2,608 research outputs found
Short story, 'The Death of Anton Chekhov by Anton Chekhov'
No full textThis story was one of three stories by Alison MacLeod commissioned as a suite of Chekhov-inspired stories by BBC Radio 4.
All three were later collected in Alison MacLeod's short fiction collection ALL THE BELOVED GHOSTS (2017):
http://eprints.chi.ac.uk/2608/
BBC Programme Notes: A set of three stories, commissioned specially for Radio 4. Alison MacLeod explores the life and work of one of the finest short story writers of them all - Anton Pavlovich Chekhov.
Episode Three:
This story could be called The Death Of Anton Chekhov By Anton Chekhov. Now very ill, Chekhov travels with Olga to a spa town in Germany in the hope of better treatment.
Alison MacLeod lives in Brighton. She was shortlisted for the BBC National Short Story Award in 2011 and her stories Solo, A Capella and In Praise Of Radical Fish have featured in previous Radio 4 series. Her works include The Changeling and The Wave Theory of Angels. Her novel, Unexploded, was long-listed for the Man Booker Prize and was broadcast as Book At Bedtime. Alison is Professor of Contemporary Fiction at the University of Chichester.
Reader: Peter Firth
Producer: Jeremy Osborne
A Sweet Talk production for BBC Radio 4
Short story, 'Chekhov's Telescope'
No full textThis story was one of three stories by Alison MacLeod commissioned as a suite of Chekhov-inspired stories by BBC Radio 4.
All three were later collected in Alison MacLeod's short fiction collection ALL THE BELOVED GHOSTS (2017):
http://eprints.chi.ac.uk/2608/
BBC Programme Notes:
Chekhov's Telescope
Series Title: Imagining Chekhov
A set of three stories, commissioned specially for Radio 4. Alison MacLeod explores the life and work of one of the finest short story writers of them all - Anton Pavlovich Chekhov.
Episode Two:
Chekhov and his lover - the actress Olga Knipper - take a holiday in Yalta, unaware that a news reporter is stalking their every move.
A note on the letters between Chekhov and Olga.
These are fictional composites of the writer's own words and Chekhov's actual letters from the volume Dear Writer, Dear Actress: The Love Letters of Anton Chekhov and Olga Knipper, translated by Jean Benedetti.
Alison MacLeod lives in Brighton. She was shortlisted for the BBC National Short Story Award in 2011 and her stories Solo, A Capella and In Praise Of Radical Fish have featured in previous Radio 4 series. Her works include The Changeling and The Wave Theory of Angels. Her novel, Unexploded, was long-listed for the Man Booker Prize and was broadcast as Book At Bedtime. Alison is Professor of Contemporary Fiction at the University of Chichester.
Reader: Peter Firth
Producer: Jeremy Osborne
A Sweet Talk production for BBC Radio 4
Short story, 'Woman with a Little Pug'
No full textThis story was one of three stories by Alison MacLeod commissioned as a suite of Chekhov-inspired stories by BBC Radio 4.
All three were later collected in Alison MacLeod's short fiction collection ALL THE BELOVED GHOSTS (2017):
http://eprints.chi.ac.uk/2608/
BBC Programme notes:
Series: Imagining Chekhov
Story: Woman with a Little Pug
A set of three stories, commissioned specially for Radio 4. Alison MacLeod explores the life and work of one of the finest short story writers of them all - Anton Pavlovich Chekhov.
Episode One:
In this playful reworking of Chekhov's classic tale 'The Lady With A Little Dog', a philanderer encounters a woman in a Brighton hotel. But they can't help thinking they've met each other somewhere before.
Alison MacLeod lives in Brighton. She was shortlisted for the BBC National Short Story Award in 2011 and her stories Solo, A Capella and In Praise Of Radical Fish have featured in previous Radio 4 series. Her works include The Changeling and The Wave Theory of Angels. Her novel, Unexploded, was long-listed for the Man Booker Prize and was broadcast as Book At Bedtime. Alison is Professor of Contemporary Fiction at the University of Chichester.
