Adler, Connor NolanLighting – David CheckleySound – Annie Mahtani, BEASTVolunteers – Fadhila Ismail, Noor MearDesign – Keith DoddsVenue – Niki Astley, Two Cats Kitche
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