1,720,989 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Categorical rhythms in a singing primate

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    What are the origins of musical rhythm? One approach to the biology and evolution of music consists in finding common musical traits across species. These similarities allow biomusicologists to infer when and how musical traits appeared in our species1. A parallel approach to the biology and evolution of music focuses on finding statistical universals in human music2. These include rhythmic features that appear above chance across musical cultures. One such universal is the production of categorical rhythms3, defined as those where temporal intervals between note onsets are distributed categorically rather than uniformly2,4,5. Prominent rhythm categories include those with intervals related by small integer ratios, such as 1:1 (isochrony) and 1:2, which translates as some notes being twice as long as their adjacent ones. In humans, universals are often defined in relation to the beat, a top-down cognitive process of inferring a temporal regularity from a complex musical scene1. Without assuming the presence of the beat in other animals, one can still investigate its downstream products, namely rhythmic categories with small integer ratios detected in recorded signals. Here we combine the comparative and statistical universals approaches, testing the hypothesis that rhythmic categories and small integer ratios should appear in species showing coordinated group singing3. We find that a lemur species displays, in its coordinated songs, the isochronous and 1:2 rhythm categories seen in human music, showing that such categories are not, among mammals, unique to humans3

    The effects of intra- and interspecific competitions on personality and individual plasticity in two sympatric brown frogs

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    We studied how individuals modify their behavior in response to inter- and intraspecific competitors and how these changes affected the pattern of variation between populations and species. As study models, we used tadpoles of two brown frogs, Rana latastei and R. dalmatina. Since R. latastei is always sympatric to R. dalmatina, whereas R. dalmatina is sympatric to R. latastei only in the periphery of its range, we predicted a stronger response to heterospecifics in R. latastei than in R. dalmatina and, within each species, in syntopic than in allotopic populations. To test these predictions, we raised tadpoles, from either syntopic or allotopic populations, in either syntopy or allotopy and repeatedly tested them in open field trials in the presence of a caged conspecific, a caged heterospecific, or an empty cage. As predicted, we found that, on average, R. latastei tadpoles modified their behavior across treatments more than R. dalmatina tadpoles and individuals from the syntopic population changed more than their conspecifics from the allotopic population. In both species, the pattern of variation at the individual level mirrored that at the population and species levels providing no evidence for an individual-by-environment interaction (I x E). Besides these differences, however, individuals of the two species also showed unpredicted and context-independent behavioral differences, suggesting that there might be more to interspecific behavioral variation than the effect of selection by heterospecific competitors.Significance statementDoes the distribution range of a species influence the evolution of plastic behaviors to heterospecific competitors? And how do differences in plasticity affect animal personality? To answer these questions, we raised tadpoles of two brown frog species, Rana dalmatina and R. latastei, and studied how the amount and the type of their swimming varied with the presence of the other species. R. latastei, whose small distribution range fully overlaps with that of R. dalmatina, plastically responds to it, whereas R. dalmatina, which is sympatric to R. latastei only in the periphery of its broader range, does not. These interspecific differences mirrored those among individuals: tadpoles of both species show repeatable behaviors, but only those of R. latastei plastically changed their behavior with the presence of the other species; however, neither R. latastei nor R. dalmatina show among-individual variation in plasticity

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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