Reader: Peter Firth
Producer: Jeremy Osborne
A Sweet Talk production for BBC Radio 4
Pengantar hukum hak kekayaan intelektual (edisi keempat) diterjemahkan dari buku intellectual property law
No full textBuku ini merupakan jilid ke 4 yang merupakan kelanjutan dari jilid-jilid sebelumnya yang merupakan terjemahan dari buku intelektual property law yang ditulis oleh Jeremy Phillips dan Alison Firth. Buku ini berisi konsep hak cipta, karya pencipta, ciptaan turunan, dan pelanggaran hak cipta
Cataloguing the internet: CATRIONA feasibility study : report to the British Library Research & Development Department
No full textThe idea of a distributed catalogue of Internet resources integrated with standard Z39.50 library system OPAC interfaces (and hence with retrieval of information on hard copy resources) is already practical at a basic level. Geac's Z39.50 GUI OPAC client. GeoPac, can search remote Z39.50 OPACs, retrieve USMARC records with URLs in 856$u, respond by loading a viewer like Mosaic or Netscape, and utilise it to retrieve and display the remotely held electronic resources on the local workstation. A range of Z39.50 OPACs can be searched server by server, making a basic-level distributed catalogue of Internet resources feasible. At least one other Z39.50 client, Dynix Horizon is close to having similar capabilities.
Significant further development and investigation is nevertheless required. A proposed demonstrator project - based around Scottish University Libraries and the BUBL Subject Tree initiative, but sufficiently 'open' to encompass other sites and approaches - is both feasible and essential, and would provide a focus for Z39.50 developments in the UK.
Z39.50 clients and associated Z39.50 OPACs describing resources could become preferred network navigation tools with other specific NIDR client types (WWW, gopher, WAIS, others) loaded as required. Library involvement is essential to sustainable Internet cataloguing initiatives
Repositioning the graphic designer as researcher
No full textIn academic terms, the discipline of graphic design is relatively young. Consequently the position of the discipline within academic territory, and the role of the designer, continue to be debated. In part, these debates have been a product of attempts to define and defend the discipline’s borders from within, in order to establish a sense of the role of graphic design and the graphic designer as commensurate with other disciplines both within and beyond art and design. In recent years graphic designers have variously been defined as ‘authors’, ‘producers’ and ‘readers’, yet none of these definitions seem to have provided any kind of productive or lasting impact within the academy. This paper suggests that rather than continue to seek territorial definitions and positions from within, it could be more productive to look beyond the confines of the discipline. Gaining a broader, interdisciplinary perspective on, and understanding of, qualitative research methods from other disciplines may enable the graphic designer to more fully position his or her practice within the wider academy. Such a perspective could help facilitate the repositioning and redefinition of the graphic designer as ‘researcher’ - a move that would be productive in relation to the future development of postgraduate research within the discipline
Late Holocene mud sedimentation and diagenesis in the Firth of Thames: Bentonites in the making
No full textLate Holocene mud sedimentation in the southern Firth of Thames has been described from analysis of a number of shallow marine sediment cores. Three distinct lithofacies are distinguished on the basis of sediment texture and mineralogy. A laterally extensive greenish grey mud, typically bioturbated and massive, with sporadic uncorrelatable interbedded shell layers is termed the Firth of Thames mud facies. Nearer shore sediments are usually coarser and are subdivided into two facies: a siliciclastic sand facies (river mouth sand facies) comprising more prominent interbeds of sand in mud and associated with sedimentation at the mouth of the Waihou River; and a mixed terrigenous-carbonate gravel facies (delta fan gravel facies) associated with deposition on small delta fans adjacent to streams draining the Coromandel Range. The areal distribution of all three facies over the late Holocene has been controlled largely by northward progradation of the coastal Hauraki Lowland associated with the rapid sediment infilling of the Firth of Thames since sea level reached its present height 6500 y B.P. From seismic evidence the Holocene muds are up to 10m thick. The cores in this study penetrated only to 5.5m sub-bottom depth and yielded an oldest radiocarbon age of 5000 y B.P. The age data indicate an average rate of offshore vertical sediment accumulation of 1.5 mm/y.
