1,721,138 research outputs found
Matters of concern: survival strategies
No full text1 online resource (PDF, page 126-132)Faber, Sebastiaan. (2016). Matters of concern: survival strategies. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/202287
The Price of Popular Frontism: Spanish Armed Resistance in U.S. Visual Media (1936-1964)
No full text1 online resource (PDF, page 39-60)Faber, Sebastiaan. (2012). The Price of Popular Frontism: Spanish Armed Resistance in U.S. Visual Media (1936-1964). Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/184328
Raising the Specter of "Argentinization": The Temptation of Spanish Exceptionalism
No full text1 online resource (PDF, page 117-136)Faber, Sebastiaan. (2012). Raising the Specter of "Argentinization": The Temptation of Spanish Exceptionalism. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/184377
Accounting for violence, counting the dead: the Civil War and Spain's political present
No full text1 online resource (PDF, page 30-34)Faber, Sebastiaan. (2016). Accounting for violence, counting the dead: the Civil War and Spain's political present. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/202299
La metonimia en una crónica de Carlos Monsivais. Hacia un periodismo democrático
No full textFrom a stylistic stand point, the author analyzes the narrative technique in "Dios nunca muere", a paradigmatic chronic in Carlos Momivais' work. Ihe comtant presence of metonymy and synecdoche, in particular, is studied in one of the underlying chronistic languages in Mexican literature.Desde una perspectiva estilística, el autor analiza la técnica narrativa y la estructura de "Dios nunca muere", una crónica paradigmática en la obra de Carlos Monsivais. De manera particular, se estudia la presencia constante de la metonimia y la sinécdoque en uno de los lenguajes cronísticos fundamentales de la literatura mexicana
Teoría e hispanismo. Una trayectoria personal
Full text linkThe author, who was educated as a Hispanist in the Netherlands and United States in the 1990s, looks back on his academic trajectory with a particular eye to the fluctuating importance in it of critical theory. The article covers Spanish Civil War exile, the institutional history of Hispanism, and memory studies. El autor —hispanista educado en Países Bajos y Estados Unidos en los años 90 del siglo XX— repasa su trayectoria académica e investigadora con un enfoque particular en el papel fluctuante que ha jugado en ella la teoría crítica. El artículo cubre el exilio republicano de 1939, la historia institucional del hispanismo y los estudios de la memoria
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Los exiliados españoles y las instituciones mexicanas: Entre la autonomía y la cooptación
Full text linkThe forties marked an expansion, modernization and professionalization unprecedented of Mexican institutions within the context of one-party authoritarian regime that had emerged hegemonic in the Revolution 1910-20. There is no doubt that the Spanish exiles benefited from this process, as it is also undeniable that they helped him considerably. This article illustrates the general features of the institutional integration of the Spanish exile within its complex Mexican context, using three examples: la Universidad Nacional Autónoma de México, el Colegio de México y el Fondo de Cultura Económica.Los años cuarenta marcaron una expansión, modernización y profesionalización sin precedentes de las instituciones mexicanas dentro del contexto del régimen autoritario y unipartidista que había surgido hegemónico de la Revolución de 1910-20. No hay duda de que los exiliados españoles se beneficiaron de este proceso, como también es innegable que contribuyeron a él de modo considerable.
Este artículo ilustra los rasgos generales de la integración institucional del exilio español, dentro de su complejo contexto mexicano, mediante tres ejemplos: la Universidad Nacional Autónoma de México, el Colegio de México y el Fondo de Cultura Económic
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