1,720,954 research outputs found
La littérature, voie privilégiée pour la transmission et la préservation du patrimoine immatériel. Étude de cas
Get PDFLa question du patrimoine et notamment celle de sa sauvegarde suscite un intérêt croissant au sein des débats contemporains. Se situant dans le même contexte, le Griot de Marrakech de Mahi Binebine se présente comme une contribution ambitieuse pour la préservation d’un patrimoine immatériel en voie de disparition. Le présent article se veut, d’une part, une étude descriptive explorant les manifestations du patrimoine immatériel dans le récit et, d’autre part, une lecture sémiotique de deux photographies valorisant le patrimoine matériel. L’analyse nous permet de concevoir l’apport du mot et de l’image qui se conjuguent pour transmettre l’héritage culturel de la ville rouge Marrakech
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
LA SUBVERSION DANS LE ROMAN MAGHREBIN (A. LAABI, M. KHAIR-EDDINE ET A. SERHANE)
No full textAbstractSubversion is an aesthetic that reflects a cultural and ideological consciousness. It has emerged in accordance with Morocco's political and social context. Its genesis dates back to the creation of the journal Souffles, where Laâbi and his colleagues rethought the sociopolitical situation in Morocco. These intellectuals questioned the norms of Moroccan culture. It was there that they adopted a different style of writing, far removed from classical norms. In their Subversive Project, these writers put family and religion, as well as the culture of the French colonizer, to the test of experimentation. They called for the reinstatement of new values based on the quest for meaning through knowledge while deploying irony, satire, the misappropriation of speech, perverted language, orality, discontinuous narrative, and so on. To mark the controversy between religion as belief and religion as practice, they linked them to a modernity viewed from a low angle.In this perspective, the writers have engaged in this project in order to convey to the readership their conviction of a new life, a new sensibility based on the rejection of what has already been said, of what has already been consumed, in order to guide the reader towards reasoning based on critical thinking, a mind that dares to express its refusal. It is a life centered on humanity. Their different writing aims to draw attention to the paradoxical vices intimately linked to the family, education, sexuality, women, traditional society, modernity, etc.Our thesis was limited to two lines of research: one theoretical and one analytical. This choice allows, in our opinion, to better understand the subject of our research in the work of Abdellatif Laâbi, Mohamed Khaïr-Eddine and Abdelhak Serhane and to fully understand the path of the revolt and the way in which it was able to transform the thinking of men and women in their daily lives on the family, cultural, and socio-political levels in a country such as Morocco.RésuméLa subversion est une esthétique qui reflète une conscience culturelle et idéologique. Elle s’est imposée conformément au contexte politico- social du Maroc. Sa genèse remonte à la création de la revue Souffles où Laâbi et ses collègues ont repensé la condition socio- politique au Maroc. Ces intellectuels ont remis en question les normes de la culture marocaine. C’est là qu’ils adoptent une écriture différente loin des normes classiques. Dans leur Projet subversif, ces écrivains ont mis la famille et la religion ainsi que la culture du colonisateur français sous l’épreuve de l’expérimentation. Ils ont fait appel à une réinstauration de nouvelles valeurs basées sur la quête du sens à travers le savoir tout en déployant l’ironie, la satire, le détournement de parole, le langage perverti, l’oralité, le récit discontinu, etc. Pour marquer la controverse entre la religion comme croyance et la religion comme pratique, ils les ont mises en rapport avec une modernité prise à contre-plongée.Dans cette perspective, les écrivains se sont engagés dans ce projet afin de transmettre au lectorat leur conviction d’une nouvelle vie, une nouvelle sensibilité fondée sur le rejet du déjà dit, du déjà consommé afin d’orienter le lecteur vers un raisonnement basé sur l’esprit critique, un esprit qui ose exprimer son refus. Il s’agit d’une vie centrée sur l’humanité. Leur écriture différente a pour but d’attirer l’attention sur les vices paradoxaux intimement liés à la famille, à l’éducation, à la sexualité, à la femme, à la société traditionnelle, à la modernité, etc.Notre thèse s’est limitée à deux pistes de recherche : une théorique et une autre analytique. Ce choix permet, à notre sens, de mieux cerner le sujet de notre recherche dans l’œuvre de Abdellatif Laâbi, de Mohamed Khaïr- Eddine et de Abdelhak Serhane et de bien saisir le cheminement de la révolte et la manière à travers laquelle elle a pu métamorphoser la pensée de l’homme et de la femme dans leur vie quotidienne sur le plan familial, culturel, et socio- politique dans un tel pays que le Maroc
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