1,720,979 research outputs found
Scenari di romanizzazione a Nora: un deposito di fondazione e un deposito votivo per la costituzione della provincia Sardinia et Corsica
No full textIl contributo prende in esame l'eccezionale ritrovamento di 18 monete d'argento e di una maschera fittile durante lo scavo di uno degli ambienti laterali del cd. Tempio romano di Nora in Sardegna. Si tratta quasi certamente di un deposito votivo dell'ultimo quarto del III secolo interrato al momento della costituzione della Provincia di Sardinia et Corsica (225 a.C.) e poi riutilizzato al momento della ristrutturazione del complesso sacro nel corso della prima età imperiale. Le monete sono emesse a Roma e in Italia (Magna Grecia) tra la metà del IV sec. a.C. e il 225 a.C. e costituiscono il più nutrito gruzzolo ad oggi recuperato in Sardegna. Nel contributo è considerata e valutata anche la presenza della maschera fittile antropomorfa, studiata dal coautore G. Falezza, che trova riferimenti e paralleli in contesti sacri medioitalici e sardi nel periodo compreso tra IV e III sec. a.C
All’alba della città romana: il deposito votivo del Tempio romano di Nora
No full textAbstract: The paper deals with the discovery of 18 silver coins and an anthropomorphic clay slab recovered in 2008 during the excavation of the Roman Temple of Nora by the University of Padua. The precious finds were brought to light in the layers of restructuring of the sanctuary operated in the Roman imperial age (III century AD). The same area of the discovery was already occupied by a first building of probable sacred character, built in the Archaic age, and by a second valuable building, built between 260 and 240 BC. The production of the slab is placed in the III century BC and the formation of the hoard, consisting of the most ancient Greek and Roman coins found in Sardinia, can be placed between the years 230- 225 BC. Various elements and clues lead us to hypothesize that the coins and the mask were donated in the new sacred building in these crucial years for the history of the island. Indeed the evidence generates some reflections on the possible relationship between the votive offers and the contemporary constitution of the provincia of Sardinia et Corsica, as on the role of Nora in the Roman expansionist policy in Sardinia
L'Università di Pisa a Nora: il recupero del quartiere lungo la via del Porto.
No full textLe ricerche condotte dall'Università di Pisa nel quartiere lungo la via del Porto, a Nora (CA). Storia di un isolato di abitazione, dalla sua prima urbanizzazione, nel I secolo a.C., alla morte della città, nel VII secolo d.C
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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