1,721,022 research outputs found

    Contour curvature polarity and surface interpolation

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    AbstractContour curvature polarity (i.e., concavity/convexity) is recognized as an important factor in shape perception. However, current interpolation models do not consider it among the factors that modulate the trajectory of amodally-completed contours. Two hypotheses generate opposite predictions about the effect of contour polarity on surface interpolation. Convexity advantage: if convexities are preferred over concavities, contours of convex portions should be more extrapolated than those of concave portions. Minimal area: if the area of amodally-completed surfaces tends to be minimized, contours of convex portions should be less extrapolated than contours of concave portions. We ran three experiments using two methods, simultaneous length comparison and probe localization, and different displays (pictures vs. random dot stereograms). Results indicate that contour polarity affects the amodally-completed angles of regular and irregular surfaces. As predicted by the minimal area hypothesis, image contours are less extrapolated when the amodal portion is convex rather than concave. The field model of interpolation [Fantoni, C., & Gerbino, W. (2003). Contour interpolation by vector-field combination. Journal of Vision, 3, 281–303. Available from http://journalofvision.org/3/4/4/] has been revised to take into account surface-level factors and to explain area minimization as an effect of surface support ratio

    Mid-level Priming by Completion vs. Mosaic Solutions

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    We report two experiments on the role of mid-level processes in image segmentation and completion. In the primed matching task of Experiment 1, a cue→prime sequence was presented before the imperative stimulus consisting of target shapes with positive versus negative contour curvature polarity and one versus two axes of mirror symmetry. Priming shapes were included in two composite occlusion displays with the same T-junction information and different geometric features supporting a distinct balance between completion and mosaic solutions. A cue, either congruent or incongruent with targets, preceded the presentation of the composite priming display. Matching performance was affected by primes in the expected direction, while cue congruency participated only in a marginally significant three-way interaction, and prime duration had no effect. In Experiment 2, the cue→prime sequence was replaced by a fixation cross to control for the priming effect obtained in Experiment 1. The study confirmed that contour connectability and curvature polarity are effective structural factors capable of competing with symmetry in mid-level image segmentation and completion processes

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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