Up to 15 km of progradation of the southern shoreline of the coastal Hauraki Lowland has occurred over the late Holocene at an average rate of up to 2.5 m/y, notably from 3500 y B.P to 1200 y B.P. Progradation is evidenced by the occurrence of coarsening-upward sequences in nearer shore cores of the Firth of Thames, as well as their changing faunal composition, particularly the upward increase in abundance of the foraminifer Ammonia beccarri, a good indicator of brackish water conditions, which suggests a gradual seaward encroachment of the freshwater influence of the Waihou River over the late Holocene. Basal muds which are similar in composition to marine sediments of the Firth of Thames are overlain by peat dated at 6025 y B.P in a peat core from Kopouatai Peat Bog, and suggest that marine conditions existed in this inland region of the Hauraki Depression prior to 6025 y B.P.
Muds range from silty clays to clayey silts and consist principally of volcanic glass, smectite and halloysite, with smaller amounts of other volcanic-derived siliciclasts and allophane and illite, as well as skeletal carbonate (mainly aragonite) and organic matter. A contemporaneous decrease in the abundance of volcanic glass (55-15 wt % down-core) and an increase in smectite concentration (8-45 wt % down-core) occurs with sub-bottom depth. Specific mineralogical analyses (XRD and IR) and evidence from scanning electron microscopy suggest the smectite is montmorillonitic in composition and authigenic in nature. Moreover, the absence of smectite in the bottom sediments of rivers draining the Hauraki Lowland precludes a detrital origin.
The diagenetic transformation of volcanic glass to smectite in sediments of the Firth of Thames is described by a sequential kinetic model which involves a parabolic dissolution coupled with a first order precipitation of smectite via the formation of an intermediate hydrated glass phase. The rate constant calculated from the sequential kinetic model is 3.35 x 10⁻⁴y⁻¹. The half-life of the glass is 1475 y, implying rapid early diagenetic alteration of volcanic glass to smectite to form late Holocene bentonitic deposits. Thermodynamic stability considerations imply that the first order precipitaion of smectite may be favoured by conditions of pH and Na⁺ activity typical of interstitial fluids having sea water salinity under mildly anoxic conditions
Interview with Alison Frank, September 25, 2009
No full textInterview Themes: How Frank chooses research topics (00:50)
Aspects of her training as a historian Frank found useful (07:00)
Books that have inspired and informed Frank's work (11:11)
On the role of area studies for scholarship on East-Central Europe (14:00)
"Internationalizing" the history of East-Central Europe (19:30)
Advice to young historians/scholars working on the region (22:11)Interview with Alison Frank, John L. Loeb Associate Professor of the Social Sciences at Harvard University. Interview conducted in Ithaca, NY on September 25, 2009. Professor Frank is the author of a number of articles and an excellent book on the oil industry in the Habsburg Monarchy entitled Oil Empire: Visions of Prosperity in Austrian Galicia. She is now working on a project on the coastline of Austria-Hungary.1_9lz5ekh
'Shadowy Copies'? Film Adaptations of the Second Austrian Republic
No full textFor many years adaptation has been passed between literature and film studies, frequently dismissed as ‘shadowy copies’ and parasitic reproductions, the unwanted bastard child of the disciplines searching in vain for an academic home. Despite the emergence of insightful new scholarship into the development of Austrian film in the twentieth century, the role of the adaptation genre within Austria’s film industry and literary landscape remains an academic blind spot. This study aims to address this gap in critical knowledge, reviewing the potential function of filmic adaptations within the field of Austrian studies. Through five case studies of canonical works of post-war Austrian literature, this thesis sets out to establish adaptation both as a critical tool through which to approach literature and as an object of academic interest in its own right. Drawing on psychoanalytic theory and its application in film studies, these studies compare and contrast the position occupied by the film’s implied spectator with the relationship of the implied reader to the literary text. Rereading the novels retrospectively in light of their adaptations, this approach has the ability to ‘light up dark corners’ of the novels, illuminating those aspects hitherto left in the shadows by literary criticism. It will be argued that adaptation is uniquely positioned to hold up a mirror to literary texts, reflecting their concerns not through the filters of established grand narratives and generic taxonomies but through their creative, cinematic reworking of the novels. In challenging those assumptions that have become commonplace within Austrian literary history, this study calls for a more nuanced approach to literature of the Second Republic and proposes adaptation as the means by which this may be achieved
Veteran Law Students: Institutional Initiatives To Transform Their Law School Experiences
No full textPeer reviewe
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