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Ungvár / Geripp: Feldw. R. Watterich ; Terrain: Offic. F. Simon
No full textUNGVÁR / GERIPP: FELDW. R. WATTERICH ; TERRAIN: OFFIC. F. SIMON
General-Karte von Mittel-Europa (-)
Ungvár / Geripp: Feldw. R. Watterich ; Terrain: Offic. F. Simon (40°49°) ( -
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Stella F. Simon
Full text linkStella F. Simon and Miklos Bandy’s 1927–28 16mm film, Hands: The Life and Love of a Gentle Sex, is a short, experimental, feminist film whose aesthetic is drawn from American and European modernist photography movements and early avant-garde film traditions. The film’s underlying melodramatic narrative formula is complicated by the use of hands as both protagonists and as the central aspect of its modernist mise-en-scène. However, as with so many of the women who collaborated with men in the silent era, official credit did not go to Simon but to Bandy. The titles on all of the extant film prints credit Bandy as the film’s director, but attribute the idea to Simon. When it published four frame enlargements from the film, the British art film journal Close-Up equally attributed the film to him “after an idea by Stella F. Simon.” However, a review published the following month praised “Miss Simon’s” experiment with abstract, constructivist “scenery” (Blakeston 137). This August 1929 article, therefore, becomes the first source in new research that supports Simon as the film’s principle director (Richter 1971, 44; Barr 21; Horak 1995, 43-44; Wild 93-105). Little is known about Bandy, who was the author of one of the first articles in France to discuss Swedish abstract experimentalist Viking Eggeling’s short film Symphonie Diagonale (1924) in Germaine Dulac’s journal, Schémas. Modernist composer Marc Blitzstein wrote and performed the film’s original four-hand mechanical piano score and made a composite recording of it in March 1936 at the behest of RCA and the Museum of Modern Art (Lehrman 35)
Statuts et débouchés : L'A.N.I.F.R.M.O. Une interview avec M. F. Simon
No full textSimon M. F. Statuts et débouchés : L'A.N.I.F.R.M.O. Une interview avec M. F. Simon . In: Bulletin de psychologie, tome 13 n°169, 1959. pp. 57-58
Łódź / Geripp: T. Kaindl u. Offic. J. Krainz ; Terrain: Offic. F. Simon u. Assist. Ad. Härtel
No full textŁÓDŹ / GERIPP: T. KAINDL U. OFFIC. J. KRAINZ ; TERRAIN: OFFIC. F. SIMON U. ASSIST. AD. HÄRTEL
General-Karte von Mittel-Europa (-)
Łódź / Geripp: T. Kaindl u. Offic. J. Krainz ; Terrain: Offic. F. Simon u. Assist. Ad. Härtel (37°52°) ( -
S. Braster, F. Simon & I. Grosvenor (2013). A History of Popular Education: London: Routlege, 260 pp. ISBN: 9781315829463
No full textBook review: S. Braster, F. Simon & I. Grosvenor (2013). A History of Popular Education.Reseña de libro: S. Braster, F. Simon & I. Grosvenor (2013). A History of Popular Education. Recensión de libro: S. Braster, F. Simon & I. Grosvenor (2013). A History of Popular Education.Resenha de livro: S. Braster, F. Simon & I. Grosvenor (2013). A History of Popular Education
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Photograph - Old Arts Building including Theatre D. Professor Harry F. Simon at ornamental pond
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/285563Old Arts Building including Theatre D. Professor Harry F. Simon at ornamental pond291341
Item: [2003.0003.02541] "Photograph - Old Arts Building including Theatre D. Professor Harry F. Simon at ornamental pond
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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